Nate Anderson, ArsTechnica.com; Michael Hart, Project Gutenberg's e-book loving founder, passes away:
"Michael Hart, the founder of Project Gutenberg, has died at his home in Urbana, Illinois at the age of 64. The project he started back in 1971 lives on, however, producing quality public domain texts now readable on devices that could only have been imagined when Project Gutenberg began."
Showing posts with label e-readers. Show all posts
Showing posts with label e-readers. Show all posts
Thursday, September 8, 2011
Friday, February 19, 2010
Who's afraid of digital book piracy?; (London) Guardian, 2/18/10
Alastair Harper, (London) Guardian; Who's afraid of digital book piracy?:
With the iPad and e-readers on the rise, will pirated books become as common as illegal music and films?:
"For years, we have been able to combine our taste for music and film with our desire to stick it to the man, and all from the safety of our PCs. Our literary habits, however, have perforce remained largely legal. The closest we could come to the same thrill is by wearing a deep-pocketed coat to WH Smiths – which is such an analogue approach to theft. Soon, however, even the bookish will be able to frustrate Lord Mandelson because, at long last, thanks to the iPad, digital book piracy is almost upon us.
The surest sign of this is that industry figures have started producing dubious statistics to show how endemic it is. In the US, it's just been announced that 10% of books read are now pirate texts. The same report claims that piracy has cost US publishers $3bn. But the source of the statistics was a company named Attributor, who provide online piracy protection for the publishing industry. Like a plumber tutting over the state of your pipes, they have a vested interest in finding problems.
A glance at the top seeded ebooks on Pirate Bay shows that Christopher Ricks isn't about to lose much sleep over the downloaders. Filling the top slots are Windows 7 Secrets, Adobe CS4 for Photographers and, shamelessly playing up to the stereotype of all geeks being lonely boys, the Jan/Feb edition of Playboy magazine. According to Freakbits, the only non-technical or sexual downloaded book in 2009 was the Twilight series – a choice that only goes to show how masturbation and Photoshopping mess with the mind.
More mainstream books are found on Scribd, a site you might well use – it's great for finding free books, citations and excerpts. It's also home to an awful lot of copyright infringements. You can find everything: Tintin in America, Martin Amis's Time's Arrow, Alastair Campbell's The Blair Years, Richard Brautigan. Heck, there's even a bunch of Guardian book bloggers, bundled together in a self-published book of literary quotations.
The interesting thing is just how openly available these books are from the site's servers. In fact, Scribd has a very old-school approach to piracy. It pitches itself as a document-sharing service, just as Napster pitched itself as a way of sharing sound files – a euphemism as transparent as a newspaper ad offering "escorts".
Publishers' lawyers will most likely eventually compel Scribd to close, or to turn it into a legal online shop (authors such as Stephen King already sell their digital copies through the site). Certain juicy targets for piracy, such as Stephanie Meyer or JK Rowling, have already had their legal battalions ensure no illicit Potters or vegetarian vampires appear online. That the rest of the industry hasn't yet bothered shows how small the impact of piracy has been on publishers thus far. Faber clearly don't see the need to police the Alan Bennett plays available on Scribd, since most of their audience still prefer physical copies.
The blog The Millions recently hosted an amazing interview with an American book pirate who provides e-copies of books because of his open-source, anti-copyright beliefs. Dutifully, he scans and proofs every book he uploads. The thought of all that repetitive effort, a kind of digital ironing, is quaintly charming – like a farmer tending to his patch with a sickle, his back squarely turned to the rolling Google combine harvester. It's such a lot of work and, outside textbooks, it makes so little impact that publishers haven't needed to pay the lawyers' fees to stop it.
But this is about to change. As e-readers become ubiquitous, publishers know they need to go digital. And being digital, no matter how much drm you shove in, means content will be pirated. Anyone will be able to get any new book you want if you know how to look for it.
But, despite the statistics, I don't believe book piracy will ever be as endemic as it has become with music and film. We've moved on from the pre-iTunes days when the only way of getting an MP3 of a song was to find it on Napster. Publishers were keen to get on board with the iPad straight from launch because they knew it was the safest way to protect and to disseminate their product. One editor at a big publisher told me just how desperate his company have been to woo Apple over the last 18 months.
