A.I.-Generated Art Is Already Transforming Creative Work; The New York Times, October 21, 2022

Kevin Roose, The New York Times ; A.I.-Generated Art Is Already Transforming Creative Work

"These programs use what’s known as “generative A.I.,” a type of A.I. that was popularized several years ago with the release of text-generating tools like GPT-3 but has since expanded into images, audio and video.

It’s still too early to tell whether this new wave of apps will end up costing artists and illustrators their jobs. What seems clear, though, is that these tools are already being put to use in creative industries."

President Biden, creatives need copyright champions in the federal government ; The Hill, January 7, 2022

 

RUTH VITALE, The Hill; President Biden, creatives need copyright champions in the federal government 

"The copyright industries bring not only cultural but also economic prosperity to our country. They contribute $1.5 trillion per year of value to the U.S. GDP, accounting for 7.41 percent of the national economy. U.S. copyright products sold overseas amounted to nearly $219 billion in sales in 2019 – more than other major industries including pharmaceuticals, aerospace, and agriculture. 

President Biden has personally demonstrated long-standing support for the creative industries. As a senator 20 years ago, he convened a hearing called “Theft of American Intellectual Property: Fighting Crime Abroad and at Home.” As vice president, over 10 years ago, he helped to implement a new law that created the Office of Intellectual Property Enforcement Coordinator. Unequivocally, he stated, “Piracy is theft. Clean and simple.”...

Infringing content draws users to platforms, helping to fuel BigTech’s ascent to previously inconceivable heights of wealth. Meanwhile, digital pirates are stealing the rightful earnings of hard-working Americans, facilitated by Big Tech. The U.S. Chamber of Commerce estimates that digital piracy takes between $29.2 billion and $71 billion from the national economy every year. It also takes away between 230,000 and 560,000 American jobs...

I remain hopeful that President Biden’s future appointments will better reflect his lengthy and strong record in support of respect for copyright. Specifically, the position of U.S. Intellectual Property Enforcement Coordinator (IPEC) is open once again.  

As the president knows better than anyone else, the person serving in the IPEC’s role oversees Executive Office efforts to curb piracy, domestically and abroad. The previous IPEC was confirmed by the Senate in August of 2017 – today, during a critical moment for the creative communities, the position is vacant."

Copyright Alliance blasts Internet Archive’s Emergency Library launch as “vile”; ZDNet, March 31, 2020

Charlie Osborne, ZDNet; Copyright Alliance blasts Internet Archive’s Emergency Library launch as “vile”

The National Emergency Library opened to help learners “displaced” by COVID-19.

"The Authors Guild said that COVID-19 has been used "as an excuse to push copyright law further out to the edges" which, in turn, is causing authors that are already struggling to pay the bills additional harm...

"Acting as a piracy site -- of which there already are too many -- the Internet Archive tramples on authors' rights by giving away their books to the world," the group says.  

More criticism has come in the form of comments made by the Copyright Alliance, an organization that represents the rights of those in creative industries including authors and artists. CEO Keith Kupferschmid noted that creators are among the hardest hit at present, and while projects have been set up to help those in these industries, the executive said IA's project is making "things much worse for those that need our help.""

EU approves tougher EU copyright rules in blow to Google, Facebook; Reuters, April 15, 2019

Foo Yun Chee, Reuters; EU approves tougher EU copyright rules in blow to Google, Facebook

"Under the new rules, Google and other online platforms will have to sign licensing agreements with musicians, performers, authors, news publishers and journalists to use their work.

The European Parliament gave a green light last month to a proposal that has pitted Europe’s creative industry against tech companies, internet activists and consumer groups."

NAFTA negotiators must protect U.S. intellectual property; Dallas News, May 30, 2018

Tom Giovanetti, Dallas News; NAFTA negotiators must protect U.S. intellectual property

"When the North American Free Trade Agreement came into effect, the U.S. economy was already more dependent on innovation than upon traditional manufacturing. And in the 30 years since, that trend has only continued. Today, the U.S. is a creators' economy; we patent new inventions, copyright new creative works, and trademark strong new brands.

These industries, identified as the intellectual property-intensive industries by the Commerce Department, are responsible for nearly one-third of all U.S. jobs and for more than 38 percent of U.S. gross domestic product. So there's a good chance you or someone close to you works in these industries, which include software, music and book publishing, movies and entertainment, pharmaceuticals, chemicals and enzymes, patented and hybridized plants and seeds, microchip design or aircraft manufacturing.

In any given year, the intellectual property-intensive industries are responsible for around 60 percent of all U.S. exports. In other words, the majority of what the rest of the world wants from the U.S. is our creative output."

Among Pressing Campaign Issues, Don’t Forget About Copyright; Variety, 10/7/16

Ruth Vitale, Variety; Among Pressing Campaign Issues, Don’t Forget About Copyright:

"Last week, CreativeFuture and Copyright Alliance partnered to send an Open Letter to Political Candidates reminding them that copyright drives creativity and innovation.

