Copyright Office Sets Sights on Artificial Intelligence in 2023; Bloomberg Law, December 29, 2022

Riddhi Setty, Bloomberg Law; Copyright Office Sets Sights on Artificial Intelligence in 2023

"The US Copyright Office over the next year will focus on addressing legal gray areas that surround copyright protections and artificial intelligence, amid increasing concerns that IP policy is lagging behind technology. 

“Developments are happening so quickly and so pervasively in so many different fields that I think in a way that is taking up most of the oxygen in the room these days,” Shira Perlmutter, register of copyrights and the office’s director, told Bloomberg Law in an interview."

AI-Created Comic Has Been Deemed Ineligible for Copyright Protection; CBR, December 20, 2022

BRIAN CRONIN, CBR; AI-Created Comic Has Been Deemed Ineligible for Copyright Protection

"The United States Copyright Office (USCO) reversed an earlier decision to grant a copyright to a comic book that was created using "A.I. art," and announced that the copyright protection on the comic book will be revoked, stating that copyrighted works must be created by humans to gain official copyright protection. 

In September, Kris Kashtanova announced that they had received a U.S. copyright on his comic book, Zarya of the Dawn, a comic book inspired by their late grandmother that she created with the text-to-image engine Midjourney. Kashtanova referred to herself as a "prompt engineer" and explained at the time that she went to get the copyright so that she could “make a case that we do own copyright when we make something using AI.”"

Copyright Office and USPTO Announce NFT Study and Roundtables; U.S. Copyright Office, November 22, 2022

U.S. Copyright Office, NewsNet 988; Copyright Office and USPTO Announce NFT Study and Roundtables

"The U.S. Copyright Office and the U.S. Patent and Trademark Office are publishing a Federal Register notice announcing a U.S. Copyright Office and U.S. Patent and Trademark Office (USPTO) joint study to examine various matters related to intellectual property that arise from the use of non-fungible tokens (NFTs).

In a letter dated June 9, 2022, Senators Patrick Leahy and Thom Tillis requested that the Copyright Office and the USPTO conduct a joint study and address issues related to NFTs and intellectual property rights in consultation with the private sector, drawing from the technological, creative, and academic sectors.

To assist in preparing a report for Congress, the notice seeks written responses from the public to several questions. It also announces that the Copyright Office and USPTO intend to hold virtual public roundtables in January 2023.

For additional information, including instructions for submitting comments and asking to participate in the roundtables, please visit the Copyright Office website. Comments must be received no later than January 9, 2023."

U.S. Copyright Office; Dancing with Copyright: A Conversation with Janet Eilber and Jamar Roberts; U.S. Copyright Office, November 17, 2022

U.S. Copyright Office; Dancing with Copyright: A Conversation with Janet Eilber and Jamar Roberts

"The Copyright Office hosted a conversation on copyright, dance, and choreography with Janet Eilber, artistic director for the Martha Graham Dance Company, and Jamar Roberts, a critically acclaimed choreographer and resident choreographer with the Alvin Ailey American Dance Theater. This conversation was recorded in February 2022."

Obituary: Marybeth Peters, Former Register of Copyrights; Publishers Weekly, September 30, 2022

Jim Milliot, Publishers Weekly; Obituary: Marybeth Peters, Former Register of Copyrights

"Marybeth Peters, who served as the U.S. Register of Copyrights from 1994 to 2010, died on September 29. She was 83.

Peters spent her career working in the copyright field, and was considered a leading expert on both international and domestic copyright issues. Prior to her appointment as Register of Copyrights, Peters held a variety of positions in the copyright office. During her time there, Peters played a key role in adapting copyright to the digital age, including helping to implement both the 1976 Copyright Act and the 1998 Digital Millennium Copyright Act. The controversial Google Book Search lawsuit also took place during her tenure, and Peters was critical of the proposed settlement, arguing that it was at odds with the law. The settlement was eventually rejected by Judge Denny Chin."

Miriam DeChant Named Associate Register of Copyrights and Director of Public Information and Education; U.S. Copyright Office, May 10, 2022

U.S. Copyright Office; Miriam DeChant Named Associate Register of Copyrights and Director of Public Information and Education

"Register of Copyrights Shira Perlmutter has announced the appointment of Miriam DeChant as Associate Register of Copyrights and Director of Public Information and Education (PIE), effective May 8, 2022. DeChant will direct PIE as it provides information about copyright law and practices to the public, implements the Copyright Office’s communications plan, and organizes educational and outreach programs. She is an expert copyright attorney and will serve as one of four legal advisors to the Register of Copyrights.

