Eriq Gardner, Hollywood Reporter; CBS, Paramount Settle Lawsuit Over 'Star Trek' Fan Film
"Stand down from battle stations. Star Trek rights holders CBS and Paramount have seen the logic of settling a copyright suit against Alec Peters, who solicited money on crowdfunding sites and hired professionals to make a YouTube short and a script of a planned feature film focused on a fictional event — a Starfleet captain's victory in a war with the Klingon Empire — referenced in the original 1960s Gene Roddenberry television series. Thanks to the settlement, CBS and Paramount won't be going to trial on Stardate 47634.44, known to most as Jan. 31, 2017."
Issues and developments related to IP, AI, and OM, examined in the IP and tech ethics graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology", coming in Summer 2025, includes major chapters on IP, AI, OM, and other emerging technologies (IoT, drones, robots, autonomous vehicles, VR/AR). Kip Currier, PhD, JD
Showing posts with label Paramount. Show all posts
Showing posts with label Paramount. Show all posts
Friday, January 20, 2017
Tuesday, January 10, 2017
Copyright in Klingon; Washington Post, 1/9/17
David Post, Washington Post; Copyright in Klingon:
"The court went awry, I believe, in holding additionally that the defendants “are not entitled to the fair use defense,” a holding that illustrates much that is wrong with copyright law these days.
"The court went awry, I believe, in holding additionally that the defendants “are not entitled to the fair use defense,” a holding that illustrates much that is wrong with copyright law these days.
To begin with, the fair use defense, involving a complicated balancing of defendant’s motives and purposes, the effect of the defendant’s use on the market for the original work and any number of other relevant factors, is hardly ever appropriate for disposition on summary judgment; there’s too much fact-finding required.
But more to the point, “Axanar” uses copyrighted material for a transformative purpose — creating a new and original work of art. It is not a substitute, in the market, for the original; if anything, it enhances the value of the original. This is precisely what our copyright law, through the fair use exception, should be encouraging — the production of new and original works of art that build on prior works to create something new and valuable."
Thursday, January 5, 2017
Axanar isn’t fair use, judge finds, setting stage for Star Trek copyright trial; Ars Technica, 1/5/17
Cyrus Farivar, Ars Technica;
Axanar isn’t fair use, judge finds, setting stage for Star Trek copyright trial
"In additional court filings submitted on Wednesday, CBS, Paramount, and Axanar Productions all put forward their list of witnesses. CBS said it would put John Van Citters, an executive who has worked with Paramount and CBS on Star Trek for nearly 20 years, on the stand.
Van Citters, according to the plaintiffs’ attorneys, "knows the canon of Star Trek intimately as well as the history and personnel involved in the production of Star Trek in order to be able to efficiently assess whether or not material CBS is presenting to the public is accurate and fits with existing canon."
Axanar Productions, for its part, will counter with Christian Tregillis, a financial consultant who will "rebut Plaintiffs’ theory of lost profits that they claim resulted from Defendants’ alleged infringement, i.e., that funds donated to making of Defendants’ works have resulted in lost revenue or profits to Plaintiffs," according to its own filing.
The film company will also offer up Henry Jenkins, a professor of media studies at the University of Southern California, who is an expert on Star Trek’s historical relationship between its creators and its fans."
