A fight to protect the dignity of Michelangelo’s David raises questions about freedom of expression; AP, March 28, 2024

 Colleen Barry, AP; A fight to protect the dignity of Michelangelo’s David raises questions about freedom of expression

"The decisions challenge a widely held practice that intellectual property rights are protected for a specified period before entering the public domain — the artist’s lifetime plus 70 years, according to the Berne Convention signed by more than 180 countries including Italy.

More broadly, the decisions raise the question of whether institutions should be the arbiters of taste, and to what extent freedom of expression is being limited...

Court cases have debated whether Italy’s law violates a 2019 European Union directive stating that any artwork no longer protected by copyright falls into the public domain, meaning that “everybody should be free to make, use and share copies of that work.”

The EU Commission has not addressed the issue, but a spokesman told the AP that it is currently checking “conformity of the national laws implementing the copyright directive” and would look at whether Italy’s cultural heritage code interferes with its application."

Prominent journal editor fired for endorsing satirical article about Israel-Hamas conflict; Science, October 24, 2023

 SCIENCE NEWS STAFF, Science; Prominent journal editor fired for endorsing satirical article about Israel-Hamas conflict

"Michael Eisen, editor-in-chief of the prominent open access journal eLife and a longtime critic of traditional journals, says he is losing that job for publicly endorsing a satirical article that criticized people dying in Gaza for not condemning the recent attacks on Israel by the Palestinian group Hamas...

Eisen has previously been a frequent, feisty participant in debates about scientific publishing, doggedly supporting the development of free access to journal articles. In 2003, he co-founded the Public Library of Science (PLOS), whose journal PLOS ONE grew to become one of the largest open-access journals. Authors pay a fee so that their articles in PLOS journals are free to read when published. Eisen has criticized the paywalls still in place at many subscription journals as slowing the progress of science and the diffusion of useful findings. But critics of PLOS’s model have suggested author fees create an incentive for journals to maximize the number of papers published at the expense of adequate peer review and quality and can create barriers for authors with limited resources."

Trademarks in the metaverse — artistic expression or commercial product?; Reuters, January 5, 2023

Dorothy R. Auth

, Howard Wizenfeld

 and A.J. Harris

, Reuters; Trademarks in the metaverse — artistic expression or commercial product?

"While the Rogers decision was initially limited to movie titles, courts have variously expanded its application to books, songs, video games, and even commercial items such as dog toys, with particular expansion occurring in the 9th U.S. Circuit Court of Appeals. The extent of its scope is now at issue at the U.S. Supreme Court. While virtual goods present issues different from physical goods, how courts determine the metes and bounds of the Rogers test will be determinative of how NFTs are analyzed."

Protests greet Brussels copyright reform plan; BBC News, June 15, 2018

BBC News; Protests greet Brussels copyright reform plan

"The vote on the Copyright Directive comes before the European Parliament on 20 June.

It aims to rebalance copyright controls for the net age but critics say it is will stifle freedom of expression.

Net veterans have signed an open letter against the directive and others have made tools to aid lobbying efforts."

EU copyright reforms draw fire from scientists; Nature, April 3, 2018

Quirin Schiermeier, Nature; EU copyright reforms draw fire from scientists

"An influential committee of the European Parliament is due to vote this month on changes to copyright regulations in the European Union, but the latest drafts of the rules have triggered a wave of criticism from open-science advocates. They say that the proposals will stifle research and scholarly communication.

Intellectual-property experts agree that existing EU copyright rules need an overhaul for the digital age, and a proposal first circulated by the European Commission in 2016 had this goal in mind. But critics worry that some provisions in more-recent proposals for the law — known as the directive on copyright in the digital single market — conflict with Europe’s principles of open science and freedom of expression."

'It's a lot bigger than the band': The Slants challenge ruling rejecting trademark for their name; Pittsburgh Post-Gazette, April 27, 2017

Paula Reed Ward, Pittsburgh Post-Gazette; 

'It's a lot bigger than the band': The Slants challenge ruling rejecting trademark for their name

[Kip Currier: Fascinating panel discussing Lee v. Tam case and broader issues of trademark law and free speech. The Slants performed after the panel. I spoke with the defendant, Simon Tam, who was a member of the panel and did a masterful job using "story" to make his points, and he insisted that the rest of the band sign the band poster I bought.]

"“I should be able to say what I want to say that my community doesn’t find offensive,” Mr. Tam said. “At the end of the day, it’s a lot bigger than the band.”

On Thursday, Mr. Tam and his bandmates — he describes their music as 80s-inspired synth pop — spoke at a panel discussion at Duquesne University before an evening performance. It’s part of a six-week tour that has hit clubs, law schools, intellectual property workshops and anime conferences.

The tour is to raise awareness of the ongoing court case, Lee v. Tam. In it, the U.S. Patent and Trademark Office appealed a decision by the U.S. Court of Appeals for the Federal Circuit, which found in Mr. Tam’s favor in December 2015.

