Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Monday, February 12, 2024

On Copyright, Creativity, and Compensation; Reason, February 12, 2024

, Reason; On Copyright, Creativity, and Compensation

"Some of you may have seen the article by David Segal in the Sunday NY Times several weeks ago [available here] about a rather sordid copyright fracas in which I have been embroiled over the past few months...

What to make of all this? I am not oblivious to the irony of being confronted with this problem after having spent 30 years or so, as a lawyer and law professor, reflecting on and writing about the many mysteries of copyright policy and copyright law in the Internet Age.

Here are a few things that strike me as interesting (and possibly important) in this episode."

Thursday, January 11, 2024

Stephen Thaler’s Quest to Get His ‘Autonomous’ AI Legally Recognized Could Upend Copyright Law Forever; Art News, January 8, 2024

 Shanti Escalante-De Mattei, Art News; Stephen Thaler’s Quest to Get His  ‘Autonomous’ AI Legally Recognized Could Upend Copyright Law Forever

"Abbott and Thaler’s push for copyright brings up a very basic question for artists today: how do we locate agency and creativity when we make things with machines? When is it our doing, and when is it “theirs”? This question follows the arc of history as humans design increasingly complex tools that work independently of us, even if we designed them and set them into motion. Debates have raged in public forums and in lawsuits regarding to what extent a model like Midjourney can produce genuinely novel images or whether it is just randomly stitching together disparate pixels based on its training data to generate synthetic quasi-originality. But for those who work in machine learning, this process isn’t all that different from how humans work."

Thursday, June 29, 2023

AI Can Actually Help Protect Creativity and Copyrights: Guest Post by Reservoir Music CEO Golnar Khosrowshahi; Variety, June 28, 2023

Golnar Khosrowshahi, Variety ; AI Can Actually Help Protect Creativity and Copyrights: Guest Post by Reservoir Music CEO Golnar Khosrowshahi

"Used correctly, AI can actually help us preserve and protect copyright — versus the present fear of usurping it. Through audio fingerprinting, AI tools that verify authorship in real time will help reduce the unnecessary litigation that can be based on subjective interpretations or human error. AI will also equip both owners and distributors of content (i.e. streaming services) with significant changes in how we classify and catalog music (e.g., the micro categories that we can use to further define characteristics and attributes of songs). Not only can we then better understand the music, but we can also be more efficient at micro licensing, delving into why listeners love what they love, both in the moment in the context of a trend, and over time when it comes to standards and classics...

In any event, we first need to make sure that the ingestion of copyrights that enable AI is adequately policed and paid for, which is where a lot of important discussion and focus is today.  Advocating for rights holders and copyright protection is a routine part of our business, and regardless of whether an infringer is human or artificial doesn’t change our steadfast mission in upholding creators’ rights...

I have faith that the creators who have built this industry will continue to be the human driving force behind the art and connections we experience. I have faith the tools will help propel those creators and rights holders to new heights. I have faith in the protection of copyright through policy and legislation, and I have faith in the industry’s historic precedence of uncharted progress and success achieved in the face of technologic disruption.

So to those who fear the AI invasion, I say: keep calm, meet it head on and create something totally new, as only we humans can."

Monday, April 17, 2023

ChatGPT: what the law says about who owns the copyright of AI-generated content; The Conversation, April 17, 2023

University of Portsmouth; Senior Lecturer in Intellectual Property Law, University of Portsmouth; Lecturer, University of Portsmouth, The Conversation; , ChatGPT: what the law says about who owns the copyright of AI-generated content

"The AI chatbot ChatGPT produces content that can appear to have been created by a human. There are many proposed uses for the technology, but its impressive capabilities raise important questions about ownership of the content.

UK legislation has a definition for computer-generated works. Under the Copyright, Designs and Patents Act 1988 they are “generated by computer in circumstances such that there is no human author of the work”. The law suggests content generated by an artificial intelligence (AI) can be protected by copyright. However, the original sources of answers generated by AI chatbots can be difficult to trace – and they might include copyrighted works.