Thursday, July 14, 2016
To Boldly Go Where No Fan Production Has Gone Before; Slate, 7/13/16
Marissa Martinelli, Slate; To Boldly Go Where No Fan Production Has Gone Before:
"The issues at the heart of the Axanar case are complex—in addition to copyright infringement, CBS and Paramount are accusing the Axanar team of profiting from the production by paying themselves salaries, among other things. Abrams, who directed 2009’s Star Trek and 2013’s Star Trek Into Darkness, promised during a fan event back in May that the lawsuit would be going away at the behest of Justin Lin, the Beyond director who has sided, surprisingly, with Axanar over Paramount. But despite Abrams’ promise, the lawsuit rages on, and in the meantime, other Trekkie filmmakers have had to adapt. Federation Rising, the planned sequel to Horizon, pulled the plug before fundraising had even started, and Star Trek: Renegades, the follow-up to Of Gods and Men that raised more than $132,000 on Indiegogo, has dropped all elements of Star Trek from the production and is now just called Renegades. (Amusingly, this transition seems to have involved only slight tweaks, with the Federation becoming the Confederation, Russ’ character Tuvok becoming Kovok, and so on.) Other projects are stuck in limbo, waiting to hear from CBS whether they can boldly go forth with production—or whether this really does spell the end of the golden age of Star Trek fan films. Axanar may very well have crossed a line, and CBS and Paramount are, of course, entitled to protect their properties. But in the process, they have suffocated, intentionally or otherwise, a robust and long-standing fan-fiction tradition, one that has produced remarkable labors of love like Star Trek Continues, which meticulously recreated the look and feel of the 1960s show, and an hourlong stop-motion film made by a German fan in tribute to Enterprise—a project almost eight years in the making. It’s a tradition that gave us web series like Star Trek: Hidden Frontier, which was exploring same-sex relationships in Star Trek well before the canon was ready to give us a mainstream, openly gay character."
Friday, June 24, 2016
‘Star Trek: Axanar’ Producers Fire Back at ‘Draconian’ Fan Film Guidelines; Comic Book Resources, 6/24/16
Kevin Melrose, Comic Book Resources; ‘Star Trek: Axanar’ Producers Fire Back at ‘Draconian’ Fan Film Guidelines:
"The producers of “Star Trek: Axanar” have responded to new fan film guidelines established by Paramount Pictures and CBS, calling them “Draconian” and stifling to fandom. “We have been asking for guidelines for years,” producers said in a tweet. “CBS decided to make those guidelines Draconian.”"
Thursday, June 23, 2016
Star Trek Fan Film Guidelines Announced; StarTrek.com, 6/23/16
CBS & Paramount, StarTrek.com; Star Trek Fan Film Guidelines Announced:
"Dear Star Trek fans, Star Trek fandom is like no other. Your support, enthusiasm and passion are the reasons that Star Trek has flourished for five decades and will continue long into the future. You are the reason the original Star Trek series was rescued and renewed in 1968, and the reason it has endured as an iconic and multi-generational phenomenon that has spawned seven television series and 13 movies. Throughout the years, many of you have expressed your love for the franchise through creative endeavors such as fan films. So today, we want to show our appreciation by bringing fan films back to their roots. The heart of these fan films has always been about expressing one’s love and passion for Star Trek. They have been about fan creativity and sharing unique stories with other fans to show admiration for the TV shows and movies. These films are a labor of love for any fan with desire, imagination and a camera. We want to support this innovation and encourage celebrations of this beloved cultural phenomenon. It is with this perspective in mind that we are introducing a set of guidelines at Star Trek Fan Films. Thank you for your ongoing and steadfast enthusiasm and support, which ensure that Star Trek will continue to inspire generations to come. CBS and Paramount Pictures"
Thursday, June 16, 2016
Paramount Says 'Star Trek' Fan Film Lawsuit Lives On; Hollywood Reporter, 6/16/16
Eriq Gardner, Hollywood Reporter; Paramount Says 'Star Trek' Fan Film Lawsuit Lives On:
"The two studios filed a copyright infringement lawsuit at the very end of 2015, and over objections that the Star Trek rights-owners couldn't really copyright elements like the Klingon language or the pointy Vulcan ears, a judge rejected a motion to dismiss. The legal dispute over a project hyped as a would-be studio-quality film that's set before Captain James. T. Kirk's voyage on the U.S.S. Enterprise has commanded attention in large part because the studios have either tolerated or encouraged fan-made works through the years. In mid-May, during a promotional event for Star Trek Beyond, Abrams raised the hopes of many by hinting the lawsuit would be over soon... So far, that hasn't turned out to be the case."
