AI could be an existential threat to publishers – that’s why Mumsnet is fighting back; The Guardian, September 28, 2024

Justine Roberts , The Guardian; AI could be an existential threat to publishers – that’s why Mumsnet is fighting back

"After nearly 25 years as a founder of Mumsnet, I considered myself pretty unshockable when it came to the workings of big tech. But my jaw hit the floor last week when I read that Google was pushing to overhaul UK copyright law in a way that would allow it to freely mine other publishers’ content for commercial gain without compensation.

At Mumsnet, we’ve been on the sharp end of this practice, and have recently launched the first British legal action against the tech giant OpenAI. Earlier in the year, we became aware that it was scraping our content – presumably to train its large language model (LLM). Such scraping without permission is a breach of copyright laws and explicitly of our terms of use, so we approached OpenAI and suggested a licensing deal. After lengthy talks (and signing a non-disclosure agreement), it told us it wasn’t interested, saying it was after “less open” data sources...

If publishers wither and die because the AIs have hoovered up all their traffic, then who’s left to produce the content to feed the models? And let’s be honest – it’s not as if these tech giants can’t afford to properly compensate publishers. OpenAI is currently fundraising to the tune of $6.5bn, the single largest venture capital round of all time, valuing the enterprise at a cool $150bn. In fact, it has just been reported that the company is planning to change its structure and become a for-profit enterprise...

I’m not anti-AI. It plainly has the potential to advance human progress and improve our lives in myriad ways. We used it at Mumsnet to build MumsGPT, which uncovers and summarises what parents are thinking about – everything from beauty trends to supermarkets to politicians – and we licensed OpenAI’s API (application programming interface) to build it. Plus, we think there are some very good reasons why these AI models should ingest Mumsnet’s conversations to train their models. The 6bn-plus words on Mumsnet are a unique record of 24 years of female interaction about everything from global politics to relationships with in-laws. By contrast, most of the content on the web was written by and for men. AI models have misogyny baked in and we’d love to help counter their gender bias.

But Google’s proposal to change our laws would allow billion-dollar companies to waltz untrammelled over any notion of a fair value exchange in the name of rapid “development”. Everything that’s unique and brilliant about smaller publisher sites would be lost, and a handful of Silicon Valley giants would be left with even more control over the world’s content and commerce."

How the Copyright Act of 1976 Left Comic Artists, Like Jack Kirby, at the Mercy of Big Studios; New Hampshire Public Radio, 10/24/16

[Podcast] Devan Roehrig, New Hampshire Public Radio; How the Copyright Act of 1976 Left Comic Artists, Like Jack Kirby, at the Mercy of Big Studios:

"Jack Kirby and Stan Lee worked together at Marvel for almost a decade - they came up with the X-Men and the Hulk. And you may have heard of another character Kirby co-created: his name is…Captain America.

But for nearly 20 years Marvel and Jack Kirby engaged in harsh public battle over creative rights and fair compensation."

10 sites to help you navigate the new world of music; CNN.com, 7/23/09

John D. Sutter via CNN.com; 10 sites to help you navigate the new world of music:

"Online music is confusing these days.

Web sites are giving people new ways to find and enjoy music.

It's hard to tell what's legal when once-defunct sites like KaZaA and Napster --former bastions of illegal downloads -- crawl out of the grave with legit subscription plans.

And digital music offerings are expanding.

Instead of buying CDs or downloading songs, younger consumers appear to be shifting toward streaming music online and on mobile devices.

That's partly because music streaming services like Pandora are largely free, and also because younger people aren't as tied to the idea that music must be owned to be enjoyed, said Russ Crupnick, a senior industry analyst at NPD Entertainment, which conducts market research.

In a survey released earlier this year, NPD Group found the number of teens streaming music online jumped from 34 percent in 2007 to 52 percent in 2008. CD sales and music downloads dropped over the same period.

It's unclear which online music models will survive, said John Simson, executive director of SoundExchange, the nonprofit that collects royalties for recording companies and artists.
But some music industry experts say the shifting landscape of digital music could help save struggling musicians and record companies.

Rich Bengloff, president of the American Association of Independent Music, said power is in the hands of consumers.

"To survive, music labels must get revenue from multiple sources, with the consumers deciding which of these sources they want to use to access music," he said in an e-mail. "These sources need to include streaming services like Pandora, SomaFM, Yahoo, etc. and subscription services like Napster and Rhapsody.

"These services are good for the industry as long as artists who create the music and the music labels that invest in that music creation receive fair compensation."

To help you sort through the many options, CNN.com compiled a list of 10 sites that are rethinking how people access music on the Internet."

http://www.cnn.com/2009/TECH/07/23/online.music.kazaa/index.html