The first question is whether ChatGPT should be allowed to use original content generated by third parties to generate its responses. The second is whether only humans can be credited as the authors of AI-generated content, or whether the AI itself can be regarded as an author – particularly when that output is creative."

Rise of the machines: Copyright in a world of AI; Phoenix Business Journal, April 17, 2023

Daniel Restrepo – Fennemore, Phoenix Business Journal; Rise of the machines: Copyright in a world of AI

"Recognizing the blend of human and automated works

In remedying these conflicts, courts have a few options before them. Courts can declare all works using AI fall into the public domain on the grounds that they do not meet the creative, original or human-created requirements, or they could simply grant AI works copyright protection as a matter of course. However, the former would disincentivize AI development and the latter would disincentivize human creativity. 

The third and more likely solution is somewhere in the middle, granting limited protection in AI works based on the degree of human involvement. The Copyright Office has recently taken this approach regarding an application for the comic book “Zarya of the Dawn,” granting rights to the human author’s writing and arrangement of AI-generated drawings, but not to the AI drawings themselves. This gradient, while perhaps frustrating to those who want greater clarity, is useful in determining the rights in the final product."

Thursday, January 5, 2023

Here’s How the Supreme Court Could Impact Creative Trademark Use; Bloomberg Law, December 29, 2022

Dorothy Auth, Cadwalader, Wickersham & TaftHoward Wizenfeld, Cadwalader, Wickersham & Taft, Bloomberg Law; Here’s How the Supreme Court Could Impact Creative Trademark Use

"The upcoming term for the US Supreme Court includes an ambitious schedule of intellectual property cases, spanning patent, trademark, and copyright law...

Jack Daniel’s

Jack Daniel’s Properties, Inc. v. VIP Products LLC addresses creative works in the context of trademark law, asking whether humorous use of another’s trademark is protected by the First Amendment. 

Under normal circumstances, a trademark infringement is determined based on whether the use of another’s mark is “likely to cause confusion” with that of the trademark owner.

However, when a mark is used in an artistic manner, courts instead use the Rogers test, which is intended to protect the free speech. Unlike the likelihood-of-confusion test in the Lanham Act (Trademark Act of 1946), the Rogers test allows use of another’s mark as an expressive work unless the use contains no artistic relevance or explicitly misleads about the source or content of the work.

As a result, the Rogers test narrows the scope of protection for the mark. Here, VIP created a squeaky toy named “Bad Spaniels,” closely resembling Jack Daniel’s famous whiskey bottle and label.

While the original bottle has the words “Old No. 7 brand” and “Tennessee Sour Mash Whiskey,” the toy humorously proclaims, “The Old No. 2 on Your Tennessee Carpet” which is “43% Poo by Vol” and “100% Smelly.” 

Should the court affirm the squeaky toy is an expressive work, for being humorous, under the Rogers test, or should a traditional Lanham Act analysis be applied? The court’s answer may have significant implications for companies that sell items with a humorous message based on another’s trademark."

Saturday, October 22, 2022

The Supreme Court meets Andy Warhol, Prince and a case that could threaten creativity; NPR, October 12, 2022

Nina Totenberg, NPR ; The Supreme Court meets Andy Warhol, Prince and a case that could threaten creativity

"You know all those famous Andy Warhol silk screen prints of Marilyn Monroe and Liz Taylor and lots of other glitterati? Now one of the most famous of these, the Prince series, is at the heart of a case the Supreme Court will examine on Wednesday. And it is a case of enormous importance to all manner of artists...

However the Supreme Court rules, its decision will have rippling practical consequences. So it is no surprise that some three dozen friend of the court briefs have been filed arguing on one side or the other, and representing everyone from the American Association of publishers and the Motion Picture Association of America to the Library Futures Institute, the Digital Media Licensing Association, Dr. Seuss Enterprises, the Recording Industry Association of America and even the union that represents NPR's reporters, editors and producers, the Screen Actors Guild-American Federation of Television and Radio Artists.

