Calculating (and Acknowledging) the Costs of OER; Inside Higher Ed, July 25, 2018

Doug Lederman, Inside Higher Ed; Calculating (and Acknowledging) the Costs of OER

"The news releases regularly roll in to the email inbox these days with headlines like "College X has saved students $5 million by adopting open educational resources." Not only have these initiatives made a higher education more affordable, the colleges and universities note, but students who might have forgone buying an expensive textbook in the past are actually getting and using the OER content, ideally contributing to their academic success.

Amid those successes, rarely mentioned is the reality that in many cases, the institution itself is picking up the costs that were formally borne by the students, through some combination of direct subsidies to instructors to create the content and a loss of textbook revenue to a campus store, among other costs.

A session this week at the annual meeting of the National Association of College and University Business Officers addressed that issue head-on, in a way that would be unusual at a conference of OER advocates. It's not that the session took a skeptical view of OER -- far from it. The featured institution, the Pierce College District in Washington State, has fully embraced the use of open resources for affordability and efficacy, among other reasons. But the enthusiasm of the community college's open education project manager, Quill West, was balanced by the even-keeled acknowledgment of Choi Halladay, the district's vice president of administrative services, that OER comes at a price to the institution -- though a price very much worth paying, he said."

Copyright vs. Conscience: Lawyering Up Isn’t Always the Right Move; PetaPixel, August 21, 2018

Blair Bunting, PetaPixel; Copyright vs. Conscience: Lawyering Up Isn’t Always the Right Move

"You read stories about photographers going after copyright abuse all the time, and it’s nearly always justified. In this case, I hope you can agree with me that seeking monetary compensation through legal recourse was not the right move. Sometimes you have to step back and remember that this may be a business, but it’s a business that relies on people. Once in a while, you have to remember that everyone featured in a photograph is a human, and as such all deserve compassion.

Rest in peace, Old Man."

Face-PALM: US Patent and Trademark Office database down for 5 days and counting; The Register, August 20, 2018

Richard Speed, The Register; Face-PALM: US Patent and Trademark Office database down for 5 days and counting

"The Patent Application Locating and Monitoring (PALM) database forms the backbone of a distressingly large number of US Patent and Trademark Office (USPTO) systems and, during some maintenance at 04:30 ET on 15 August, "experienced an issue".

More than five days on, PALM is still down. As such, this is more akin to the Titanic experiencing an iceberg "issue" rather than a straightforward turn it off and on again.

Systems impacted include the USPTO's Electronic Filing System (EFS), the Public and Private Patent Application Retrieval (PAIR) systems and the Electronic Patent Assignment (ePAS) among others.

36 hours after the outage began, the USPTO kicked off its contingency systems so users could at least still file patents (in theory), if not access saved submissions. Users were not convinced."

Legal Counsel: Can you copyright a tweet?; The Oklahoman, August 19, 2018

Terry L. Watt, PhD, The Oklahoman; Legal Counsel: Can you copyright a tweet?

"Although there is no clear rule concerning the ability to copyright tweets, it is likely that in most cases they are not eligible. Still, when in doubt, getting permission from the author is always advised."

The Key to the Sharp Objects Mystery Is in the Music; Esquire, August 12, 2018

Matt Miller, Esquire; The Key to the Sharp Objects Mystery Is in the Music

[Kip Currier: HBO's 8-episode "Sharp Objects" is a thought-stirring, unflinching exhumation on the roles of "memory" and "place" in people's lives, as witnessed via the POV of childhood trauma survivor-cum-journalist Amy Adams' tragi-heroine. Music plays an inseparable role in the show's haunting story-telling and this Esquire article sheds fascinating light on the creative, collaborative spirit between director Jean-Marc Vallée and rock music icon band Led Zeppelin, whose songs stand out memorably in some key episodes.]