“I am delighted to welcome Miriam to this important position,” said Perlmutter. “Her knowledge of copyright and her extensive experience managing programs to broaden access to intellectual property systems will be a valuable addition to our senior management team.”

DeChant comes to the Office from the U.S. Patent and Trademark Office, where she served as director of the Global IP Academy, providing domestic and international intellectual property capacity-building, technical assistance, and education policy and programs. She has served as co-lead of the Gender Committee under the U.S. Department of Commerce Equity Council.

Previously, she directed the Philadelphia Volunteer Lawyers for the Arts and was the founding administrator of the PA Patent pro bono program to provide under-resourced inventors, artists, startups, and creative nonprofits with legal assistance.

DeChant earned a JD from Villanova University School of Law, where she was a member of the Villanova Environmental Law Journal. She has an undergraduate degree in the design field from Colorado State University."

Find Yourself in Copyright Exhibit; U.S. Copyright Office

 U.S. Copyright Office; Find Yourself in Copyright Exhibit

"Copyright serves all of us, incentivizing creation and enriching our culture. Find Yourself in Copyright explores how U.S. copyright law has evolved and how the millions of copyright claims registered with the Office illustrate the varied nature of original works. Based on the exhibit located at the Copyright Office, here, you will learn about the story of copyright in the United States and the Copyright Office’s key role. 

Interested in more? Explore the resources on our History and Education page, follow our Copyright: Creativity at Work blog, and when the Madison Building in Washington, DC, reopens to the public, be sure to visit our exhibit on the fourth floor."

The CASE Act for Libraries and Archives; Library of Congress; May 2, 2022

Holland Gormley, Library of Congress ; The CASE Act for Libraries and Archives

"Calling all libraries and archives! You may have heard about the CASE Act and the establishment of the Copyright Claims Board, or CCB for short, a new forum for resolving copyright disputes involving damages of up to $30,000, staffed by experts in copyright law. But did you know that qualifying libraries and archives can preemptively opt out of participating in the CCB even before any claim is brought against them? Here is what you need to know.

The Basics 

The Copyright Office respects the important roles that libraries and archives play in our society. In fact, libraries and archives enjoy certain exemptions under copyright law, like lending hard copies of works to patrons or to other libraries. Libraries and archives also enjoy the unique opportunity to preemptively opt out of future CCB proceedings if they so choose. In other words, these organizations can decide that they will not participate in any claims brought against them in the CCB, so that copyright claims against them can only be brought in federal court. Libraries and archives are not required to preemptively opt out of proceedings. In fact, they may wish to not preemptively opt out, since the CCB is more cost-effective than federal court, and all claims are decided by three officers with copyright law expertise.

Who Is Covered 

Libraries or archives that qualify under 17 USC § 108 can elect to preemptively opt out. The preemptive opt out will apply not only to the institution but also to any employees acting within the scope of their employment. This means, if the institution has preemptively opted out, the CCB will not allow copyright claims against them or their employees to proceed.

How to Preemptively Opt Out

The process is simple. To preemptively opt out, libraries and archives must submit a form on ccb.gov and self-certify their qualifying status. Afterward, the institution will be added to a publicly available list on ccb.gov and will never be asked to participate in any future CCB proceedings. There is no fee associated with doing so, and the status does not need to be renewed. However, it should be noted that if a claimant serves a claim before the preemptive opt-out is posted online, the institution should then follow the directions provided in the served notice to opt out of that claim.

If the Library or Archives Does Not Preemptively Opt Out

Participation in a CCB proceeding is voluntary for everyone. Libraries and archives that do not preemptively opt out can still opt out of participating in a CCB proceeding on a claim-by-claim basis. Libraries and archives, like any other potential CCB participant, should consider the pros and cons of using the CCB as an alternative to federal court litigation. You can learn more about the claim-by-claim opt-out process at ccb.gov.

Ready for more? Visit ccb.gov for more information on the preemptive opt-out option."

Copyright Office Launches New Copyright Claims Board Website; U.S. Copyright Office, April 7, 2022

Issue No. 954 - April 7, 2022, U.S. Copyright Office; Copyright Office Launches New Copyright Claims Board Website

"Today, April 7, 2022, the U.S. Copyright Office launched ccb.gov, a website serving as a gateway to the first copyright small-claims tribunal in the United States, the Copyright Claims Board (CCB). The launch of ccb.gov is a major milestone toward the full opening of the CCB to creators and users of copyrighted materials later this spring. 

