‘Star Trek,’ Dr. Seuss Mashup Dispute Ends After 5-Year Legal Journey; The Hollywood Reporter, October 5, 2021

Eriq Gardner, The Hollywood Reporter ; ‘Star Trek,’ Dr. Seuss Mashup Dispute Ends After 5-Year Legal Journey

"On Tuesday, that final frontier known as intellectual property was charted when, after five long years in court, a legally adventurous dispute over a Star Trek-Dr. Seuss mashup concluded in a settlement. As a result of a deal, the crowdfunded “Oh, the Places You’ll Boldly Go!” will be going away."

WHAT IF ‘STAR TREK’ WERE FREE? HOW THE STORIED SCI-FI FRANCHISE COULD INSPIRE COPYRIGHT REFORM; Newsweek, March 5, 2018

Andrew Whalen, Newsweek; 

WHAT IF ‘STAR TREK’ WERE FREE? HOW THE STORIED SCI-FI FRANCHISE COULD INSPIRE COPYRIGHT REFORM

"CBS and Paramount are unlikely to see things the same way. While Star Trek: Discovery press releases trumpet the “ideology and hope for the future that inspired a generation of dreamers and doers,” plans for streaming market domination depend upon exclusivity. The metaphor equating artistic expression and property has become so ingrained that companies regularly reduce their consumers to provisional licensees, subject to whatever controls the copyright holder decides upon, even long after the point of purchase.

“Star Trek stands on the shoulders of giants. It exists because they plundered some of the most interesting stories and memes of science fiction, just as all science fiction writers do, to tell their own story. And to argue that when they did it that was the legitimate progress of art and whenever anyone else does it, it's theft, is pretty self-serving and kind of obviously bullshit,” Doctorow said. “It's a ridiculous thing for a law to ban something that ancient and fundamental to how we experience art.”

Countering the monopoly exercised by copyright holders will require a broader social realignment, under which people come to understand art as a shared cultural endowment, rather than product—a mindset beyond capital."

To Boldly Go Where No Fan Production Has Gone Before; Slate, 7/13/16

Marissa Martinelli, Slate; To Boldly Go Where No Fan Production Has Gone Before:

"The issues at the heart of the Axanar case are complex—in addition to copyright infringement, CBS and Paramount are accusing the Axanar team of profiting from the production by paying themselves salaries, among other things. Abrams, who directed 2009’s Star Trek and 2013’s Star Trek Into Darkness, promised during a fan event back in May that the lawsuit would be going away at the behest of Justin Lin, the Beyond director who has sided, surprisingly, with Axanar over Paramount. But despite Abrams’ promise, the lawsuit rages on, and in the meantime, other Trekkie filmmakers have had to adapt. Federation Rising, the planned sequel to Horizon, pulled the plug before fundraising had even started, and Star Trek: Renegades, the follow-up to Of Gods and Men that raised more than $132,000 on Indiegogo, has dropped all elements of Star Trek from the production and is now just called Renegades. (Amusingly, this transition seems to have involved only slight tweaks, with the Federation becoming the Confederation, Russ’ character Tuvok becoming Kovok, and so on.) Other projects are stuck in limbo, waiting to hear from CBS whether they can boldly go forth with production—or whether this really does spell the end of the golden age of Star Trek fan films.

Axanar may very well have crossed a line, and CBS and Paramount are, of course, entitled to protect their properties. But in the process, they have suffocated, intentionally or otherwise, a robust and long-standing fan-fiction tradition, one that has produced remarkable labors of love like Star Trek Continues, which meticulously recreated the look and feel of the 1960s show, and an hourlong stop-motion film made by a German fan in tribute to Enterprise—a project almost eight years in the making. It’s a tradition that gave us web series like Star Trek: Hidden Frontier, which was exploring same-sex relationships in Star Trek well before the canon was ready to give us a mainstream, openly gay character."

"Star Trek" The Most - Pirated Film Of 2009; New York Times, 12/

Reuters, via New York Times; "Star Trek" The Most - Pirated Film Of 2009:

"Paramount's worst fears are confirmed: "Star Trek" was the most pirated film of 2009, according to a new report.

In October, the studio told the Federal Communications Commission that "Star Trek" had become a hot commodity in piracy circles. Illegal file-sharing had advanced from "geek to sleek," Frederick Huntsberry, the studio's chief operating officer, told officials.

Now, according to data from TorrentFreak, "Star Trek" was downloaded nearly 11 million times this past year, just edging "Transformers: Revenge of the Fallen" (10.6 million). The films were among the biggest of the year at the box office.

At the other end of the box-office scale, "Sherlock Holmes" director Guy Ritchie's "RocknRolla" ranked No. 3. It grossed less than $26 million worldwide.

Interestingly, for all the fuss about the "Wolverine" leak, the film came in at No. 9 with 7.2 million. The FBI earlier this month charged a man with violation of federal copyright law, alleging he uploaded the film to the Web last spring.

The list was rounded out by "The Hangover" (No. 4), "Twilight" (No. 5), "District 9" (No. 6), "Harry Potter and the Half-Blood Prince" (No. 7), "State of Play" (No. 8), and "Knowing" (No. 10)."

http://www.nytimes.com/reuters/2009/12/24/arts/entertainment-us-startrek.html