More importantly, though, publishers have a headstart on the music and film industries and already have some experience of what happens when controlled content is made widely available for free. Victorian publishers were convinced public libraries would ruin them: they didn't. Lending libraries brought books off the estates and into the tenements, and publishers were suddenly selling a lot more books to a lot more people. This happened as the result of a system that, like Spotify, allowed readers to legally obtain books for free while the authors still received some money. If the publishing industry can remember its own history, digitisation should be a doddle."
http://www.guardian.co.uk/books/booksblog/2010/feb/18/digital-book-piracy-copyright
With the iPad and e-readers on the rise, will pirated books become as common as illegal music and films?:
"For years, we have been able to combine our taste for music and film with our desire to stick it to the man, and all from the safety of our PCs. Our literary habits, however, have perforce remained largely legal. The closest we could come to the same thrill is by wearing a deep-pocketed coat to WH Smiths – which is such an analogue approach to theft. Soon, however, even the bookish will be able to frustrate Lord Mandelson because, at long last, thanks to the iPad, digital book piracy is almost upon us.
The surest sign of this is that industry figures have started producing dubious statistics to show how endemic it is. In the US, it's just been announced that 10% of books read are now pirate texts. The same report claims that piracy has cost US publishers $3bn. But the source of the statistics was a company named Attributor, who provide online piracy protection for the publishing industry. Like a plumber tutting over the state of your pipes, they have a vested interest in finding problems.
A glance at the top seeded ebooks on Pirate Bay shows that Christopher Ricks isn't about to lose much sleep over the downloaders. Filling the top slots are Windows 7 Secrets, Adobe CS4 for Photographers and, shamelessly playing up to the stereotype of all geeks being lonely boys, the Jan/Feb edition of Playboy magazine. According to Freakbits, the only non-technical or sexual downloaded book in 2009 was the Twilight series – a choice that only goes to show how masturbation and Photoshopping mess with the mind.
More mainstream books are found on Scribd, a site you might well use – it's great for finding free books, citations and excerpts. It's also home to an awful lot of copyright infringements. You can find everything: Tintin in America, Martin Amis's Time's Arrow, Alastair Campbell's The Blair Years, Richard Brautigan. Heck, there's even a bunch of Guardian book bloggers, bundled together in a self-published book of literary quotations.
The interesting thing is just how openly available these books are from the site's servers. In fact, Scribd has a very old-school approach to piracy. It pitches itself as a document-sharing service, just as Napster pitched itself as a way of sharing sound files – a euphemism as transparent as a newspaper ad offering "escorts".
Publishers' lawyers will most likely eventually compel Scribd to close, or to turn it into a legal online shop (authors such as Stephen King already sell their digital copies through the site). Certain juicy targets for piracy, such as Stephanie Meyer or JK Rowling, have already had their legal battalions ensure no illicit Potters or vegetarian vampires appear online. That the rest of the industry hasn't yet bothered shows how small the impact of piracy has been on publishers thus far. Faber clearly don't see the need to police the Alan Bennett plays available on Scribd, since most of their audience still prefer physical copies.
The blog The Millions recently hosted an amazing interview with an American book pirate who provides e-copies of books because of his open-source, anti-copyright beliefs. Dutifully, he scans and proofs every book he uploads. The thought of all that repetitive effort, a kind of digital ironing, is quaintly charming – like a farmer tending to his patch with a sickle, his back squarely turned to the rolling Google combine harvester. It's such a lot of work and, outside textbooks, it makes so little impact that publishers haven't needed to pay the lawyers' fees to stop it.
But this is about to change. As e-readers become ubiquitous, publishers know they need to go digital. And being digital, no matter how much drm you shove in, means content will be pirated. Anyone will be able to get any new book you want if you know how to look for it.