The outcome could shift the law to favor more control by the original artist, but doing that could also inhibit artists and other content creators who build on existing work in everything from music and posters to AI creations and documentaries."

Thursday, August 6, 2020

U.S. Copyright Office Celebrates 150 Years of Fostering American Creativity and Innovation; U.S. Chamber of Commerce, August 4, 2020

Frank Cullen, U.S. Chamber of Commerce;

U.S. Copyright Office Celebrates 150 Years of Fostering American Creativity and Innovation



"Today, the U.S. Chamber of Commerce Global Innovation Policy Center (GIPC) joins the U.S. Copyright Office in celebrating its 150th-anniversary as an essential leader in fostering American creativity and innovation.

The office was established during the wake of the Civil War when Librarian of Congress Ainsworth Spofford lobbied and convinced Congress to unify the copyright registration system in the Library of Congress."

Sunday, July 12, 2020

Copyright Office Celebrates its 150th Anniversary with Virtual Event – August 5 at Noon; U.S. Copyright Office, July 8, 2020

U.S. Copyright Office; Copyright Office Celebrates its 150th Anniversary with Virtual Event – August 5 at Noon

"On July 8, 1870, Congress centralized the administration of copyright law in the Library of Congress. Join the U.S. Copyright Office for a virtual celebration in recognition of our 150th anniversary, and register for “Copyright Office Presents: Celebrating 150 Years of Creativity” on August 5 from noon to 1:00 p.m. eastern time.

This online event is free and open to the public; however, registration is required.

Since its establishment 150 years ago today, the Office has driven the evolution of copyright law and been a key player in copyright law revisions, from the Copyright Act of 1909 to the Copyright Act of 1976 to the Orrin G. Hatch–Bob Goodlatte Music Modernization Act and beyond. The Office also provides critical services, helping copyright owners protect their works and preserving a public record of the country’s creativity.

“Copyright Office Presents: Celebrating 150 Years of Creativity” will highlight the rich and sometimes surprising history of the Copyright Office and copyright itself, the importance of the Office’s connection with creators and users of copyright-protected works, and the role of the Office in engaging creativity through a conversation with Copyright Office experts, past and present. Presenters include:

  • John Cole, Library of Congress historian and author
  • Frank Evina, curator of prior Copyright Office exhibit and former senior information specialist, Copyright Office
  • Heather Wiggins, supervisor in the Literary Division of the Registration Program, Copyright Office, and adjunct professor

“Copyright Office Presents: Celebrating 150 Years of Creativity” kicks off a yearlong celebration with special events and activities to mark this anniversary. To celebrate this milestone, the Copyright Office is building awareness of how copyright can "Engage Your Creativity.” For more resources and selected videos, visit our new Engage Your Creativity webpage."

Tuesday, February 11, 2020

Film and music festival celebrates student creatives and public domain; The Daily Universe, February 6, 2020

Whitney Bigelow, The Daily Universe; Film and music festival celebrates student creatives and public domain

"Student filmmakers and musicians walked away from Wednesday night’s Public Domain Film and Music Festival with over $3000 in cash prizes. 

The festival was put on by the BYU Copyright Licensing Office. Students had 48 hours to create a film based on one of ten pieces of literature from 1924 that entered the public domain at the start of this year. Entries in the music category were given audio recordings from that same year to incorporate into their compositions.

The winner of the evening’s prestigious Best Picture award and $1,000 was a group of students called RHEEL Productions, including Heather Moser, Avery Marshall, Laura Marshall and Emma Spears. Their entry was a dramatic short film entitled “What’ll I Do,” based on the 1924 novel “Some Do Not” by Ford Madox Ford."

