Cuban citizen convicted in U.S. streaming piracy scheme; UPI, November 16, 2024

Mike Heuer , UPI; Cuban citizen convicted in U.S. streaming piracy scheme

"A federal jury in Las Vegas found Yoany Vaillant guilty of conspiring to commit criminal copyright infringement for his work on behalf of illegal streamer Jetflicks.

Vaillant, 43, is a Cuban citizen and knows 27 computer programming languages, which he used to streamline the subscription-based but illegal Jetflicks content for its subscribers who were located throughout the United States, the Department of Justice announced in a news release Friday...

Jetflicks is headquartered in Las Vegas and claimed to have 183,285 copyrighted episodes of television programming, which is much more than Netflix, Hulu, Amazon Prime and any other streaming services.

Prosecutors provided evidence showing Vaillant and seven co-conspirators scoured pirate sites located around the world to access and download its extensive library of streaming titles without obtaining permission or paying respective copyright holders...

"The vast scale of Jetflicks' piracy affected every significant copyright owner of a television program in the United States," the DOJ said.

The illegal streaming caused "millions of dollars of losses to the U.S. television show and streaming industries," the agency said.

Vaillant was among eight defendants indicted in the U.S. District Court for Eastern Virginia in 2019."

For the sake of jobs and culture, copyright law must be protected; The Hill, August 2, 2017

John Singleton, The Hill; For the sake of jobs and culture, copyright law must be protected

"The American film and television industries sit at the intersection of art and commerce. Although we often like to think we are simply making art, we also need to make back the investors’ money. And, like in any business, investors want to see a potential path to that profitable return before signing a check. That was as true in 1991 as it is today. The difference is that the emergence of online piracy has had a measureable effect on the health of our industry, threatening the financial success of every single television show, indie film and summer blockbuster.

It’s easy to look at piracy in a vacuum and chalk the illegal streaming of a movie up to a mere $5 or $10 loss for Hollywood investors. Yet the aggregate cost of piracy goes far beyond that. It makes film and television companies far more risk-averse, narrowing their output to that which seems the most bankable, thereby creating a climate in which no one would be willing to take a chance on a 24-year-old with a script about inner city life.

And if they’re not taking those chances, then who is? Where does the next Kenneth Lonergan come from? Sofia Coppola? James Gunn? Paul Greengrass? John Singleton?"