But, despite the statistics, I don't believe book piracy will ever be as endemic as it has become with music and film. We've moved on from the pre-iTunes days when the only way of getting an MP3 of a song was to find it on Napster. Publishers were keen to get on board with the iPad straight from launch because they knew it was the safest way to protect and to disseminate their product. One editor at a big publisher told me just how desperate his company have been to woo Apple over the last 18 months.
More importantly, though, publishers have a headstart on the music and film industries and already have some experience of what happens when controlled content is made widely available for free. Victorian publishers were convinced public libraries would ruin them: they didn't. Lending libraries brought books off the estates and into the tenements, and publishers were suddenly selling a lot more books to a lot more people. This happened as the result of a system that, like Spotify, allowed readers to legally obtain books for free while the authors still received some money. If the publishing industry can remember its own history, digitisation should be a doddle."
http://www.guardian.co.uk/books/booksblog/2010/feb/18/digital-book-piracy-copyright
Wednesday, February 10, 2010
Publishers Win a Bout in E-Book Price Fight; New York Times, 2/8/10
Motoko Rich, New York Times; Publishers Win a Bout in E-Book Price Fight:
"Google’s e-book retail program would be separate from the company’s class-action settlement with authors and publishers over its book-scanning project, under which Google has scanned more than seven million volumes — mostly out of print — from several university libraries. That settlement was recently imperiled by a filing from the Department of Justice that said it still had significant legal problems with the agreement, even after a round of revisions. The settlement is subject to court approval.
Google users can already search up to about 20 percent of the content of many new books that publishers have agreed to enroll in a search program. According to publishers, Google originally said it would automatically enroll any book sold through Google Editions in the search program. An executive from at least one of the six largest publishers said the company did not agree with those terms. Mr. Clancy said that Google would not require books sold through Google Editions to be part of the search program.
Last May Tom Turvey, director of strategic partnerships at Google, told publishers at the annual BookExpo convention in New York that Google’s program for selling new e-book editions would allow consumers to read books on any device with Internet access, including mobile phones, rather than being limited to dedicated reading devices like the Amazon Kindle.
Google, without its own e-reader, wants to be a Switzerland of sorts, competing with Barnes & Noble and other e-book sellers to become the preferred digital bookstore on devices other than the iPad or the Kindle, such as Android smart phones.
In general, publishers are eager for Google to enter the e-book market because they want more competition. “We would love to have a diverse marketplace for e-books,” said Maja Thomas, senior vice president for the digital division of Hachette Book Group, which publishes blockbuster authors like James Patterson and Stephenie Meyer. Since Google would contribute to such diversity, Ms. Thomas said, “we welcome them.”"
http://www.nytimes.com/2010/02/09/books/09google.html?scp=1&sq=e-books&st=cse
"Google’s e-book retail program would be separate from the company’s class-action settlement with authors and publishers over its book-scanning project, under which Google has scanned more than seven million volumes — mostly out of print — from several university libraries. That settlement was recently imperiled by a filing from the Department of Justice that said it still had significant legal problems with the agreement, even after a round of revisions. The settlement is subject to court approval.
Google users can already search up to about 20 percent of the content of many new books that publishers have agreed to enroll in a search program. According to publishers, Google originally said it would automatically enroll any book sold through Google Editions in the search program. An executive from at least one of the six largest publishers said the company did not agree with those terms. Mr. Clancy said that Google would not require books sold through Google Editions to be part of the search program.
Last May Tom Turvey, director of strategic partnerships at Google, told publishers at the annual BookExpo convention in New York that Google’s program for selling new e-book editions would allow consumers to read books on any device with Internet access, including mobile phones, rather than being limited to dedicated reading devices like the Amazon Kindle.
Google, without its own e-reader, wants to be a Switzerland of sorts, competing with Barnes & Noble and other e-book sellers to become the preferred digital bookstore on devices other than the iPad or the Kindle, such as Android smart phones.