Wednesday, May 11, 2016
Judge: Star Trek fanfic creators must face CBS, Paramount copyright lawsuit; Ars Technica, 5/10/16
Megan Geuss, Ars Technica; Judge: Star Trek fanfic creators must face CBS, Paramount copyright lawsuit:
"On Monday, a Los Angeles-based US District Court judge ruled that Axanar Productions, a crowd-funded Star Trek fanfiction production company, would have to face a copyright infringement lawsuit (PDF) from CBS and Paramount, which own the rights to the Star Trek TV and film franchise... "Although the Court declines to address whether Plaintiffs’ Claims will prosper at this time,” the judge wrote, "the Court does find Plaintiffs’ claims will live long enough to survive Defendants’ Motion to Dismiss.” In another blog post, Peters wrote that Axanar Productions is trying to settle with CBS and Paramount "so we can move forward with telling the story of AXANAR in a way that satisfies both the studios and the over ten thousand fans who financially supported our project.”"
Saturday, April 30, 2016
Behold, a legal brief written in Klingon; Washington Post, 4/29/16
Brian Fung, Washington Post; Behold, a legal brief written in Klingon:
"A group of linguists is boldly going where no one has gone before. In a legal brief peppered with idioms written in the original Klingon, the Language Creation Society — a California nonprofit devoted to supporting "constructed languages" — is trying to convince a court that the alien language from "Star Trek" is a real, "living" form of communication. The made-up language is at the heart of a big copyright case involving CBS and Paramount, which own the rights to the "Star Trek" franchise, and a group of filmmakers who are trying to produce their own, original "Star Trek" film. If the studios win the fight, it would deal a major blow to the crowdfunded movie and to subsequent fan creations."
Friday, March 25, 2016
To boldly go where no copyright suit has gone before; Washington Post, 3/24/16
David Post, Washington Post; To boldly go where no copyright suit has gone before:
"Many of the infringement counts (based on similarities in costume design, backdrops, logos, and the like) look pretty straightforward to me, though I’ll be interested to see what arguments the defendants advance in support of their borrowings. [Fair use, which might ordinarily be counted on to give safe harbor to a fan film, might be difficult to sustain here, given the ostensibly commercial nature of the defendant’s production and the plaintiffs’ argument that the defendants have deprived them of licensing revenues to which they are entitled.] At the same time, I can’t quite understand why Paramount and CBS are going to the litigation mat here, even if they have good legal grounds for doing so. In a nice twist, Justin Lin, who directs Paramount’s own “Star Trek Beyond,” scheduled for release in July, has come out against the suit (tweeting “This is getting ridiculous! I support the fans. Trek belongs to all of us!”), perhaps concerned that it will turn “Star Trek” fans against the whole enterprise (including his film)."
Tuesday, March 15, 2016
Paramount Claims Crowdfunded 'Star Trek' Film Infringes Copyright to Klingon Language; Hollywood Reporter, 3/13/16
Eriq Gardner, Hollywood Reporter; Paramount Claims Crowdfunded 'Star Trek' Film Infringes Copyright to Klingon Language:
"As promised, the lawsuit launched by Paramount Pictures and CBS over Axanar, a fan-funded Star Trek film, is boldly going places where no man — or Klingon — has gone before. As the Klingons say, "DabuQlu'DI' yISuv." After the Star Trek rights-holders sued producers, led by Alec Peters, who put out a short film and solicited donations with the aim of making a studio-quality feature set in the year 2245 — before Captain James T. Kirk took command, when the war with the Klingon Empire almost tore the Federation apart — the defendants brought a dismissal motion that faulted Paramount and CBS with not providing enough specificity about which of the "thousands" of copyrights relating to Star Trek episodes and films are being infringed — and how. Ask and ye shall receive."
