Judge: Star Trek fanfic creators must face CBS, Paramount copyright lawsuit; Ars Technica, 5/10/16

Megan Geuss, Ars Technica; Judge: Star Trek fanfic creators must face CBS, Paramount copyright lawsuit:

"On Monday, a Los Angeles-based US District Court judge ruled that Axanar Productions, a crowd-funded Star Trek fanfiction production company, would have to face a copyright infringement lawsuit (PDF) from CBS and Paramount, which own the rights to the Star Trek TV and film franchise...

"Although the Court declines to address whether Plaintiffs’ Claims will prosper at this time,” the judge wrote, "the Court does find Plaintiffs’ claims will live long enough to survive Defendants’ Motion to Dismiss.”

In another blog post, Peters wrote that Axanar Productions is trying to settle with CBS and Paramount "so we can move forward with telling the story of AXANAR in a way that satisfies both the studios and the over ten thousand fans who financially supported our project.”"

Biden calls for open-data research; Politico, 5/10/16

David Pittman, Politico; Biden calls for open-data research:

"BIDEN GETS TOUGH AT HEALTH DATAPALOOZA:

Vice President Joe Biden issued some of his strongest words yet in support of sharing clinical and research data, in remarks to data scientists Monday at Health Datapalooza. He said science was at an inflection point, with the ease of genomic sequencing, massive increases in computing power and digitization of health records. “You told me that this is the way we can make great progress, by sharing more data, breaking down the silos,” Biden told a standing-room only crowd in the ballroom of the Grand Hyatt. “Imagine what we could, you could do to help in the fight against cancer if you had access to millions of cancer pathologies, genomic sequences, family histories and treatment outcomes.”

Calls for a national research database:

The country needs a way to share and make public underlying data from medical research, Biden said, a one point criticizing the New Journal of Medicine editor for saying such policy would breed “data parasites.”

Flying records cross country:

The Biden family had to literally fly Beau’s medical records to Houston’s MD Anderson Cancer Center because EHR systems couldn’t talk to each out. And this was the vice president’s son. “We spent $35 billion to avoid that kind of thing from happening.”"

Hacker Who Stole IDs and Scripts From Celebrities Pleads Guilty; New York Times, 5/9/16

Benjamin Weiser, New York Times; Hacker Who Stole IDs and Scripts From Celebrities Pleads Guilty:

"Mr. Knowles said that it was difficult to go after “a high profile celebrity,” so he would begin by going after friends found in photographs with them. He would then hack the friends’ accounts to find the celebrities’ telephone numbers and other personal information.

“It boils down to the weakest link in the chain,” a former official of the Federal Bureau of Investigation, Austin P. Berglas, told The New York Times in December, after the charges were announced.

At one point, the complaint said, Mr. Knowles showed the undercover agent a list of names, with phone numbers or email addresses of about 130 celebrities.

Mr. Knowles, in court, apologized to the judge, Paul A. Engelmayer, and acknowledged that he knew his actions had been wrong and illegal.

He pleaded guilty to both of the counts charged in a federal indictment against him: criminal copyright infringement and identity theft.

He could face a total of 10 years in prison when he is sentenced on Aug. 25. The federal sentencing guidelines, which are only advisory, suggested a sentence of 27 to 33 months, according to the plea agreement in the case."

'Game of Thrones' Plot Leaker Risks Drag-on Battle, Dungeon; US News, 5/9/16

Steven Nelson, US News; 'Game of Thrones' Plot Leaker Risks Drag-on Battle, Dungeon:

"Though some of the spoiler's supporters scoff that HBO is misusing the Digital Millennium Copyright Act to force YouTube to remove videos that don't contain copyrighted imagery, experts say it's clear that divulging TV plots does violate U.S. copyright law.

"If he's giving away detailed plot information, he definitely faces the possibility of being liable for criminal copyright infringement, no question," says Deborah Gerhardt, a professor at the University of North Carolina School of Law.