In general, publishers are eager for Google to enter the e-book market because they want more competition. “We would love to have a diverse marketplace for e-books,” said Maja Thomas, senior vice president for the digital division of Hachette Book Group, which publishes blockbuster authors like James Patterson and Stephenie Meyer. Since Google would contribute to such diversity, Ms. Thomas said, “we welcome them.”"
http://www.nytimes.com/2010/02/09/books/09google.html?scp=1&sq=e-books&st=cse
Sunday, December 27, 2009
E-Book Piracy: The Publishing Industry's Next Epic Saga?; PC World, 12/
Tom Spring, PC World; E-Book Piracy: The Publishing Industry's Next Epic Saga?:
With the rise of e-book readers like the Kindle, Sony Reader, and Nook comes the scourge of the digital world: pirates.
"Compared with music piracy, illicit e-books are not nearly as widespread or as easy to acquire. Pirates must be determined to track down specific e-book titles. Pirated e-book files (usually available as PDFs) can sometimes be poorly reproduced, and are sometimes made up of scanned page images--not text.
Publishers Stuck Between a Digital Rock and a Hard Place
Worries of piracy have kept many publishers and authors, most notably J.K. Rowling, author of the Harry Potter book series, from embracing the e-book format. They fear that e-book files protected by digital rights management (DRM) technology could be hacked anyway. However, refusing to take advantage of the e-book format can sometimes backfire and drive piracy, says consumer technology analyst Rob Enderle of the Enderle Group.
For a relatively small amount of money, pirates can convert any hard-copy book into an unprotected text file, even if a legitimate electronic book is never created, Enderle says. "This fear of electronic piracy is actually fueling the piracy movement," he says.
That's what happened with Rowling's works. Even though Rowling's publisher, Scholastic Books, doesn't currently offer any Harry Potter titles in e-book format, hackers have scanned all of the books and turned them into PDF files that are viewable on any e-reader.
"If electronic books can't be had legitimately, others will step in and fill the need; and once a pirate industry is established, it probably won't go away easily," says Enderle. The best way for the publishing industry to combat piracy is to follow the music industry's lead and make more e-book titles available.
Publishers have been producing more digital editions for their books, and revenues are up."
http://www.pcworld.com/article/185335/ebook_piracy_the_publishing_industrys_next_epic_saga.html
With the rise of e-book readers like the Kindle, Sony Reader, and Nook comes the scourge of the digital world: pirates.
"Compared with music piracy, illicit e-books are not nearly as widespread or as easy to acquire. Pirates must be determined to track down specific e-book titles. Pirated e-book files (usually available as PDFs) can sometimes be poorly reproduced, and are sometimes made up of scanned page images--not text.
Publishers Stuck Between a Digital Rock and a Hard Place
Worries of piracy have kept many publishers and authors, most notably J.K. Rowling, author of the Harry Potter book series, from embracing the e-book format. They fear that e-book files protected by digital rights management (DRM) technology could be hacked anyway. However, refusing to take advantage of the e-book format can sometimes backfire and drive piracy, says consumer technology analyst Rob Enderle of the Enderle Group.
For a relatively small amount of money, pirates can convert any hard-copy book into an unprotected text file, even if a legitimate electronic book is never created, Enderle says. "This fear of electronic piracy is actually fueling the piracy movement," he says.
That's what happened with Rowling's works. Even though Rowling's publisher, Scholastic Books, doesn't currently offer any Harry Potter titles in e-book format, hackers have scanned all of the books and turned them into PDF files that are viewable on any e-reader.
"If electronic books can't be had legitimately, others will step in and fill the need; and once a pirate industry is established, it probably won't go away easily," says Enderle. The best way for the publishing industry to combat piracy is to follow the music industry's lead and make more e-book titles available.
Publishers have been producing more digital editions for their books, and revenues are up."
http://www.pcworld.com/article/185335/ebook_piracy_the_publishing_industrys_next_epic_saga.html
The e-book, the e-reader, and the future of reading; Christian Science Monitor, 12/21/09
Matthew Shaer, Christian Science Monitor; The e-book, the e-reader, and the future of reading:
As stone tablets gave way the codex, the future of reading is digital – but will the e-reader and the e-book change the nature of how we read?
