LexisNexis Webinar on February 22, 2018 at 12 Noon ET:
My Bloomsbury book "Ethics, Information, and Technology" was published on Nov. 13, 2025. Purchases can be made via Amazon and this Bloomsbury webpage: https://www.bloomsbury.com/us/ethics-information-and-technology-9781440856662/
Thursday, February 15, 2018
Why Students Are Still Spending So Much for College Textbooks; The Atlantic, January 26, 2018
Laura McKenna, The Atlantic; Why Students Are Still Spending So Much for College Textbooks
"Along with the traditional textbooks, many college classes now require students to purchase access codes—which cost $100 on average—to online platforms created by publishers such as McGraw-Hill and Pearson. Homework and quizzes are hidden on the platforms behind paywalls that expire after the semester, meaning students can’t resell them once they’re done with the course...
Publishers and some professors tout the advantages of these new digital assessment tools, pointing to their ability to streamline the academic experience by making it more efficient and customized. The fact that they’re becoming omnipresent on some campuses speaks to instructors’ enthusiasm for them. But as demonstrated in a new report by Student PIRGs, a collection of college student-run advocacy groups that works alongside U.S. Public Interest Research Groups, students are starting to question their merits: The access codes threaten to exacerbate the already-high cost of college materials, undermining the used-book market and reshaping the college experience. As McGrath put it, now “you have to pay to do homework.”
"Along with the traditional textbooks, many college classes now require students to purchase access codes—which cost $100 on average—to online platforms created by publishers such as McGraw-Hill and Pearson. Homework and quizzes are hidden on the platforms behind paywalls that expire after the semester, meaning students can’t resell them once they’re done with the course...
Publishers and some professors tout the advantages of these new digital assessment tools, pointing to their ability to streamline the academic experience by making it more efficient and customized. The fact that they’re becoming omnipresent on some campuses speaks to instructors’ enthusiasm for them. But as demonstrated in a new report by Student PIRGs, a collection of college student-run advocacy groups that works alongside U.S. Public Interest Research Groups, students are starting to question their merits: The access codes threaten to exacerbate the already-high cost of college materials, undermining the used-book market and reshaping the college experience. As McGrath put it, now “you have to pay to do homework.”
Sunday, February 11, 2018
Artist Says Kendrick Lamar Video for ‘Black Panther’ Song Stole Her Work; New York Times, February 11, 2018
Robin Pogrebin, New York Times; Artist Says Kendrick Lamar Video for ‘Black Panther’ Song Stole Her Work
"In detailing the infringement, the letter says the video contains a 19-second segment (starting at the 2:59 mark) “that incorporates not just the immediately-identifiable and unique look of her work, but also many of the specific copyrightable elements in the ‘Constellations’ series of paintings, including stylized motifs of mythical animals, gilded geometric forms on a black background, and distinctively textured areas and patterns, arrayed in a grid-like arrangement of forms.”
Nancy E. Wolff, a copyright lawyer who currently serves as the president of the Copyright Society of the USA, said that the video’s directors are likely to argue that the images in the video are not exact copies. But because the gold-on-black aesthetic of Ms. Viktor’s work “is so strong,” Ms. Wolff said, “it’s just going to look like it’s the same.”
“It’s really tricky because style is not protected,” Ms. Wolff added, “but I can see why everyone assumed this artist was involved.”"
"In detailing the infringement, the letter says the video contains a 19-second segment (starting at the 2:59 mark) “that incorporates not just the immediately-identifiable and unique look of her work, but also many of the specific copyrightable elements in the ‘Constellations’ series of paintings, including stylized motifs of mythical animals, gilded geometric forms on a black background, and distinctively textured areas and patterns, arrayed in a grid-like arrangement of forms.”
Nancy E. Wolff, a copyright lawyer who currently serves as the president of the Copyright Society of the USA, said that the video’s directors are likely to argue that the images in the video are not exact copies. But because the gold-on-black aesthetic of Ms. Viktor’s work “is so strong,” Ms. Wolff said, “it’s just going to look like it’s the same.”
“It’s really tricky because style is not protected,” Ms. Wolff added, “but I can see why everyone assumed this artist was involved.”"
SCIENCE’S PIRATE QUEEN; The Verge, February 8, 2018
Ian Graber-Stiehl, The Verge; SCIENCE’S PIRATE QUEEN
"The legal campaigns against Sci-Hub have — through the Streisand effect — made the site more well-known than most mainstay repositories, and Elbakyan more famous than legal Open Access champions like Suber. The threat posed by ACS’s injunction against Sci-Hub has increased support for the site from web activists organizations such as the EFF, which considesr the site “a symptom of a serious problem: people who can’t afford expensive journal subscriptions, and who don’t have institutional access to academic databases, are unable to use cutting-edge scientific research.”