Thursday, December 31, 2015
Crowdfunded ‘Star Trek’ Fan Film Accused of Copyright Infringement; Wall Street Journal, 12/30/15
Jacob Gershman, Wall Street Journal; Crowdfunded ‘Star Trek’ Fan Film Accused of Copyright Infringement:
"The lawsuit, which Hollywood Reporter wrote about, claims the fan film incorporates “innumerable” copyrighted elements of Star Trek, from the Federation starship bridge to the Vulcan and Klingon races."
Sunday, July 17, 2011
[Obituary] Sherwood Schwartz obituary; Guardian, 7/14/11
[Obituary] Guardian; Sherwood Schwartz obituary:
"[Sherwood Schwartz] was admired by Brady fans for his efforts to stop Paramount from harassing amateur theatre groups for copyright infringement when they staged productions based on the Brady Bunch."
"[Sherwood Schwartz] was admired by Brady fans for his efforts to stop Paramount from harassing amateur theatre groups for copyright infringement when they staged productions based on the Brady Bunch."
Sunday, December 27, 2009
"Star Trek" The Most - Pirated Film Of 2009; New York Times, 12/
Reuters, via New York Times; "Star Trek" The Most - Pirated Film Of 2009:
"Paramount's worst fears are confirmed: "Star Trek" was the most pirated film of 2009, according to a new report.
In October, the studio told the Federal Communications Commission that "Star Trek" had become a hot commodity in piracy circles. Illegal file-sharing had advanced from "geek to sleek," Frederick Huntsberry, the studio's chief operating officer, told officials.
Now, according to data from TorrentFreak, "Star Trek" was downloaded nearly 11 million times this past year, just edging "Transformers: Revenge of the Fallen" (10.6 million). The films were among the biggest of the year at the box office.
At the other end of the box-office scale, "Sherlock Holmes" director Guy Ritchie's "RocknRolla" ranked No. 3. It grossed less than $26 million worldwide.
Interestingly, for all the fuss about the "Wolverine" leak, the film came in at No. 9 with 7.2 million. The FBI earlier this month charged a man with violation of federal copyright law, alleging he uploaded the film to the Web last spring.
The list was rounded out by "The Hangover" (No. 4), "Twilight" (No. 5), "District 9" (No. 6), "Harry Potter and the Half-Blood Prince" (No. 7), "State of Play" (No. 8), and "Knowing" (No. 10)."
http://www.nytimes.com/reuters/2009/12/24/arts/entertainment-us-startrek.html
"Paramount's worst fears are confirmed: "Star Trek" was the most pirated film of 2009, according to a new report.
In October, the studio told the Federal Communications Commission that "Star Trek" had become a hot commodity in piracy circles. Illegal file-sharing had advanced from "geek to sleek," Frederick Huntsberry, the studio's chief operating officer, told officials.
Now, according to data from TorrentFreak, "Star Trek" was downloaded nearly 11 million times this past year, just edging "Transformers: Revenge of the Fallen" (10.6 million). The films were among the biggest of the year at the box office.
At the other end of the box-office scale, "Sherlock Holmes" director Guy Ritchie's "RocknRolla" ranked No. 3. It grossed less than $26 million worldwide.
Interestingly, for all the fuss about the "Wolverine" leak, the film came in at No. 9 with 7.2 million. The FBI earlier this month charged a man with violation of federal copyright law, alleging he uploaded the film to the Web last spring.
The list was rounded out by "The Hangover" (No. 4), "Twilight" (No. 5), "District 9" (No. 6), "Harry Potter and the Half-Blood Prince" (No. 7), "State of Play" (No. 8), and "Knowing" (No. 10)."
http://www.nytimes.com/reuters/2009/12/24/arts/entertainment-us-startrek.html
Labels:
FCC,
illegal filesharing,
Paramount,
Star Trek,
TorrentFreak data,
Wolverine
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