The website is the new online home of the CCB and is focused on helping everyone understand the mission and the processes of the CCB. Once the CCB starts hearing claims later this spring, ccb.gov will become the primary location for information about filing and responding to claims, opting out of a proceeding, accessing the CCB’s Handbook, and contacting the CCB with questions.

The new website features clear, helpful information about the CCB, including what potential claimants and respondents need to know about CCB proceedings. The website will also host the CCB’s Designated Service Agent Directory, the list of libraries and archives that have preemptively opted out of CCB proceedings, and updates on the status of CCB-related rulemakings.

The CCB’s Designated Service Agent Directory is a public directory in which corporations, partnerships, and unincorporated business entities can designate an individual to receive service of the initial notices of all proceedings and claims asserted against them before the CCB. The directory is now accepting submissions and will be regularly updated. Please note that this directory is different from the existing section 512 designated agent directory under the Digital Millennium Copyright Act (DMCA).

The CCB’s Libraries and Archives page will feature a public list of the libraries and archives that have preemptively opted out of CCB proceedings. A form for libraries and archives to preemptively opt out is now available on ccb.gov, and the list of libraries and archives, when compiled, will be regularly updated. A library’s or archives’ opt-out election also covers those entities’ employees acting within the scope of their employment.

Please bookmark ccb.gov for future reference."

Jacklyn Napier Named Assistant Register and Director of Operations of the U.S. Copyright Office; U.S. Copyright Office, Issue No. 953 - March 29, 2022

 U.S. Copyright Office; Jacklyn Napier Named Assistant Register and Director of Operations of the U.S. Copyright Office 

"Register of Copyrights Shira Perlmutter has announced the appointment of Jacqueline “Jacklyn” Napier as Assistant Register and Director of Operations of the United States Copyright Office, effective March 27, 2022. Napier will have responsibility for an extensive portfolio of financial, budget, and operational issues for the Office. 

“I am pleased to welcome Jacklyn to her new position,” said Perlmutter. “She brings to the Copyright Office deep skills in financial and budget management and internal control operations. She will be an important addition to our senior management team.”

Napier comes from the Department of the Navy, where she served as integrated risk management program manager and as deputy director of financial operations, leading enterprise financial accounting and internal control operations for nineteen budget offices. Previously, she held several senior positions, including acting director and deputy director of financial operations and deputy chief financial officer, with the U.S. Coast Guard and U.S. Customs and Border Protection, both in the Department of Homeland Security. There she provided financial reporting, audit remediation, internal controls, financial systems management, and policy advice. She has also led business transformation, including projects involving financial systems modernization, and has experience in risk management. 

Napier is a certified public accountant and chartered global management accountant. She earned a bachelor of science in accounting from the University of Colorado and an executive master’s degree in public administration with honors from American University. 

Napier succeeds Jody Harry, who provided outstanding service as the first Assistant Register and Director of Operations and retired in November 2021. Maria Strong has served in an acting role in the interim period."

Three Ways Meghan Markle Shows Us That Copyright Registration Is for Everyone; The Library of Congress, March 31, 2022

Ashley Tucker, The Library of Congress; Three Ways Meghan Markle Shows Us That Copyright Registration Is for Everyone

"You are a creator. You are a copyright owner. You are a user of copyright. Copyright law encourages all walks of human life to express their creativity. Meghan, The Duchess of Sussex, is a prime example of just how wide copyright law’s inclusivity stretches and proves that registration is within reach for all of us.

Here are three ways Meghan Markle shows us that copyright registration is truly for everyone:"

Even in the digital age, Only human-made works are copyrightable in the U.S.; March 21, 2022

 K&L Gates LLP - Susan Kayser and Kristin Wells , Lexology; Even in the digital age, Only human-made works are copyrightable in the U.S. 

"The U.S. Copyright Office Review Board refused copyright protection of a two-dimensional artwork created by artificial intelligence, stating that “[c]urrently, ‘the Office will refuse to register a claim if it determines that a human being did not create the work,’” see recent letter. The Compendium of U.S. Copyright Office Practices does not explicitly address AI, but precedent, policy, and practice makes human authorship currently a prerequisite.