"Jeremy Manore, an 18-year-old from central New Jersey, subscribes to several magazines and reads books constantly – John Steinbeck and F. Scott Fitzgerald are among his favorite writers. When he came home from his elite Massachusetts boarding school for Thanksgiving, Jeremy brought three books to read, his mother, Sandy Manore, says. But he wasn’t carting heavy volumes in a backpack.
Instead, he’d checked out a Kindle – a wireless reading device – from his school library, and downloaded the books he wanted to read. Jeremy’s school, Cushing Academy in Ashburnham, Mass., is the first in the US to digitize its entire collection. This fall, it began moving its 20,000-volume library aside to make room for a “learning center,” complete with laptop study stations and a fleet of new e-readers with access to millions of digitized books...
The furor over the digitization of Cushing – whose bruised administration refused to speak to the Monitor – is a taste of what’s to come as a new future of reading shapes up. The year 2010 is widely seen as a tipping point when the e-book, once an avant-garde oddity, begins to supplant the hidebound codex. As Mr. Tracy noted, this transition, sweeping in scale, recalls nothing less than the move from stone tablets and scrolls to the bound volume.
Already, the number of electronic texts is expanding exponentially, changing the very way we interact with the written word. Sony sells about 100,000 e-book titles through its online store; Barnes & Noble, a million; Amazon, 360,000. Book Search, an initiative headed by Google, has scanned more than 10 million texts since 2004. The Dostoevsky canon can now be searched the same way you search for the nearest Chinese restaurant."
http://www.csmonitor.com/Books/2009/1221/The-e-book-the-e-reader-and-the-future-of-reading
As stone tablets gave way the codex, the future of reading is digital – but will the e-reader and the e-book change the nature of how we read?
"Jeremy Manore, an 18-year-old from central New Jersey, subscribes to several magazines and reads books constantly – John Steinbeck and F. Scott Fitzgerald are among his favorite writers. When he came home from his elite Massachusetts boarding school for Thanksgiving, Jeremy brought three books to read, his mother, Sandy Manore, says. But he wasn’t carting heavy volumes in a backpack.
Instead, he’d checked out a Kindle – a wireless reading device – from his school library, and downloaded the books he wanted to read. Jeremy’s school, Cushing Academy in Ashburnham, Mass., is the first in the US to digitize its entire collection. This fall, it began moving its 20,000-volume library aside to make room for a “learning center,” complete with laptop study stations and a fleet of new e-readers with access to millions of digitized books...
The furor over the digitization of Cushing – whose bruised administration refused to speak to the Monitor – is a taste of what’s to come as a new future of reading shapes up. The year 2010 is widely seen as a tipping point when the e-book, once an avant-garde oddity, begins to supplant the hidebound codex. As Mr. Tracy noted, this transition, sweeping in scale, recalls nothing less than the move from stone tablets and scrolls to the bound volume.
Already, the number of electronic texts is expanding exponentially, changing the very way we interact with the written word. Sony sells about 100,000 e-book titles through its online store; Barnes & Noble, a million; Amazon, 360,000. Book Search, an initiative headed by Google, has scanned more than 10 million texts since 2004. The Dostoevsky canon can now be searched the same way you search for the nearest Chinese restaurant."
http://www.csmonitor.com/Books/2009/1221/The-e-book-the-e-reader-and-the-future-of-reading
Sunday, December 20, 2009
More and more e-books being stored on the 'cloud'; San Jose Mercury News, 12/20/09
Mike Swift, San Jose Mercury News; More and more e-books being stored on the 'cloud':
"From his home office on a Los Gatos cul-de-sac, Mark Coker is part of a digital movement ruffling the pages of the publishing industry, helping to speed readers' transition from words in print to words on a screen.
The founder of Smashwords, an electronic book publishing platform for self-published authors and small publishers, Coker thinks the transition from print to electronic books, for many readers, is inevitable.
Less clear, he says, is where readers will store the e-books they buy. Will those virtual libraries live on a personal device, such as Amazon's Kindle? Or will people choose to store their e-books on the Internet "cloud," on networks accessible through any computer or smart-phone? And how portable will readers' digital libraries be? Will readers be able to share their e-books the way you pass a treasured paper book on to a good friend?
