"The studios’ said they’d engaged specialists in Singapore and China and were informed service could take eight to 24 months."
My Bloomsbury book "Ethics, Information, and Technology" was published on Nov. 13, 2025. Purchases can be made via Amazon and this Bloomsbury webpage: https://www.bloomsbury.com/us/ethics-information-and-technology-9781440856662/
"The studios’ said they’d engaged specialists in Singapore and China and were informed service could take eight to 24 months."
Stefano Montali, The New York Times ; ‘The Hunt for Gollum’ Was Just Announced. It Was on YouTube in 2009.
"Early on, he had reached an agreement with the Tolkien estate ensuring that his project would respect its intellectual property, and that it would be freely available and noncommercial. “We were lucky that they looked kindly on it as something that was for the fan community,” Bouchard said.
But YouTube denied the appeal. So, like eagles over Mordor, the Ringers, as the fans are known, swooped in. They wrote articles and posted heated comments on Reddit and other sites, calling the removal “deplorable” and “despicable.” Bouchard noted his disappointment on X.
Bouchard quickly received a follow-up email from YouTube: The movie had been reinstated. In an email, Warner Bros. said it had no official comment. YouTube did not reply to requests for comment."
Eric Grode, The New York Times; ‘The People’s Joker’ and the Perils of Playing With a Studio’s Copyright
"The Joker may be the purview of DC Comics, not Marvel, but the fear of running afoul of copyright laws was no less of a concern.
“I kept myself very informed legally in terms of what qualifies as a parody and what fair use really is,” said Drew, referring to the legal doctrine that allows artists to use copyrighted material without permission or consequence depending on the circumstances. The “People’s Joker” poster calls it “A Fair Use Film by Vera Drew.”
Rebecca Tushnet, a professor at Harvard Law School and an expert in fair use, said artistic works find themselves on safer legal ground when they comment on the original material in a transformative way.
“Favored use is critical in that it performs an interpretation,” said Tushnet, who has not seen the film but was willing to discuss it in the abstract. “A parody is the classic example, but it doesn’t have to be funny. If the metaphor that the Joker represents here is a different metaphor, then it might well fall under the category of transformative fair use."”
[Kip Currier: This week in my IP and "Open" Movements graduate course we looked at two high profile music infringement lawsuits, Capitol Records v. Thomas-Rasset and Sony BMG v. Tenenbaum. Good case studies (among others) for thinking about use of copyrighted works by individuals/institutions and copyright enforcement. Timely to see Capitol Records v. Thomas-Rasset damages assessment and rationale cited in the case discussed below.] "The defense filed another appeal, but this week, a court upheld the ruling as well as damages amounting to $10,000 for 257 copyright infractions, resulting in an award of nearly $2.6 million. The judgment “sends a strong message about the risk of engaging in copyright and trademark infringement,” said Frederick J. Sperling, a partner at the law firm Schiff Hardin LLP, who represented Warner Bros. Valencia, the defendant, didn’t respond to a request for comment sent through a lawyer. The case was filed in Missouri because some of the licensees selling the products in question were based in the state. In upholding the damages amount, the appeals court cited a 2012 Capitol Records case in which the label sued an individual for putting copyrighted songs on the Kazaa file-sharing platform. In that case, a court awarded damages of $9,250 per infringed work. Damages for copyright infringement range between $750 and $30,000 per instance, according to U.S. law. In its 2011 decision, the 8th Circuit court ruled that characters such as Dorothy and the Scarecrow, as well as Scarlett O’Hara and Rhett Butler, are “sufficiently distinctive to merit character protection under the respective film copyrights.”"
"A federal appeals court has again sided with DC Comics and Warner Bros. in the long-running feud over the rights to the Man of Steel. As first reported by THR, Esq., the Ninth Circuit Court of Appeals on Wednesday upheld a 2013 ruling that the heirs of Superman co-creator Jerry Siegel relinquished their claim to the character in a 2001 settlement with DC, and therefore are not able to terminate the copyright. This legal dispute has proved as resilient as the Man of Steel, so we won’t label this a “definitive judgment.” However, the Siegel family would appear to have few options left beyond a petition to the U.S. Supreme Court. For now at least, Superman remains in the hands of Warner Bros. and DC."