For the sake of jobs and culture, copyright law must be protected; The Hill, August 2, 2017

John Singleton, The Hill; For the sake of jobs and culture, copyright law must be protected

"The American film and television industries sit at the intersection of art and commerce. Although we often like to think we are simply making art, we also need to make back the investors’ money. And, like in any business, investors want to see a potential path to that profitable return before signing a check. That was as true in 1991 as it is today. The difference is that the emergence of online piracy has had a measureable effect on the health of our industry, threatening the financial success of every single television show, indie film and summer blockbuster.

It’s easy to look at piracy in a vacuum and chalk the illegal streaming of a movie up to a mere $5 or $10 loss for Hollywood investors. Yet the aggregate cost of piracy goes far beyond that. It makes film and television companies far more risk-averse, narrowing their output to that which seems the most bankable, thereby creating a climate in which no one would be willing to take a chance on a 24-year-old with a script about inner city life.

And if they’re not taking those chances, then who is? Where does the next Kenneth Lonergan come from? Sofia Coppola? James Gunn? Paul Greengrass? John Singleton?"

How the internet has all but destroyed the market for films, music and newspapers; Observer via Guardian, 8/14/11

Robert Levine, Observer via Guardian; How the internet has all but destroyed the market for films, music and newspapers:

"As pressure builds to enforce copyright law online, technology companies and the activists they support have started to argue that any attempt to block pirate sites will "break the internet", as though it were an iPhone teetering on the edge of a table. The truth is that the internet is broken already: it's simply too chaotic to provide the infrastructure for a 21st-century economy. This has to change, before newspapers and film suffer declines like that of the music industry. Technology companies have long lectured creators on the need to adapt to a changing changing digital world. It would be a shame if they couldn't heed their own advice.

Robert Levine is the author of Free Ride: How the Internet is Destroying the Culture Business and How the Culture Business can Fight Back"