The effort may backfire. It does nothing to address disappointment scientists feel about how paywalls hide their work. Meanwhile, Sci-Hub has been making waves that might carry it further to a wider swath of both the public and the scientific community. And though Elbakyan might be sailing in dangerous waters, what’s to stop idealistic scientists who are frustrated with the big publishers from handing over their login credentials to Sci-Hub’s pirate queen?"
"The legal campaigns against Sci-Hub have — through the Streisand effect — made the site more well-known than most mainstay repositories, and Elbakyan more famous than legal Open Access champions like Suber. The threat posed by ACS’s injunction against Sci-Hub has increased support for the site from web activists organizations such as the EFF, which considesr the site “a symptom of a serious problem: people who can’t afford expensive journal subscriptions, and who don’t have institutional access to academic databases, are unable to use cutting-edge scientific research.”
The effort may backfire. It does nothing to address disappointment scientists feel about how paywalls hide their work. Meanwhile, Sci-Hub has been making waves that might carry it further to a wider swath of both the public and the scientific community. And though Elbakyan might be sailing in dangerous waters, what’s to stop idealistic scientists who are frustrated with the big publishers from handing over their login credentials to Sci-Hub’s pirate queen?"
Saturday, February 10, 2018
Cloudflare Terminates Service to 'The Pirate Bay of Science'; MotherBoard, February 9, 2018
Rebecca Flowers, MotherBoard; Cloudflare Terminates Service to 'The Pirate Bay of Science'
"On February 3, the Twitter account for Sci-Hub tweeted a screenshot of an alleged email from Cloudflare, the content delivery network provider for Sci-Hub (which acts as an intermediary between the user and website host), informing Sci-Hub that its service would be terminated in 24 hours. At the time of writing, the main Sci-Hub domain is inaccessible on the web, but the mirror sites mentioned in the screenshotted email from Cloudflare are still active.
Cloudflare’s termination of service is due to a court injunction against Sci-Hub, a Cloudflare spokesperson told me over the phone. That order was handed down by a federal judge in November when the American Chemical Society, another academic publisher, won $4.8 million in damages against Sci-Hub. The decision also included an injunction requiring search engines and internet service providers to block Sci-Hub, a digital blockade unusual for the US."
"On February 3, the Twitter account for Sci-Hub tweeted a screenshot of an alleged email from Cloudflare, the content delivery network provider for Sci-Hub (which acts as an intermediary between the user and website host), informing Sci-Hub that its service would be terminated in 24 hours. At the time of writing, the main Sci-Hub domain is inaccessible on the web, but the mirror sites mentioned in the screenshotted email from Cloudflare are still active.
Cloudflare’s termination of service is due to a court injunction against Sci-Hub, a Cloudflare spokesperson told me over the phone. That order was handed down by a federal judge in November when the American Chemical Society, another academic publisher, won $4.8 million in damages against Sci-Hub. The decision also included an injunction requiring search engines and internet service providers to block Sci-Hub, a digital blockade unusual for the US."
Fair Use/Fair Dealing Week 2018 to Be Celebrated February 26–March 2; Association of Research Libraries (ARL), January 17, 2018
Krista L. Cox, Association of Research Libraries (ARL);
"Mark your calendars! Fair Use/Fair Dealing Week 2018—a community celebration coordinated by the Association of Research Libraries—will take place Monday–Friday, February 26–March 2. You can participate on a single day during the week, multiple days, or the full week."
Fair Use/Fair Dealing Week 2018 to Be Celebrated February 26–March 2
"Mark your calendars! Fair Use/Fair Dealing Week 2018—a community celebration coordinated by the Association of Research Libraries—will take place Monday–Friday, February 26–March 2. You can participate on a single day during the week, multiple days, or the full week."
Happy birthday open source: A look back at the software that's pushing tech forward; TechRepublic, February 7, 2018
Jack Wallen, TechRepublic; Happy birthday open source: A look back at the software that's pushing tech forward
"Twenty years. It's been 20 years since the Open Source Definition (based on the Debian Free Software Guidelines) was published. That definition sought to uphold 10 ideas:
"Twenty years. It's been 20 years since the Open Source Definition (based on the Debian Free Software Guidelines) was published. That definition sought to uphold 10 ideas:
- A license shall not restrict free redistribution
- The source code must be included with the program
- The license must allow for derived works
- The license protects the integrity of the author's source code
- No discrimination against persons or groups
- No discrimination against fields of endeavor
- The rights attached to the program must apply to all to whom the program is redistributed
- License must not be specific to a product
- License must not restrict other software
- License must be technology-neutral
From that original definition, the idea of "free" (as in "freedom," not "price") software was born. In part, because of the Open Source Definition, plenty of game-changing software has been developed."
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