Wednesday, January 22, 2020

It’s Copyright Week 2020: Stand Up for Copyright Laws That Actually Serve Us All; Electronic Frontier Foundation (EFF), January 20, 2020

Katharine Trendacosta, Electronic Frontier Foundation (EFF); It’s Copyright Week 2020: Stand Up for Copyright Laws That Actually Serve Us All

"We're taking part in Copyright Week, a series of actions and discussions supporting key principles that should guide copyright policy. Every day this week, various groups are taking on different elements of copyright law and policy, addressing what's at stake and what we need to do to make sure that copyright promotes creativity and innovation...

We continue to fight for a version of copyright that does what it is supposed to. And so, every year, EFF and a number of diverse organizations participate in Copyright Week. Each year, we pick five copyright issues to highlight and advocate a set of principles of copyright law. This year’s issues are:
  • Monday: Fair Use and Creativity
    Copyright policy should encourage creativity, not hamper it. Fair use makes it possible for us to comment, criticize, and rework our common culture.
  • Tuesday: Copyright and Competition
    Copyright should not be used to control knowledge, creativity, or the ability to tinker with or repair your own devices. Copyright should encourage more people to share, make, or repair things, rather than concentrate that power in only a few players.
  • Wednesday: Remedies
    Copyright claims should not raise the specter of huge, unpredictable judgments that discourage important uses of creative work. Copyright should have balanced remedies that also provide a real path for deterring bad-faith claims.
  • Thursday: The Public Domain
    The public domain is our cultural commons and a crucial resource for innovation and access to knowledge. Copyright should strive to promote, and not diminish, a robust, accessible public domain.
  • Friday: Copyright and Democracy
    Copyright must be set through a participatory, democratic, and transparent process. It should not be decided through back-room deals, secret international agreements, unaccountable bureaucracies, or unilateral attempts to apply national laws extraterritorially.
Every day this week, we’ll be sharing links to blog posts and actions on these topics at https://www.eff.org/copyrightweek and at #CopyrightWeek on Twitter.

As we said last year, and the year before that, if you too stand behind these principles, please join us by supporting them, sharing them, and telling your lawmakers you want to see copyright law reflect them."

Tuesday, January 21, 2020

A Tool That Removes Copyrighted Works Is Not a Substitute for Fair Use; Electronic Frontier Foundation (EFF), January 20, 2020

Katharine Trendacosta, Electronic Frontier Foundation (EFF);

A Tool That Removes Copyrighted Works Is Not a Substitute for Fair Use


"By making eliminating material flagged by Content ID so easy—just click here!—and making challenging matches so perilous, YouTube has put its thumb on the scale against fair use and in favor of copyright abuse. That thumb gets especially heavy given how few real alternatives to YouTube exist.

Hosting creative content should mean a robust commitment to fair use. Fair use enriches our culture and our understanding of it. It is what ensures that copyright doesn’t strangle free expression and creativity. Subtle reinforcement of anti-fair use ideas enacted by private companies, done by the largest players in the ecosystem, does real damage."

Monday, April 15, 2019

EU approves tougher EU copyright rules in blow to Google, Facebook; Reuters, April 15, 2019

Foo Yun Chee, Reuters; EU approves tougher EU copyright rules in blow to Google, Facebook

"Under the new rules, Google and other online platforms will have to sign licensing agreements with musicians, performers, authors, news publishers and journalists to use their work.

The European Parliament gave a green light last month to a proposal that has pitted Europe’s creative industry against tech companies, internet activists and consumer groups."

Wednesday, April 3, 2019

‘Blurred Lines’ on Their Minds, Songwriters Create Nervously; The New York Times, March 31, 2019

Ben Sisario, The New York Times; ‘Blurred Lines’ on Their Minds, Songwriters Create Nervously

"“There’s no question in my mind that there has been a chilling effect,” Ms. Lepera said. “People have thrown a lot of weight behind this — more weight than it deserves. Defendants may be more inclined not to put up a fight.”

And for songwriters, the impact is still often felt when thoughts about the courtroom intrude in the studio.

“I’m not going to stop writing songs,” said Busbee, who has written hits for Keith Urban and Lady Antebellum. “But it puts a massive damper on the process, if you’re concerned that you will be sued.”"

