Lloyd J. Jassin, Publishers Weekly; Generative AI vs. Copyright
"To sum up, on a case-by-case basis, courts must determine if substantial similarity exists and then engage in line drawing—balancing free expression and the rights of creators."
Issues and developments related to IP, AI, and OM, examined in the IP and tech ethics graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology", coming in Summer 2025, includes major chapters on IP, AI, OM, and other emerging technologies (IoT, drones, robots, autonomous vehicles, VR/AR). Kip Currier, PhD, JD
Lloyd J. Jassin, Publishers Weekly; Generative AI vs. Copyright
"To sum up, on a case-by-case basis, courts must determine if substantial similarity exists and then engage in line drawing—balancing free expression and the rights of creators."
Golnar Khosrowshahi, Variety ; AI Can Actually Help Protect Creativity and Copyrights: Guest Post by Reservoir Music CEO Golnar Khosrowshahi
"Used correctly, AI can actually help us preserve and protect copyright — versus the present fear of usurping it. Through audio fingerprinting, AI tools that verify authorship in real time will help reduce the unnecessary litigation that can be based on subjective interpretations or human error. AI will also equip both owners and distributors of content (i.e. streaming services) with significant changes in how we classify and catalog music (e.g., the micro categories that we can use to further define characteristics and attributes of songs). Not only can we then better understand the music, but we can also be more efficient at micro licensing, delving into why listeners love what they love, both in the moment in the context of a trend, and over time when it comes to standards and classics...
In any event, we first need to make sure that the ingestion of copyrights that enable AI is adequately policed and paid for, which is where a lot of important discussion and focus is today. Advocating for rights holders and copyright protection is a routine part of our business, and regardless of whether an infringer is human or artificial doesn’t change our steadfast mission in upholding creators’ rights...
I have faith that the creators who have built this industry will continue to be the human driving force behind the art and connections we experience. I have faith the tools will help propel those creators and rights holders to new heights. I have faith in the protection of copyright through policy and legislation, and I have faith in the industry’s historic precedence of uncharted progress and success achieved in the face of technologic disruption.
So to those who fear the AI invasion, I say: keep calm, meet it head on and create something totally new, as only we humans can."
"CNN will investigate the copyright lawsuit brought by songwriters Sean Hall and Nathan Butler against Taylor Swift for her hit song “Shake it Off” in Taking On Taylor Swift. The case was settled and subsequently dismissed on December 12, 2022. Produced by the CNN FlashDocs unit, the hour-long special asks larger questions about creators’ rights and originality in an industry rocked by multiple lawsuits targeting some of the world’s biggest pop stars."
SERGIO PEREIRA, CBR; REVIEW: Image Comics' Public Domain #1
"The prolific creator continues to blend humor and drama in Public Domain #1, the first installment of a new series from Image Comics, where he works to take on creators' rights.
The first issue introduces Syd Dallas, a comic book artist responsible for The Domain, the biggest superhero around. Sadly, no one knows that Syd created the character because Singular Comics owns the publishing rights. And his former collaborator, Jerry Jasper, is more than happy to take the credit for it. Syd's children, Miles and David, struggle to understand why their father hasn't fought harder to gain what is rightfully his. However, a chance encounter at the premiere of Eminent Domain, the latest film in the franchise, may change everything for Syd."