The publishing world is going through rapid change, which is clear this holiday season as large numbers of consumers embrace electronic books available for download to devices such as the Kindle, Barnes & Noble's Nook and Sony's Reader.
The change has been so tumultuous that several New York publishing houses have decided to delay releasing books in their electronic format for months, concerned that the availability of $9.99 e-books will slice into the sales of traditional hardcover editions that may sell for three times that price.
Already, many readers are using public libraries as a kind of e-book "cloud." The library e-book distributor OverDrive predicts downloads of e-books and other library content will hit 19 million in 2009 — roughly the volume for the years 2003-08 combined.
"We've really hit a tipping point," Coker says. "Once people try an e-book, it's a 'wow' experience."
Starting in 2010, however, anybody who wants to read an e-book will have to choose more than just which reader they buy. Increasingly, consumers will have an array of e-book access choices, such as buying perpetual access to a book stored on the Internet, downloading a book to a personal device or perhaps some other model...
By next holiday season, Google plans to offer an online retail service for e-books that will allow readers to buy access, in perpetuity, to any e-book stored on Google's network.
"Our vision is basically to provide a great consumer model for buying digital books, using the browser in a sort of device-agnostic way," said Google spokesman Gabriel Stricker. "It could be on a Web-enabled laptop, a desktop or a phone, a tablet — any of those things. Our vision of it is to provide an open platform for reading and accessing books."
The retail service, to be called Google Editions, will be only for newly published books and is separate from the Internet giant's highly controversial plan to scan existing out-of-print books, splitting the proceeds with any rights-holders it can locate. Google won't say how much a newly published e-book will cost on Editions, but it has tried to steer speculation away from talk of the service being an "Amazon-killer" that uses Google's dominant search engine to siphon book-buying traffic from the e-retailer...
There are pros and cons to storing a book or a song online rather than on a device. If you lose your iPod or Kindle, the content is gone, too, although Amazon allows readers to access their entire library of previously purchased Kindle books at no charge if something happens to the device. There would be no limit to how many books or songs could be stored on the cloud.
On the other hand, if you are on a trek in the Yosemite high country and suddenly decide you want to reread the copy of "Freakonomics" you bought last month from Google Editions, you'll be out of luck, because you can't access the cloud without an Internet connection. That said, you could have cached the book on your smartphone before you set off into the woods.
A bigger issue for e-book readers may be the different proprietary formats that govern the Kindle, the Reader and the Nook. That would prevent a reader who wants to switch, say, from using Amazon's Kindle to Sony's Reader from transporting her e-books to the other device.
The Kindle's format also does not support downloads of e-books in the format used by many public libraries, although Amazon counters that thousands of public-domain books are available in the Kindle store, including many free classics. Customers can use sites such as Gutenberg.org, Google and Internet Archive to access other e-books.
Coker predicts that consumers won't be pleased when they realize the differing formats and copy-protection code called Digital Rights Management (DRM) is like a fence around their e-book collections, one that publishers say is necessary to protect them from e-book piracy.
"Over the long haul," Coker predicts, "customers are not going to want to have their library in the cloud fractured across 20 different retailers."
Smashwords does not wrap its text with DRM coding, and it allows readers to use both a device model or a cloud model to access their e-books. With more than 5,000 e-books for sale at smashwords.com, the company has deals that allows readers to download to the Kindle, the Reader or the Nook. But the company also allows customers to buy permanent access to any e-book stored on Smashwords' network, allowing them to read it at any time from any smartphone or computer with a Web browser.
"It's your book — that's our approach to it," Coker said."
http://www.mercurynews.com/breaking-news/ci_14021253?nclick_check=1
"From his home office on a Los Gatos cul-de-sac, Mark Coker is part of a digital movement ruffling the pages of the publishing industry, helping to speed readers' transition from words in print to words on a screen.
The founder of Smashwords, an electronic book publishing platform for self-published authors and small publishers, Coker thinks the transition from print to electronic books, for many readers, is inevitable.