A “Creativity Machine,” authored the work titled “A Recent Entrance into Paradise.” The applicant, Steven Thaler, an advocate for AI IP rights, named himself as the copyright claimant. Thaler’s application included a unique transfer statement: “ownership of the machine,” and further explained that the work “was autonomously created by a computer algorithm running on a machine.” Thaler sought to register the work as a work-for-hire because he owns the Creativity Machine.

AI’s “kill switch” at the U.S. Copyright Office? AI isn’t human. The Review Board relied on the Office’s compendium of practices and Supreme Court precedent dating back to 1879—long before computers were a concept—to hold that the U.S. Copyright Office will not register a claim if it determines that a human being did not create the work.

The Review Board also denied Thaler’s argument that the work made for hire doctrine allows non-human persons like companies to be authors of copyrighted material. The Board explained that works made for hire must be prepared by “an employee” or by “parties” who “expressly agree in a written instrument” that the work is for hire.

Because Thaler did not claim any human involvement in the work, the Board did not address under which circumstances human involvement in machine-created works might meet the statutory requirements for copyright protection. This is an issue that may soon arise."

Copyright Office Launches Digitized Copyright Historical Record Books Collection; U.S. Copyright Office, February 7, 2022

U.S. Copyright Office; Copyright Office Launches Digitized Copyright Historical Record Books Collection

"The Copyright Office today launched the first release of the digitized Copyright Historical Record Books Collection. “The Copyright Office holds the world’s most comprehensive collection of records of copyright ownership,” said Register of Copyrights Shira Perlmutter. “Today’s release of the first batch of our digitized historical record books will ensure that these records are preserved for future research and that anyone can access them from anywhere.”

This collection is a preview of digitized versions of historical record books that the Office plans to incorporate into its Copyright Public Record System (CPRS), currently in public pilot. The collection will eventually include images of copyright applications and other records bound in books dating from 1870 to 1977. This first release includes 500 record books containing registration applications for books from 1969 to 1977, with a majority of the record books being the most recent volumes from 1975 to 1977. The collection is being digitized using the Copyright Office’s internal administrative classification system in reverse chronological order. There will be periodic updates as record books are digitized and added to the collection."

U.S. Copyright Office Consultation Triggers Massive “Upload Filter” Opposition; TorrentFreak, February 16, 2022

Ernesto Van der Sar, TorrentFreak; U.S. Copyright Office Consultation Triggers Massive “Upload Filter” Opposition

"Late 2020, Senator Thom Tillis released a discussion draft of the “Digital Copyright Act” (DCA), which aims to be a successor to the current DMCA.

The DCA hints at far-reaching changes to the way online intermediaries approach the piracy problem. Among other things, these services would have to ensure that pirated content stays offline after it’s taken down once.

This “takedown and staydown’ approach relies on technical protection tools, which include upload filters. This is a sensitive subject that previously generated quite a bit of pushback when the EU drafted its Copyright Directive.

To gauge the various options and viewpoints, the Copyright Office launched a series of consultations on the various technical tools that can help to detect and remove pirated content from online platforms.

This effort includes a public consultation where various stakeholders and members of the public were invited to share their thoughts, which they did en masse."

2022–2026 Strategic Plan: Fostering Creativity and Enriching Culture; U.S. Copyright Office, January 20, 2022

U.S. Copyright Office; 2022–2026 Strategic Plan: Fostering Creativity and Enriching Culture

"The Copyright Office has released its 2022–2026 Strategic Plan: Fostering Creativity and Enriching Culture. The plan seeks to benefit the public by expanding the Office’s outreach, improving integration of data and technology, and continuing to provide expertise to the copyright community as a whole.

For more information about the strategic plan, download or view the complete document here."

Barbara Ringer’s Legacy of Fighting for Equity at the Copyright Office: An Interview with Amanda Levendowski; Library of Congress, November 19, 2021

Steve Andreadis, Library of Congress ; Barbara Ringer’s Legacy of Fighting for Equity at the Copyright Office: An Interview with Amanda Levendowski

"Forty-eight years ago today, November 19, Barbara Ringer was appointed the Copyright Office’s first female Register of Copyrights. She spent her career fighting for equity within the Office and beyond and led the way for the four women who have since served in the role. In 1995, the Library of Congress awarded Ringer its Distinguished Service Award in recognition of her lifetime contributions to the field of copyright and the Library.

To commemorate Ringer’s legacy, I spoke with Amanda Levendowski, associate professor of law at Georgetown Law and the founding director of the Intellectual Property and Information Policy (iPIP) Clinic, about the inspiration Barbara Ringer provides to those in the field of copyright. Through articles and events, Levendowski has shined a light on a visionary leader who continues to inspire current and future intellectual property professionals."