"Miraculously, [Led Zeppelin] liked the idea so much they approved not one but four songs; they also gave Vallée free reign to play as much of the tracks as he wanted and even layer them over each other to make his own atmosphere. “I think I fell on the floor,” Jacobs says of when she got the call, hearing that the songs had been approved. “Like, wow, this was so unprecedented, because they rarely ever let you use more than one song, and [we could] use the songs multiple times.”

The difference with Sharp Objects was Vallée’s approach to his soundtracks, which isn’t music as background music, but rather an integral part of the story and characterization."

How Aretha Franklin’s ‘Respect’ Became a Battle Cry for Musicians Seeking Royalties; The New York Times, August 17, 2018

Ben Sisario, The New York Times; How Aretha Franklin’s ‘Respect’ Became a Battle Cry for Musicians Seeking Royalties

"It was Aretha Franklin’s first No. 1 hit, the cry of empowerment that has defined her for generations: “Respect.”

But for the roughly seven million times the song has been played on American radio stations, she was paid nothing.

When Ms. Franklin died on Thursday at age 76, fans celebrated the song all over again as a theme for the women’s rights movement. But in the music industry, “Respect” has also played a symbolic role in a long fight over copyright issues that, advocates say, have deprived artists like Ms. Franklin of fair royalty payments...

[Aretha Franklin] also added what became the song’s signature line: “R-E-S-P-E-C-T / Find out what it means to me.” 

Ms. Franklin’s reinvention of Mr. Redding’s song has continued to fascinate critics. Peter Guralnick, the author of books like “Sweet Soul Music: Rhythm and Blues and the Southern Dream of Freedom,” noted that she transformed the original meaning “not so much by changing the lyrics, as by the feeling that she imparted on the song — so that ‘Respect’ became a proclamation of freedom, a proclamation of feminism, a proclamation of an independent spirit.”"

Cosplayers at Steel City Con, Pittsburgh, Pennsylvania, August 10-12, 2018

[Kip Currier]

Cosplayers at Steel City Con, Pittsburgh, Pennsylvania, August 10-12, 2018

Steel City Con's summer event was August 10-12, 2018 at the Monroeville Convention Center in suburban Pittsburgh. The Q & A session with film and stage star Kathleen Turner (Body Heat; Romancing The Stone; Serial Mom; Broadway's Who's Afraid of Virginia Wolff?) was entertaining and refreshingly candid, as The Pittsburgh Post-Gazette described here.

I had some illuminating IP-related conversations with several vendors at the Con and will have a post about that soon.

Cosplayers representing diverse genres and characters were in abundance...and I snagged some great photos of them (thanks for the impressive clarity, Google Pixel 2 camera!).

Sundry denizens of the Star Wars universe roamed the Con: 

Yes...Even Stormtroopers can't put down their phones:

DC heroes, anti-heroes, and villains posed proudly:

Marvel characters from The Avengers (plus Your Friendly Neighborhood Spider-Man, on loan from Sony) may have been on the lookout for Infinity Stones...and Thanos:

While the Guardians of the Galaxy in attendance (Mantis, Gamora, and Star Lord--with Baby Groot perched on his shoulder) may have been looking for teammates Drax and Rocket, as well as a script and a director for their eagerly-anticipated Threepeat flick:

[*Spoiler Alert*] 
Three of these four characters (Nick Fury, Wasp, Ant-Man, and Black Panther) disappeared with a snap in 2018's Avengers: Infinity War and Ant-Man and The Wasp.
Know which one didn't disappear?

See you in July 2019, Spider-Man: Far From Home...

Some of Marvel's most famous mutants--soon to be joining the Marvel Cinematic Universe (MCU)--were in the house:

Frank "The Punisher" Castle looked battle-tested and battle-ready:

Wizards with wands wandered the walkways:

Along with eclectic characters--like Ghost Spider (formerly Also Known As Spider-Gwen), Deadpool-cum-painter-Bob-Ross, and Captain Morgan (representing the Rum-imbibing community):