Less clear, he says, is where readers will store the e-books they buy. Will those virtual libraries live on a personal device, such as Amazon's Kindle? Or will people choose to store their e-books on the Internet "cloud," on networks accessible through any computer or smart-phone? And how portable will readers' digital libraries be? Will readers be able to share their e-books the way you pass a treasured paper book on to a good friend?
The publishing world is going through rapid change, which is clear this holiday season as large numbers of consumers embrace electronic books available for download to devices such as the Kindle, Barnes & Noble's Nook and Sony's Reader.
The change has been so tumultuous that several New York publishing houses have decided to delay releasing books in their electronic format for months, concerned that the availability of $9.99 e-books will slice into the sales of traditional hardcover editions that may sell for three times that price.
Already, many readers are using public libraries as a kind of e-book "cloud." The library e-book distributor OverDrive predicts downloads of e-books and other library content will hit 19 million in 2009 — roughly the volume for the years 2003-08 combined.
"We've really hit a tipping point," Coker says. "Once people try an e-book, it's a 'wow' experience."
Starting in 2010, however, anybody who wants to read an e-book will have to choose more than just which reader they buy. Increasingly, consumers will have an array of e-book access choices, such as buying perpetual access to a book stored on the Internet, downloading a book to a personal device or perhaps some other model...
By next holiday season, Google plans to offer an online retail service for e-books that will allow readers to buy access, in perpetuity, to any e-book stored on Google's network.
"Our vision is basically to provide a great consumer model for buying digital books, using the browser in a sort of device-agnostic way," said Google spokesman Gabriel Stricker. "It could be on a Web-enabled laptop, a desktop or a phone, a tablet — any of those things. Our vision of it is to provide an open platform for reading and accessing books."
The retail service, to be called Google Editions, will be only for newly published books and is separate from the Internet giant's highly controversial plan to scan existing out-of-print books, splitting the proceeds with any rights-holders it can locate. Google won't say how much a newly published e-book will cost on Editions, but it has tried to steer speculation away from talk of the service being an "Amazon-killer" that uses Google's dominant search engine to siphon book-buying traffic from the e-retailer...
There are pros and cons to storing a book or a song online rather than on a device. If you lose your iPod or Kindle, the content is gone, too, although Amazon allows readers to access their entire library of previously purchased Kindle books at no charge if something happens to the device. There would be no limit to how many books or songs could be stored on the cloud.
On the other hand, if you are on a trek in the Yosemite high country and suddenly decide you want to reread the copy of "Freakonomics" you bought last month from Google Editions, you'll be out of luck, because you can't access the cloud without an Internet connection. That said, you could have cached the book on your smartphone before you set off into the woods.
A bigger issue for e-book readers may be the different proprietary formats that govern the Kindle, the Reader and the Nook. That would prevent a reader who wants to switch, say, from using Amazon's Kindle to Sony's Reader from transporting her e-books to the other device.
The Kindle's format also does not support downloads of e-books in the format used by many public libraries, although Amazon counters that thousands of public-domain books are available in the Kindle store, including many free classics. Customers can use sites such as Gutenberg.org, Google and Internet Archive to access other e-books.
Coker predicts that consumers won't be pleased when they realize the differing formats and copy-protection code called Digital Rights Management (DRM) is like a fence around their e-book collections, one that publishers say is necessary to protect them from e-book piracy.
"Over the long haul," Coker predicts, "customers are not going to want to have their library in the cloud fractured across 20 different retailers."
Smashwords does not wrap its text with DRM coding, and it allows readers to use both a device model or a cloud model to access their e-books. With more than 5,000 e-books for sale at smashwords.com, the company has deals that allows readers to download to the Kindle, the Reader or the Nook. But the company also allows customers to buy permanent access to any e-book stored on Smashwords' network, allowing them to read it at any time from any smartphone or computer with a Web browser.
