Prominent journal editor fired for endorsing satirical article about Israel-Hamas conflict; Science, October 24, 2023

 SCIENCE NEWS STAFF, Science; Prominent journal editor fired for endorsing satirical article about Israel-Hamas conflict

"Michael Eisen, editor-in-chief of the prominent open access journal eLife and a longtime critic of traditional journals, says he is losing that job for publicly endorsing a satirical article that criticized people dying in Gaza for not condemning the recent attacks on Israel by the Palestinian group Hamas...

Eisen has previously been a frequent, feisty participant in debates about scientific publishing, doggedly supporting the development of free access to journal articles. In 2003, he co-founded the Public Library of Science (PLOS), whose journal PLOS ONE grew to become one of the largest open-access journals. Authors pay a fee so that their articles in PLOS journals are free to read when published. Eisen has criticized the paywalls still in place at many subscription journals as slowing the progress of science and the diffusion of useful findings. But critics of PLOS’s model have suggested author fees create an incentive for journals to maximize the number of papers published at the expense of adequate peer review and quality and can create barriers for authors with limited resources."

'Weird Al' Yankovic wants to 'bring sexy back' to the accordion; Fresh Air, NPR, November 16, 2022

Terry Gross, Fresh Air, NPR; 'Weird Al' Yankovic wants to 'bring sexy back' to the accordion

"GROSS: What kind of permissions do you legally need now to do a song parody, the kind that you do where often it's, like, musically note for note from the original recording but, you know, the lyrics are different? So, you know, you're satirizing the lyric, but the music isn't really - the instrumentation isn't really a satire. It's the thing. It's the - sounds like the original thing.

YANKOVIC: It's a gray area in terms of legally what I need to do especially in cases like "Smells Like Nirvana" because, again, that's satire. And that's considered free speech and fair use. And if push came to shove, if it went to the courts, generally, that's - you know, the courts rule in favor of the parody artist. But I - you know, I don't go by just what's legal. I go for what I think is right. And what's right to me is always getting permission from the original songwriters and get their blessing. Because if an artist doesn't want me to do their song, I will back off. I mean, no matter what, you know, the courts or the law says, it's like, I just want to, you know, do good by them because I respect artists. And I don't ever want them to feel like I'm, you know, stepping on their toes."

Without Copyright Infringement, Deadpool Doesn't Get Made; TechDirt.com, 2/16/16

Tim Cushing, TechDirt.com; Without Copyright Infringement, Deadpool Doesn't Get Made:

"Sure, leaking test footage isn't like leaking an entire film, but without that happening, nothing else does. The movie is never made and Fox doesn't have almost three times the budget grossed within the first four days of ticket sales. But because this leak happened, the studio is likely in control of a promising franchise, provided it can keep the lightning bottled and push forward without discarding everything that makes Deadpool Deadpool. And everyone involved can thank the unnamed person they won't rat out for shrugging off the insular "power" of copyright and mobilizing a fan base that is now making good on its promise to support the movie."

MPAA Adds New Rating To Warn Audiences Of Films Not Based On Existing Works; The Onion, 10/20/15

The Onion; MPAA Adds New Rating To Warn Audiences Of Films Not Based On Existing Works:

"“We recognize how distressing it can be when viewers go into a film and suddenly find themselves confronted with jarring scenes containing a protagonist they’ve never encountered before, which is precisely why we created this rating,” said Joan Graves, head of the MPAA’s ratings board, who said the new category was added in part due to the thousands of complaints the organization has received from moviegoers who were upset they weren’t given advance notice that they’d have to make sense of the scenarios unfolding onscreen. “It’s important that today’s movie fans are aware upon entering the theater that none of what they will see has been adapted from a well-known comic book, television series, novel, video game, historical event, previous movie, or theme park ride.”

“Ultimately, it will be up to the consumer’s discretion as to whether a film is suitable for themselves and their family, but the O rating will explicitly caution people that they will have to pay attention during the movie and follow the storyline on their own,” Graves added.

Though sources said films requiring the new rating are comparatively rare, a spate of high-profile movies over the past several years that do not stem from any previously existing source material—including The Kids Are All Right, Her, WALL-E, Birdman, and Nebraska, among others—have left many viewers angered and perplexed. Citing test audiences they have observed, MPAA officials said that many moviegoers spent the entirety of such films in a state of distress, waiting for the moment when the Incredible Hulk, Katniss Everdeen, Wolverine, or another recognizable character from an established franchise would appear onscreen and clarify the meaning and direction of the film."

Eternal Copyright: a modest proposal; Telegraph, 2/20/12

Adrian Hon, Telegraph; Eternal Copyright: a modest proposal:

"Imagine you're a new parent at 30 years old and you've just published a bestselling new novel. Under the current system, if you lived to 70 years old and your descendants all had children at the age of 30, the copyright in your book – and thus the proceeds – would provide for your children, grandchildren, great-grandchildren, and great-great-grandchildren.

But what, I ask, about your great-great-great-grandchildren? What do they get? How can our laws be so heartless as to deny them the benefit of your hard work in the name of some do-gooding concept as the "public good", simply because they were born a mere century and a half after the book was written? After all, when you wrote your book, it sprung from your mind fully-formed, without requiring any inspiration from other creative works – you owe nothing at all to the public. And what would the public do with your book, even if they had it? Most likely, they'd just make it worse.

No, it's clear that our current copyright law is inadequate and unfair. We must move to Eternal Copyright – a system where copyright never expires, and a world in which we no longer snatch food out of the mouths of our creators' descendants."