Monday, July 13, 2015

Facebook's video plan? Grow like hell, deal with copyright later; Forbes, 7/10/15

Jeff John Roberts, Forbes; Facebook's video plan? Grow like hell, deal with copyright later:
"The challenge of chasing down copyright infringers has led content owners, in general, to claim the safe harbor rules are too lax, and that platforms like YouTube should do more to take down unauthorized videos. Studios have filed a spate of lawsuits to argue that more websites should be liable under a “red flag” provision in the copyright law, which can strip a site’s legal immunity in the event they obviously should have known about the infringement, or if they are directly making money from it.
But so far those lawsuits, including a long-running one against YouTube, have not really changed websites’ responsibilities when it comes to copyright, according to Lothar Determann, a copyright lawyer with Baker & McKenzie in San Francisco. He added more broadly that the law’s larger goal of protecting tech platforms still applies, and courts will not order websites to conduct copyright investigations.
The freebooter issue for Facebook, then, appears to be less of a legal problem than a moral one. Video owners may come to blame Facebook – safe harbors notwithstanding – for using their content to get rich while flouting their copyright concerns. Such claims, whether fair or not, have dogged Google and YouTube for years, and led to legal and political headaches."

Tuesday, July 7, 2015

Appeals judges hear about Prince’s takedown of “Dancing Baby” YouTube vid; ArsTechnica.com, 7/7/15

Joe Mullin, ArsTechnica.com; Appeals judges hear about Prince’s takedown of “Dancing Baby” YouTube vid:
"A long-running copyright fight between the Electronic Frontier Foundation and Universal Music over fair use in the digital age was considered by an appeals court today, a full eight years after the lawsuit began.
EFF and its client Stephanie Lenz sued Universal Music Group back in 2007, saying that the music giant should have realized Lenz's home video of her son Holden dancing to Prince's "Let's Go Crazy" was clearly fair use. Under EFF's view of the Digital Millennium Copyright Act, Universal should have to pay damages for a wrongful takedown.
If EFF wins the case, it could have repercussions for how copyright takedowns work online. The group is trying to make Universal pay up under 17 USC 512(f), the section of the DMCA that penalizes copyright owners for wrongful takedowns. Currently, victories under that statute are exceedingly rare and happen only in extreme circumstances."

Monday, July 6, 2015

AP Exclusive: China Ministry Posted Bootleg 'Liar's Poker'; Associated Press via New York Times, 7/3/15

Associated Press via New York Times; AP Exclusive: China Ministry Posted Bootleg 'Liar's Poker' :
"A complete bootlegged copy of Michael Lewis' bestselling book about Wall Street, "Liar's Poker," was hosted on the official website of the Chinese Commerce Ministry, the agency responsible for intellectual property protection in China, The Associated Press has found.
How and why a PDF, in English, of Lewis' raucous memoir about the excesses of Wall Street in the 1980s ended up on the ministry's site remains a mystery. The ministry did not respond to multiple requests for comment this week, but on Friday removed the page from its website.
China has a long and troubled history with copyright infringement. Despite high-level attempts to bolster enforcement, particularly as Beijing turns to innovation as a source of economic growth, piracy remains rampant — and widely tolerated.
Andrew Hay, director of security research at OpenDNS, a network security firm based in San Francisco, confirmed the file was hosted on the Ministry of Commerce website and was not a spoof."

YouTube Not Liable on Copyright, but Needs to Do More: German Court; Reuters via New York Times, 7/1/15

Reuters via New York Times; YouTube Not Liable on Copyright, but Needs to Do More: German Court:
"A German court reaffirmed on Wednesday that YouTube was only responsible for blocking copyright-infringing videos which had been brought to its attention, but the judicial panel said the Google video unit could do more to stop breaches.
The Hamburg regional court rejected an appeal by German performing rights association GEMA, upholding a lower court ruling that said sites such as YouTube do not actively have to search for illegal activity by their users.
The appeals court rebuffed a Google appeal on a secondary issue in the case, finding that YouTube had failed to act promptly enough to takedown infringing videos in seven of 12 cases brought before the court. For the remaining five video clips at issue YouTube had no duty to remove them, it said."

No Directions For WIPO Copyright Committee, Despite Positive Mood; Intellectual Property Watch, 7/6/15

Catherine Saez, Intellectual Property Watch; No Directions For WIPO Copyright Committee, Despite Positive Mood:
"Despite what was described as good momentum by World Intellectual Property Organization delegates trying to find ways to protect broadcasting organisations against piracy and providing copyright exceptions and limitations for the benefit of libraries, archives, education and research, no recommendation to the upcoming annual WIPO General Assembly could be agreed last week.
The 30th session of the WIPO Committee on Copyright and Related Rights (SCCR) took place from 29 June to 3 July 2015."

Friday, July 3, 2015

Robin Thicke Finally Speaks About 'Blurred Lines' Lawsuit; Huffington Post, 7/2/15

Julia Brucculieri, Huffington Post; Robin Thicke Finally Speaks About 'Blurred Lines' Lawsuit:
"In an interview with the New York Times, Thicke explains, "I know the difference between inspiration and theft. I’m constantly inspired, but I would never steal. And neither would Pharrell."
He continues, "As a songwriter, you’re obviously trying to create a brand-new feeling that comes from your heart. But you can’t help but be inspired by all of the greatness that came before you."
Thicke admits to being "careless" during the trial, as he was going through a very messy public divorce with his former wife, Paula Patton...
Thicke and Williams ultimately lost the case and the jury awarded Gaye's children $4 million in damages plus $3.4 million in profits the two artists had made from their copyright infringement. They went on to appeal the case.
Thicke notes the verdict could have a negative effect on the music industry as a whole, saying, "If the verdict holds up, I believe that it will have a ripple effect on the arts and the industry in general. I mean, if you made the first superhero movie, do you own the concept of the superhero?""

Does the Copyright Office Belong in a Library?; Library Journal, 7/2/15

Kevin L. Smith, Library Journal; Does the Copyright Office Belong in a Library? :
"It has been a busy time for those of us who watch the doings of the Copyright Office. In addition to releasing a massive report on Orphan Works and Mass Digitization, about which I have written here, the Copyright Office (CO) is the subject of a piece of legislation introduced as a discussion draft on June 3. The bill, if it were officially introduced and ultimately enacted, would remove the CO from the Library of Congress (LC) and establish it as an independent agency of the federal government, under the Executive Branch. Then, while we were still considering the ramifications of this idea, came the announcement on June 10 of the pending retirement of Dr. James Billington, who has been the Librarian of Congress for the past 29 years.
These events suggest long-term changes for the copyright and library communities, and it is worth taking a moment to consider, especially, the impact of the idea of making the Copyright Office an independent agency.
The first thing that strikes me about the “discussion draft” of the proposed law to establish the Copyright Office as an independent agency—called the Copyright Office for the Digital Economy (CODE) Act—is that it never says why it is needed...
In short, this bill seems like a solution in search of a problem, unless you accept that the problem is that music and movie companies are making less money than they would like. Rather than considering such an ill-advised bill, I hope that we will see, over the next year and a half or so, a new Librarian of Congress who will provide stronger leadership on many issues, but especially on the need to keep copyright policy, and the Copyright Office, firmly grounded in the needs and interests of all of the American public."