Thursday, January 24, 2019

How the public domain offers new life to these poetry classics; PBS NewsHour, January 21, 2019

PBS NewsHour; How the public domain offers new life to these poetry classics

"Literary works in the public domain have inspired countless homages, spinoffs and reimaginings. Broadway hit musical “Wicked” was based on Frank L. Baum’s “The Wonderful Wizard of Oz,” which entered the public domain in 1956. New York Times bestseller “Pride and Prejudice and Zombies” mixed 2009’s undead craze with Jane Austen’s 18th-century romantic comedy. Tony-award winner Lin Manuel Miranda used several public domain works in “Hamilton,” avoiding copyright infringement for his contemporary take on one of the Founding Fathers.

For more on the various ways the public domain serves today’s poets, writers and other literary fans, the PBS NewsHour interviewed Adam Green, editor-in-chief of The Public Domain Review, Robert Casper, head of the Library of Congress’ Poetry and Literature Center, and Karyn A. Temple, director of the library’s U.S. Copyright Office. 

These conversations have been combined and edited for length. A list of works entering the public domain in 2019 is available here."

Tuesday, November 13, 2018

Marvel Icon Stan Lee Leaves a Legacy as Complex as His Superheroes; The Daily Beast, November 12, 2018

Spencer Ackerman, The Daily Beast; Marvel Icon Stan Lee Leaves a Legacy as Complex as His Superheroes

"Stan Lee supercharged Marvel Comics into one of the most important cultural forces on the planet. But how much credit does he really deserve?"

Saturday, August 4, 2018

Make a Name for Yourself: 4 Expert Tips for Choosing a Name and Trademark; Entrepreneur, August 2, 2018

Darpan Munjal, Entrepreneur; Make a Name for Yourself: 4 Expert Tips for Choosing a Name and Trademark 

"A recent Harvard Law Review study highlighted the upwards of 6.7 million U.S. trademark applications (registered 1985 to 2016) that had been made over the last three decades and suggested that we might soon be at the point of actually running out of trademark options...

Choosing an effective trademark means a trademark that's unique. With upwards of 6.7 million trademarks out there, and only 171,476 words in the English dictionary, you need to start thinking outside the box."

Thursday, May 17, 2018

Meet IP Nani, Modi Government's Intellectual Property Mascot; India Times, May 17, 2018

Bobins Abraham, India Times; Meet IP Nani, Modi Government's Intellectual Property Mascot

"Minister of Commerce and Industry Shri Suresh Prabhu has launched the government's Intellectual Property (IP) mascot – IP Nani – at the conference on National Intellectual Property Rights Policy in New Delhi. 

Speaking on the occasion, the Minister said that protection of Intellectual Property Rights is critical for building a knowledge-based society...

Mascot IP Nani is a tech-savvy grandmother who helps the government and enforcement agencies in combating IP crimes with the help of her grandson “Chhotu” aka Aditya. The IP mascot will spread awareness about the importance of Intellectual Property Rights (IPRs) among people, especially children, in an interesting manner."

Sunday, August 13, 2017

Entrepreneurialism and IP at Steel City Con; Kip Currier, August 13, 2017

Kip Currier
Entrepreneurialism and IP at Steel City Con 

Steel City Con (a Burgh-based pop culture convention in the vein of San Diego's famed Comic Con) has been running all weekend at the Monroeville Convention Center (13 miles from downtown Pittsburgh) and is finishing up today. I attended Saturday, August 12th (--the biggest "autograph" lines I saw were for Burt Reynolds! And it was cool to get up-close looks at three of the Brady Bunch kids, "Greg", "Bobby", and "Cindy"..."the youngest one in curls".--) and chatted with a number of very creative Western Pennsylvania entrepreneurs, showcasing and selling their self-made wares. In a variety of ways, they're using and working with (some would say infringing uponIntellectual Property, and, in some cases, transforming Intellectual Property into new works.