Mr. Tam’s original trademark application, made in 2009, was rejected because it was found to violate the Lanham Act, which prohibits a trademark if it “consists of matter which may disparage persons, living or dead, institutions, beliefs or national symbols, or bring them into contempt, or disrepute.”"

April 27, 2017 Panel: A Name Worth Fighting For? The Slants, Trademark Law, and Free Expression; Duquesne University, Pittsburgh, Pennsylvania

[Kip Currier: Looking forward to attending this panel--addressing very interesting IP and free speech issues--and hearing the band play afterwards]

A Name Worth Fighting For? The Slants, Trademark Law, and Free Expression

Event Date: 

Thursday, April 27, 2017 - 4:30pm to 7:00pm

Event Location:

• Union Africa Room (3rd Fl.)

Event Audience:

• Alumni
• Current Students
• General Public

Cost: 

$60.00 
$60 or $50 for CLE Program, Reception, and Music

Continuing Legal Education

A Name Worth Fighting For? The Slants, Trademark Law, and Free Expression 

Join Duquesne Law, the Pittsburgh Intellectual Property Association, and the Federal Bar Association’s Pittsburgh chapter for a special program about the rock band that is the subject of a current U.S. Supreme Court case. 

The continuing legal education (CLE) course focuses The Slants, an Asian-American musical group whose trademark application was denied for its use of a term deemed derogatory, and the case Lee v. Tam. 

The program features Simon Tam, the band’s founder and bassist, Hon. Cathy Bissoon of U.S. District Court, Western District of Pennsylvania, and Christine Haight Farley, a law professor from American University. Associate Dean Jacob H Rooksby, an intellectual property professor at Duquesne, will moderate a discussion about trademark law, including whether the band’s choice to claim the name should be protected by the First Amendment.

The CLE will review Section 2(a) of the Lanham Act of 1946, which the U.S. Patent and Trademark Office used to deny the band’s trademark application; the U.S. Court of Appeals for the Federal Circuit’s decision reversing the trademark office’s determination; and freedom of expression issues. 

The U.S. Supreme Court heard oral argument on Lee v. Tam in January. The ongoing legal battle has been covered by the New York Times, NPR, and other media outlets. This CLE will offer insight into the fight by the band’s founder as well as an opportunity to hear the group’s music. A 45-minute concert and light reception will follow the CLE program.

4:30 p.m. – 6 p.m. CLE

6:15 p.m. – 7 p.m. Concert 

EFF to Supreme Court: Trademarks are Not Government Speech; Electronic Frontier Foundation (EFF), 12/16/16

Daniel Nazer, Electronic Frontier Foundation (EFF); EFF to Supreme Court: Trademarks are Not Government Speech:

"Today, together with the Thomas Jefferson Center for the Protection of Freedom of Expression, EFF submitted an amicus brief in Lee v. Tam. Our brief discusses an unusual but important question: are registered trademarks government expression? It is important to get the dividing line between government and private speech correct. This is because, while the government doesn’t get to control what you say, it does get to control what it says. As we argue in our brief, categorizing registered trademarks as government expression would threaten speech in many other areas.

The case involves a rock band from California called The Slants."

Elena Ferrante’s Right to a Pseudonym; Atlantic, 11/15/16

Atlantic; Elena Ferrante’s Right to a Pseudonym:

"Curiously, the United States remains possibly the only country in the world not to recognize an author’s right to be named as the creator of his or her own work, despite huge pressure from authors’ groups and legal experts to do so. American law provides for a limited “right of attribution,” as it is called in the U.S. Copyright Act, but only in relation to works of fine art. Writers, musicians, and creators working in other disciplines have no such right at all. Establishing one would bring the United States into line with the rest of the world—a good thing when creative works literally circulate without borders, and reputations must stand or fall on the global stage.

In Italy, the copyright law says that a pseudonym will be treated as equivalent to the author’s true name, unless (and until) the author chooses to reveal his or her identity. Both the language of the law, and its silences, are arguably significant. In no way is any outsider empowered to reveal an author’s “true” identity when the author has chosen to publish under a pseudonym. Italian law wouldn’t seem to condone a concerted effort such as Gatti’s to uncover Ferrante’s identity."

New York Today: 104 Years Old, and Still Voting; New York Times, 11/8/16

Alexandra S. Levine, New York Times; New York Today: 104 Years Old, and Still Voting:

"On this Election Day, as the presidential campaigns of two New York residents come to an end, another New Yorker — Rose Orbach — plans to do her civic duty and vote — again.

The resident of Bayside, Queens, is 104. She’s voting in her 16th presidential election.

(Stevenson. Kennedy. Johnson. Humphrey. McGovern. Carter, twice. Mondale. Dukakis. Clinton, twice. Gore. Kerry. Obama, twice. You may spot a trend.)