Over 35,000 signatures from individuals in film, television, music, book publishing, and photography signed the letter. Why is this important? Because it shows that we all understand the need to keep our creative industries healthy, but I don’t believe we say this enough to our political leaders...

The same candidates that come to the creative community also visit the tech communities. As we know, there are strong voices in the tech communities whose view of copyright is the polar opposite of ours – not everyone, but a lot of them. And you can bet your lunch money that when people in the tech community go to campaign events, they take every opportunity to talk about their issues, often, to our detriment. Sure, they talk about other issues, but they make damn certain that candidates come away with a clear understanding of their positions on copyright.

We need to start asking our politicians the important questions that pertain to our livelihoods. Whether you host fundraisers for our leaders or simply attend and donate – we must ask our leaders in Washington, “What do you intend to do to protect my rights as a creative?”"

The benefits of studying copyright law? They're patently obvious; Guardian, 5/14/15

Oli Palmer, Guardian; The benefits of studying copyright law? They're patently obvious:

"Copyright law is at the forefront of a changing technological world. It moves incredibly fast in unexpected capacities, which makes it a fascinating subject to study at university...

Studying copyright law forces you to become creative. This form of law is relatively young, which means there are many grey areas you’ll have to make decisions on. In effect, you become the judge.

Studying copyright law can also help you to acquire skills many law firms and other businesses desire, such as an acute attention to detail...

“A student who wishes to acquire commercial awareness would find the study of copyright law extremely useful for his or her professional development.”...

But the best thing about copyright law is how enjoyable it is and how applicable it is to everyday life, which is bizarre when you consider the intangible nature of its rights.

Rachel Metcalf, 22, who studied copyright law at Durham University, says: “My studies gave me an awareness of why the law should be appreciated by all, not just lawyers.”

Merely reading this article is interacting with copyright. So is watching back-to-back episodes of Breaking Bad on Netflix, or listening to your Friday night Spotify playlist. Why not begin to read between the lines?"

Call it by its name – this is theft; Guardian, 11/23/09

Richard Scudamore, Guardian; Call it by its name – this is theft:

The Digital Economy bill must pass safely or the creative industries will start to die

"Part of the strength of the British economy recently has been its ability to adapt as the world, and what consumers expect, have changed. Its flexibility, resilience and mixed nature should stand us in good stead as we, and the rest of the world, exit recession.

Nowhere should this be more so than in the UK's creative economy. We are leaders in film, music, publishing, TV production and sports rights – British popular culture, sport and production values are viewed as among the best in the world. This creative sector now accounts for more than 8% of our GDP and puts us in a good position to take advantage of the ever-increasing "new economy" – and of emerging markets as the takeup of technology advances.

There are threats as well as opportunities, not least the challenges presented by online copyright infringement, more commonly known as piracy. I prefer to call it by its real name – digital theft.
The reality is that unauthorised peer-to-peer filesharing, among other forms of illegal streaming, presents a very real threat. These burgeoning industries are based on a high-investment model, driving consumer demand – or in the Premier League's case, fan demand – by providing what the public want: a quality product. In football, this entails acquiring, or developing, the best possible talent and playing the matches in arguably the finest club stadiums in the world. The whole industry benefits.

It's the same with film or music – the investment model only works if you are giving consumers what they want. The very fact we are providing great content is the main reason people want to try to take it for nothing – if it wasn't very good, I doubt it would be of interest. There is not much of a market for the live streaming of the matches played on Sundays on Hackney Marshes.
There is much debate about how the creative industries should be reacting to digital theft – developing business models, educating their consumers, seeking regulatory intervention and legislative protection. That is why we have come together to form the Creative Coalition; we recognise that inevitably the answer is a mixture of all of these.

The digital economy bill demonstrates that the government is aware of the importance of these industries. It also sets out how the different areas of the creative economy can work together to tackle digital theft. The graduated response to repeat offenders, sharing the cost of enforcement and setting out responsibilities will be just as useful to the ISPs as the content providers.

The bill is a start, but it needs to stay in good shape as it progresses because digital theft is reaching epidemic proportions and shows no signs of abating. Currently, it is estimated that more than 6 million people illegally fileshare regularly, and the UK leads the world in illegal downloads of TV programmes, with up to 25% of all online TV piracy taking place here. This is a statistic that should fill us with little pride.

Without the safe passage of the bill – requiring ISPs to take firm measures against unauthorised filesharers who are currently streaming and downloading with virtual impunity – the marker that this is theft isn't even set down, educating consumers cannot begin in earnest, businesses cannot begin to develop new models because the market won't be functioning properly and, most importantly of all, the current levels of investment that create jobs as well as talent will be lost. And that is when the real cost of digital theft would become apparent.

• Richard Scudamore is the chief executive of the Premier League and a member of the Creative Coalition"

http://www.guardian.co.uk/media/organgrinder/2009/nov/23/creativ-coaltion-digital-bill