"It's your book — that's our approach to it," Coker said."
http://www.mercurynews.com/breaking-news/ci_14021253?nclick_check=1
Wednesday, October 21, 2009
A New Electronic Reader, the Nook, Enters the Market; New York Times, 10/21/09
Motoko Rich, New York Times; A New Electronic Reader, the Nook, Enters the Market:
"As widely expected, Barnes & Noble unveiled its Nook electronic reading device at a splashy news conference on Tuesday to generally positive views from the publishing community, and offered some details about its whispered-about lending capabilities.
The Nook electronic reading device from Barnes & Noble was unveiled Tuesday, offering a competitor to the Kindle.
As much as anything, publishers seemed relieved that Barnes & Noble, which operates the nation’s largest chain of bookstores, had produced a credible alternative to Amazon’s Kindle. The Nook, priced at $259, went on sale Tuesday afternoon at nook.com, at a price that matched the latest edition of the Kindle. The Nook will ship starting in late November.
Amazon currently dominates the market for electronic readers. Estimates vary, but according to the Codex Group, a consultant to the publishing industry, Amazon has sold about 945,000 units, compared with 525,000 units of the Sony Reader...
One of the differentiating factors of the Nook is that customers can “lend” books to friends. But customers may lend out any given title only one time for a total of 14 days and they cannot read it on their own Nook while it is lent."
http://www.nytimes.com/2009/10/21/technology/21nook.html?scp=1&sq=nook&st=cse
"As widely expected, Barnes & Noble unveiled its Nook electronic reading device at a splashy news conference on Tuesday to generally positive views from the publishing community, and offered some details about its whispered-about lending capabilities.
The Nook electronic reading device from Barnes & Noble was unveiled Tuesday, offering a competitor to the Kindle.
As much as anything, publishers seemed relieved that Barnes & Noble, which operates the nation’s largest chain of bookstores, had produced a credible alternative to Amazon’s Kindle. The Nook, priced at $259, went on sale Tuesday afternoon at nook.com, at a price that matched the latest edition of the Kindle. The Nook will ship starting in late November.
Amazon currently dominates the market for electronic readers. Estimates vary, but according to the Codex Group, a consultant to the publishing industry, Amazon has sold about 945,000 units, compared with 525,000 units of the Sony Reader...
One of the differentiating factors of the Nook is that customers can “lend” books to friends. But customers may lend out any given title only one time for a total of 14 days and they cannot read it on their own Nook while it is lent."
http://www.nytimes.com/2009/10/21/technology/21nook.html?scp=1&sq=nook&st=cse
Tuesday, May 12, 2009
Print Books Are Target of Pirates on the Web; The New York Times, 5/12/09
Via The New York Times; Print Books Are Target of Pirates on the Web:
"For now, electronic piracy of books does not seem as widespread as what hit the music world, when file-sharing services like Napster threatened to take down the whole industry.
Publishers and authors say they can learn from their peers in music, who alienated fans by using the courts aggressively to go after college students and Napster before it converted to a legitimate online store.
“If iTunes started three years earlier, I’m not sure how big Napster and the subsequent piratical environments would have been, because people would have been in the habit of legitimately purchasing at pricing that wasn’t considered pernicious,” said Richard Sarnoff, a chairman of Bertelsmann, which owns Random House, the world’s largest publisher of consumer titles...
Others view digital piracy as a way for new readers to discover writers. "
http://www.nytimes.com/2009/05/12/technology/internet/12digital.html?scp=2&sq=piracy&st=cse
"For now, electronic piracy of books does not seem as widespread as what hit the music world, when file-sharing services like Napster threatened to take down the whole industry.
Publishers and authors say they can learn from their peers in music, who alienated fans by using the courts aggressively to go after college students and Napster before it converted to a legitimate online store.
“If iTunes started three years earlier, I’m not sure how big Napster and the subsequent piratical environments would have been, because people would have been in the habit of legitimately purchasing at pricing that wasn’t considered pernicious,” said Richard Sarnoff, a chairman of Bertelsmann, which owns Random House, the world’s largest publisher of consumer titles...
Others view digital piracy as a way for new readers to discover writers. "
http://www.nytimes.com/2009/05/12/technology/internet/12digital.html?scp=2&sq=piracy&st=cse
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