Born in 1911, Mrs. Orbach emigrated from Poland shortly after World War II. She became an American citizen by 1955, and voted in her first presidential election here the following year.

The idea of having and using her voice, without facing persecution, was novel.

“In Poland, it was a whole different system,” she said. “Especially for Jewish people, who weren’t treated like everybody; they were always beneath.”

When she stepped behind the curtain to vote in the 1956 race, things felt different.

“I was one with the people: I was different, I was Jewish, but I pushed the button,” she said. “I had my idea, and I was treated nice no matter what. You had your privacy and you were allowed to think what you wanted to think.”

In her nearly 60 years of living in New York, she has not missed a single presidential election — that’s at a time when more than 100 million Americans who can vote don’t vote.

So exercise your right — it’s one that many people in this world do not have."

Illuminating the ‘Dark’ Web and Content Monitoring; New York Times, 6/24/16

Ted Loos, New York Times; Illuminating the ‘Dark’ Web and Content Monitoring:

"Eva and Franco Mattes — married Brooklyn artists and “hacktivists” — use those ideas metaphorically, peeling back the surface of what they call the “sanitized” internet to reveal its murkier side: the world of content monitoring and the elusive individuals who are tasked with tracking and removing offensive material online.

Their latest exhibition, “Abuse Standards Violations,” on view at London’s Carroll/Fletcher gallery until Aug. 27, is a journey into what Ben Vickers, a London curator at the Serpentine Galleries and fan of their work, called “the dark, morbid heart of the internet.”"

Wikimedia’s art database violates copyright law, rules Sweden’s highest court; Ars Technica.com, 4/5/16

Glyn Moody, Ars Technica; Wikimedia’s art database violates copyright law, rules Sweden’s highest court:

"The Wikimedia Foundation said the judgment eroded "the freedom of panorama that is a fundamental part of freedom of expression, freedom of information, and artistic expression."

As Ars has reported, EU copyright is currently being updated, and one of the proposals of the European Parliament is for freedom of panorama to be enshrined in EU law. Referring to the Swedish court's ruling against Wikimedia Sverige, the author of the European Parliament's report on the proposed copyright reform, Pirate Party MEP Julia Reda, tweeted on Monday: "This is why we need EU-wide #FreedomofPanorama!""

Hong Kong Government Drops Controversial Copyright Legislation; Variety, 3/3/16

Patrick Frater, Variety; Hong Kong Government Drops Controversial Copyright Legislation:

"The Hong Kong government announced on Friday that it had dropped its long-running attempt to introduce new copyright legislation.

Earlier this week the government said that if it could not get the draft law passed in the Legislative Council — Hong Kong’s mini parliament — that it would withdraw the bill...

Much of the local film and TV industry had expressed support for the copyright amendment bill, arguing that the territory’s legislation was years out of date and allows widespread piracy. Opponents of the bill argued that it endangered freedom of expression and creativity, especially online, that the bill poorly drafted and would be out of date the moment it became law."

[Op-Ed] The Public Domain; New York Times, 10/11/11

[Op-Ed] New York Times; The Public Domain:

"Copyright gives writers and others the incentive to create by giving them exclusive right to their work. But Congress’s power to grant copyright is limited in time and scope so that works can move into the public domain, where they become an essential part of our culture. The government must find other ways to comply with the trade treaty without curbing free expression."

European Parliament passes anti-ACTA declaration; ArsTechnica.com, 9/8/10

Nate Anderson, ArsTechnica.com; European Parliament passes anti-ACTA declaration:

"Today 377 members of the European Parliament adopted a written declaration on the Anti-Counterfeiting Trade Agreement (ACTA) in which they demand greater transparency, assert that ISPs should not up end being liable for data sent through their networks, and say that ACTA "should not force limitations upon judicial due process or weaken fundamental rights such as freedom of expression and the right to privacy."

The "written declaration" has no binding force".

http://arstechnica.com/tech-policy/news/2010/09/european-parliament-passes-anti-acta-declaration.ars

Potential of US Copyright Agenda to Endanger Freedom of Expression in China; IP Osgoode, 4/17/09

Julian Ho via IP Osgoode; Potential of US Copyright Agenda to Endanger Freedom of Expression in China:

"One of the most prevalent criticisms leveled against China today is the lack of human rights afforded to its citizens. This is particularly so in the area of civil and political rights, where China’s single-party unitary rule has made political prisoners of pro-democracy activists. Western advocacy groups have applied political pressure to convince the Chinese government to reduce its constraints on the human right of freedom of expression. At the same time, however, the American government has also worked hard through WTO means to toughen China’s intellectual property laws. Is this a conflicting position to take as it pertains to tougher copyright laws? Given the background of copyright law in China, it may very well be."

http://www.iposgoode.ca/2009/04/potential-of-us-copyright-agenda-to-endanger/