Decals are a big seller at Conventions, like this X-Men decal:
Some examples of works that I observed being sold at the Con veer closer to (and step over?) the edge of infringement than others that can make stronger arguments for "transformativeness". Cristine Cordero's Heroes and Heels is a good example of the latter. Cristine told me that she uses actual comic book-clipped images to bring one-of-a-kind "custom created comic book shoes" to life...and her customers' feet.

Some have even been worn at superhero-themed weddings. ("I now pronounce you husband and..Deadpool?")


I asked each vendor with whom I spoke if they had had any requests to "cease and desist", or worse, from the companies that own the IP rights to, say, Star Wars, Harry Potter, the Suicide Squad, and the Avengers. Everyone shook their heads or said that they hadn't experienced anything like that. A few told me that any IP rights enforcement-type issues that they'd seen at conventions were relegated to films and videos, more associated with digital piracy. One seller told me he hadn't ever seen anyone roaming around the Cons enforcing IP rights. (As an IP instructor, I contrasted that with copyright enforcement examples I'm well aware of, involving licensing "sheriffs" on the lookout for copyright scofflaw musicians and cover bands. See here and here.)

I saw some really ingenious mashups of popular TV shows and characters. This T-Shirt combines the high mortality rate trope of the Red-Shirted security officers in the orginal Star Trek series (--if Star Trek were a chess game, the Red Shirts would be your pawns), with the series name of a popular zombie apocalypse TV show you may have heard of:
"Where do you come up with these ideas", I asked their maker?
"In the middle of the night they come to me. About 4 am", she chuckled.

Another seller with GoodsandEvil.com told me that Pittsburgh-born Greg Nicotero, the special effects guru extraordinaire on The Walking Dead, had just bought up a bunch of his clever zombie-themed shirts to take back to the crew. "Pretty cool to think that these shirts may be worn by people on the set", he understandably beamed. I told him I really liked the t-shirt below, a creative homage to the Western Pennsylvania-referenced places in 1968's (copyright-free!) Night of the Living Dead film and its cinematic zombie progeny, made by Pittsburgh's own George Romerorecently deceased. I snapped up one for myself, and one for my nephew, who's a big fan of The Walking Dead--before Greg Nicotero could circle back and clean them out (for We Are Negan? Rick's Gang? Shiva???).




My brother (the above-mentioned nephew's father) has been a big fan of Jack Nicholson's iconic "Here's Johnny" scene in Stephen King's The Shining, featured on another local entrepreneur's horror-themed ceramics. Perfect for that next office cocktail party (wasabi peas, anyone?):

Bringing it back to myself...I've always loved the scene in The Fellowship of the Ring where Ian McKellen-cum-Gandalf the Wizard stares down a fiery Balrog. With just his staff and a full-throated "You Shall "Not Pass". Now I can own Gandalf's "red line" on a yellow metal sign...and daydream about where I'd like to place it.

And for any of you Games of Thrones fans out there (or, if you're not a GOT devotee but are looking for a truly unique stocking stuffer for later this year)...how about custom-made Chain Mail for your canine BFF? Not that even Valyrian chain mail would do much good, should you be unlucky enough to find a Drogon-driving, "Dracarys"-dripping Daenerys Targaryen bearing down on you on some windswept plain. 


(House Lannister, House Stark, or House Targaryen?)

Cosplayers were, unsurprisingly, in abundance at Steel City Con too. Leias, Obi-Wans, Jokers, Harley Quinns...R2D2



And, yes, where you have cosplayers, you're gonna have that occasional dreaded cosplayer wardrobe malfunction. (Holy Suspenders, Batman...your utility belt's busted!)

Cue drumroll and Enter the enterprising folks from Any-Kind-A-Wear, who offered a Cosplay Repair Service:

A bit of duct tape...a well-placed safety pin and a dab-dab from a hot glue gun...maybe a spit and polish...and you're lookin' great and ready to save the world again.
...Or just hang out with your SuperFriends at your friendly neighborhood Con.