Elsevier defends its value after Open Access disputes; The Bookseller, 4/28/16

Benedicte Page, The Bookseller; Elsevier defends its value after Open Access disputes:

"[D]irector of access and policy Alicia Wise, vice-president of global corporate relations Tom Reller and policy director Gemma Hersh say criticism from a vocal minority is unrepresentative of the publisher’s regular contact with millions of researchers. The trio say that detractors obscure a key fact: that Elsevier is seeking to negotiate the new landscapes of OA and content-sharing in such a way that its economic sustainability, and therefore ability to maintain quality, is not compromised.

Publishers are “rubbish at communicating their value,” says Hersh (left), then proceeds to attempt to do just that. “We have over one million submissions a year and immediately reject a third of those,“ she says. “The management of that process in itself is an enormous feat. You then have the co-ordination of those manuscripts you have accepted, finding the right people to peer review those, making that as efficient a process as possible. That takes time.

“Once you’ve gone through the peer review process, if you look at the article that is actually published in a journal, it looks radically different [to the one submitted due to] that process of transformation, the copy-editing, the database linking, the data visualisation tools, making sure that the metadata for the article is all right, so when people come to [Elsevier database] ScienceDirect or type a search into Google, they can actually find what they are looking for on their platforms.”

She continues: “The plagiarism detection tools that we invest in to make sure research is reliable and trustworthy; with journals like The Lancet, the statisticians it employs to verify what goes into the article so it is treated as high-quality, cutting-edge research. The marketing of the journal brand—there’s a reason why journals are well known. People want to publish in them because they are known as having high-quality content. We do all that marketing. The investments we make off the back of that, so people know how their articles are being used, how they can identify collaborators to work with after publication and how they can use tools like [Elsevier’s institutional research networking platform] SciVal.”"

Sony patents contact lens that records what you see; CNet, 5/2/16

Michelle Starr, CNet; Sony patents contact lens that records what you see:

"A new patent, awarded to the company in April, describes a contact lens that can be controlled by the user's deliberate blinks, recording video on request.

Sensors embedded in the lens are able to detect the difference between voluntary and involuntary blinks. The image capture and storage technology would all be embedded in the lens around the iris, and piezoelectric sensors would convert the movements of the eye into energy to power the lens.

Of course, at this point, this technology isn't small enough to be comfortably embedded in a contact lens, so it's only theoretical."

The X-Men: Apocalypse Trailer Cut With Animated Footage Is Perfect; Gizmodo, 5/5/16

Germain Lussier, Gizmodo; The X-Men: Apocalypse Trailer Cut With Animated Footage Is Perfect:

"YouTube user Philysteak took the audio and shots from the latest trailer (which we broke down here) and edited it with very, very similar footage from the ’90s TV show...

The trailer is so good, in fact, it got tweeted out not only by Singer, but the film’s producer too.

X-Men: Apocalypse opens May 27, but reviews will start rolling in next week."

Happy Together' Copyright Dispute in NY Top Court; Associated Press via New York Times, 5/3/16

Associated Press via New York Times; Happy Together' Copyright Dispute in NY Top Court:

"New York's highest court has agreed to rule on a case pitting the owner of The Turtles' 1967 hit "Happy Together" against Sirius XM Radio.

The issue is whether the copyright owners of recordings made before 1972 have a common law right to make radio stations and others pay for their use."

Redskins, and Other Troubling Trademarks; New York Times, 5/4/16

Room for Debate, New York Times; Redskins, and Other Troubling Trademarks:

"The Supreme Court may soon take up two cases in which the government does not want to register trademarks it considers disparaging — for the Washington Redskins football team and an Asian-American band called The Slants. The major federal law on trademarks lets the government deny registration to trademarks that are “immoral, deceptive, or scandalous” or that “disparage.”

Is it a denial of free speech for the government to prohibit registration for such trademarks?"

The Future Of Open Access: Why Has Academia Not Embraced The Internet Revolution?; Forbes, 4/29/16

Kalev Leetaru, Forbes; The Future Of Open Access: Why Has Academia Not Embraced The Internet Revolution? :

"One of the most remarkable aspects of the story of the web’s evolution is that the collective output of the world’s universities has remained largely absent from the open online world, even as most other forms of information have shifted to some form of open online access. In the case of encyclopedias, entirely new forms of collaborative knowledge documentation like Wikipedia have emerged, while journalism has shifted to free advertising-supported distribution and even music and videos are increasingly legally available through ad-supported streaming services or affordable licensed download services.

Academic papers, the lifeblood of the scholarly world of academia, have resisted this transition. To those outside academia it might be surprising that most universities don’t publish all of their books, papers, presentations and course materials on their websites for the world to access...

Yesterday Science published a fascinating behind-the-scenes look at Sci-Hub, one of the most infamous academic pirating sites, which provides free access to more than 50 million illegally acquired papers. One of the most fascinating findings is that its download traffic comes not exclusively from the developing world for which journal subscriptions are often claimed to be inaccessible, but also extensively from major Western universities which likely have legal subscriptions to the journals already. One of the reasons for this, the article claims, is the cumbersome and difficult-to-use web portals that university libraries provide to their holdings, making it incredibly difficult to locate a paper even if the university has a legal subscription to the journal. Having spent more than a decade and a half in academia at multiple institutions from public to private, I can personally attest to just how difficult it can be to navigate library portal systems to locate a particular paper...

As the drumbeat of open access continues to grow, the fierce debate over the future of how academic research is published and distributed will only rage louder. In parallel, as the trend towards open access expands to data sharing and replication, the pressure to change how academia does business will reach a breaking point where change will become inevitable. In the end, it is a fascinating commentary that the world of academia, from which the modern web sprung, has been among the most resistant to change and one of the last to embrace the internet revolution."

A Fight Over Cheerleading Uniforms Is Heading to the Supreme Court; Fortune, 5/2/16

Chris Morris, Fortune; A Fight Over Cheerleading Uniforms Is Heading to the Supreme Court:

"The high court has agreed to hear a case over whether stripes, zigzags and colors worn on uniforms by cheerleaders can be copyrighted under federal law. While it’s a case that might sound unusual, it’s one that could have far-reaching effects.

At issue is an August 2015 ruling by the 6th Circuit Court of Appeals in Cincinnati. That decision allowed Varsity Brand to pursue a copyright claim against Star Athletica, based on similar uniform designs. Justices said the stripes, chevrons, zigzags, and color blocks in the outfits were more than aesthetic touches – and, in fact, made the outfit a cheerleading uniform.

The 6th Circuit Court Justices, in a split opinion, said the original ruling, which found that the designs weren’t subject to copyright laws “would render nearly all artwork unprotectable.” Also at issue, they wrote, could be designs on laminate flooring as well as the decorative base on some lamps...

Copyright law, when it comes to clothing, is less protective than you might think. Fabric designs are covered, but aspects like sleeve styles, pockets and necklines are not copyrightable, since they’re considered inseparable from the chief purpose of the outfit – to cover your body."