Copyright Law and Machine Learning for AI: Where Are We and Where Are We Going?; Co-Sponsored by the United States Copyright Office and the United States Patent and Trademark Office, Tuesday, October 26, 2021 10 AM - 3 PM EDT

Copyright Law and Machine Learning for AI: Where Are We and Where Are We Going?

Co-Sponsored by the United States Copyright Office and the United States Patent and Trademark Office

"The U.S. Copyright Office and the U.S. Patent and Trademark Office are hosting an October 26, 2021, conference that will explore machine learning in practice, how existing copyright laws apply to the training of artificial intelligence, and what the future may hold in this fast-moving policy space. The event will comprise three one-hour sessions, with a lunch break, and is expected to run from 10:00 a.m. to 2:30 p.m. eastern time. 

Due to the state of the COVID-19 pandemic, the on-site portion of the program initially scheduled to take place at the Library of Congress's Montpelier Room has been canceled. All sessions will still take place online as planned. Participants must register to attend this free, public event.

Download the agenda here."

Ode to Cicadas; Library of Congress, May 24, 2021

George Thuronyi,  Library of Congress; Ode to Cicadas

"They’re flying, buzzing, and crawling everywhere! Washington, DC, neighborhoods around the U.S. Copyright Office are teeming with Brood X cicadas, taking their next steps on a seventeen-year journey. Along the way, they’re also inspiring musicians, photographers, artists, and authors to create copyrighted works."

Houdini and the Magic of Copyright; Library of Congress, March 24, 2021

 Anandashankar Mazumdar, Library of Congress; Houdini and the Magic of Copyright

"Magicians do not always reveal their tricks, even when they register their copyright claims. The legendary Hungarian immigrant Harry Houdini registered three of his famous illusions as “playlets,” or short plays, with the U.S. Copyright Office between 1911 and 1914. The playlets were registered as dramatic compositions, which have been eligible for copyright protection since 1856. Houdini’s deposited playlet scripts are now held within the Reader’s Collection, Library of Congress Copyright Office Drama Deposits."

A New Copyright Office Warehouse–25 Years in the Making; Library of Congress, August 19, 2020

Holland Gormley, Library of Congress; A New Copyright Office Warehouse–25 Years in the Making

"The following is a guest post by Paul Capel, Supervisory Records Management Section Head.

The United States Copyright Office holds the most comprehensive collection of copyright records in the world. The Office has over 200,000 boxes of deposit copies spread among three storage facilities in Landover, Maryland; a contracted space in Pennsylvania; and the National Archives and Records Administration (NARA) facility in Massachusetts. Even with these three warehouses, that’s not enough space. Each day, the Office receives new deposits, and despite the increase in electronic deposits, our physical deposits continue to grow year after year.

These deposits are managed by the Deposit Copies Storage Unit, a dedicated team that springs into action to retrieve deposits when requested by examiners or researchers or for litigation cases. In this type of work, speed and efficiency of retrieval are critical. Managing deposits across three storage locations can present a challenge to our ideal retrieval times. When our records are stored in several locations, the potential for miscommunication or misplaced deposits increases.

This October, the Office will be opening a new 40,000 square foot warehouse that has been in discussion for over twenty-five years. We will be moving our deposits out of facilities that are more than forty years old to centrally locate them in a new state-of-the-art facility. This is a huge undertaking, and we are aiming to move 88,000 boxes from Landover in under 45 days. The new space is environmentally controlled and meets preservation requirements for the storage of federal records. Even more importantly, the new facility will allow the Office to maintain control over all our records in a single location, which will improve our retrieval times and will enable us to serve our stakeholders better.

This new facility is a great start, but we have an even bigger vision for our deposits. To truly inventory and track our deposits, the Office is investigating a warehouse management system that will help staff inventory, track, locate, and manage all the items in our warehouse. This type of system will help the Office enhance the availability and accessibility of materials, decreasing manual processing, and allowing for real-time tracking of deposits at any given time. It will also let us know who has them and when their period of retention ends.

This system will provide all the notifications  expected from any modern delivery service. Copyright Office staff will be able to obtain a copy of their order and tell when it is in transit, know when it has been delivered, and sign for it digitally. This system will also provide transparency to others who might have an interest in requesting the same deposit, to see where it currently is, who has it, and how long they have had it."