"The coolest thing about 'Game of Thrones' is you think, 'They're not going to go there,' and then they go there – that's such a critical part of the creativity of this work," she says. "When you have a fictional plot that's an original creation of an author, especially a plot like this one in a fantasy work, you get to the area copyright protects: creative expression."

Gerhardt says HBO's right to first publication of its creative works can be enforced using either criminal or civil penalties.

The U.S. Supreme Court, she also points out, ruled against The Nation magazine's fair use defense after it published a leaked part of ex-President Gerald Ford's memoir dealing with his pardon of predecessor Richard Nixon."

Fair use does not mean free: Copyright recommendations would crush Australian content; Sydney Morning Herald, 5/6/16

Kim Williams, Sydney Morning Herald; Fair use does not mean free: Copyright recommendations would crush Australian content:

"The Productivity Commission's draft report on Australia's copyright arrangements makes recommendations that would be incredibly detrimental to our national creative talent. The report is overall profoundly disappointing and a major cause for concern."

[Webinar] Who Pays the Freight? Open Access: The Future of Funding, 5/25/16

[Webinar] Who Pays the Freight? Open Access: The Future of Funding:

Date: Wednesday, May 25, 2016

Time: 11:00 AM Eastern Daylight Time

Duration: 1 hour

"Who Pays the Freight? Open Access: The Future of Funding

Now in full flight, the Open Access movement promises to revolutionize the discipline of peer-reviewed research. Billed as a treasure trove for citizen scientists and major institutions alike, the benefits of Open Access still need to be paid for - but by who?

The attention on funding models has been increasing for years, as has discussion around journal transition and conversion. Best practices presume these models are continually refined through historical experience, policy and competition. But the iterative nature of OA can come with a cost in terms of implementation, integration, and aggregation performance. Questions remain about sustainability and integrity.

So, who pays the freight? In this webcast, our experts will highlight how librarians are tackling this important issue, and how the library can shape the future of funding Open Access.

Speakers

Ann Oakerson, Senior Adviser, The Center for Research Libraries

Rebecca Jozwiak, Analyst, The Bloor Group"

Elsevier defends its value after Open Access disputes; The Bookseller, 4/28/16

Benedicte Page, The Bookseller; Elsevier defends its value after Open Access disputes:

"[D]irector of access and policy Alicia Wise, vice-president of global corporate relations Tom Reller and policy director Gemma Hersh say criticism from a vocal minority is unrepresentative of the publisher’s regular contact with millions of researchers. The trio say that detractors obscure a key fact: that Elsevier is seeking to negotiate the new landscapes of OA and content-sharing in such a way that its economic sustainability, and therefore ability to maintain quality, is not compromised.

Publishers are “rubbish at communicating their value,” says Hersh (left), then proceeds to attempt to do just that. “We have over one million submissions a year and immediately reject a third of those,“ she says. “The management of that process in itself is an enormous feat. You then have the co-ordination of those manuscripts you have accepted, finding the right people to peer review those, making that as efficient a process as possible. That takes time.

“Once you’ve gone through the peer review process, if you look at the article that is actually published in a journal, it looks radically different [to the one submitted due to] that process of transformation, the copy-editing, the database linking, the data visualisation tools, making sure that the metadata for the article is all right, so when people come to [Elsevier database] ScienceDirect or type a search into Google, they can actually find what they are looking for on their platforms.”

She continues: “The plagiarism detection tools that we invest in to make sure research is reliable and trustworthy; with journals like The Lancet, the statisticians it employs to verify what goes into the article so it is treated as high-quality, cutting-edge research. The marketing of the journal brand—there’s a reason why journals are well known. People want to publish in them because they are known as having high-quality content. We do all that marketing. The investments we make off the back of that, so people know how their articles are being used, how they can identify collaborators to work with after publication and how they can use tools like [Elsevier’s institutional research networking platform] SciVal.”"