Apple sidelines AI news summaries due to errors; Japan Today, January 17, 2025

 Japan Today; Apple sidelines AI news summaries due to errors

"Apple pushed out a software update on Thursday which disabled news headlines and summaries generated using artificial intelligence that were lambasted for getting facts wrong.

The move by the tech titan comes as it enhances its latest lineup of devices with "Apple Intelligence" in a market keen for assurance that the iPhone maker is a contender in the AI race.

Apple's decision to temporarily disable the recently launched AI feature comes after the BBC and other news organizations complained that users were getting mistake-riddled or outright wrong headlines or news summary alerts."

In AI copyright case, Zuckerberg turns to YouTube for his defense; TechCrunch, January 15, 2025

Kyle Wiggers

Maxwell Zeff

, TechCrunch ; In AI copyright case, Zuckerberg turns to YouTube for his defense

"Meta CEO Mark Zuckerberg appears to have used YouTube’s battle to remove pirated content to defend his own company’s use of a data set containing copyrighted e-books, reveals newly released snippets of a deposition he gave late last year.

The deposition, which was part of a complaint submitted to the court by plaintiffs’ attorneys, is related to the AI copyright case Kadrey v. Meta. It’s one of many such cases winding through the U.S. court system that’s pitting AI companies against authors and other IP holders. For the most part, the defendants in these cases – AI companies – claim that training on copyrighted content is “fair use.” Many copyright holders disagree."

Biden bids farewell with dark warning for America: the oligarchs are coming; The Guardian, January 15, 2025

 David Smith in Washington , The Guardian; Biden bids farewell with dark warning for America: the oligarchs are coming

"The primetime speech did not mention Donald Trump by name. Instead it will be remembered for its dark, ominous warning about something wider and deeper of which Trump is a symptom.

“Today, an oligarchy is taking shape in America of extreme wealth, power, and influence that literally threatens our entire democracy, our basic rights and freedom and a fair shot for everyone to get ahead,” Biden said.

The word “oligarchy” comes from the Greek words meaning rule (arche) by the few (oligos). Some have argued that the dominant political divide in America is no longer between left and right, but between democracy and oligarchy, as power becomes concentrated in the hands of a few. The wealthiest 1% of Americans now has more wealth than the bottom 90% combined.

The trend did not start with Trump but he is set to accelerate it. The self-styled working-class hero has picked the richest cabinet in history, including 13 billionaires, surrounding himself with the very elite he claims to oppose. Elon Musk, the world’s richest man, has become a key adviser. Tech titans Musk, Jeff Bezos and Mark Zuckerberg – collectively worth a trillion dollars – will be sitting at his inauguration on Monday.

Invoking former president Dwight Eisenhower’s farewell address in January 1961 that warned against the rise of a military-industrial complex, Biden said: “Six decades later, I’m equally concerned about the potential rise of a tech industrial complex. It could pose real dangers for our country as well. Americans are being buried under an avalanche of misinformation and disinformation, enabling the abuse of power.”

In an acknowledgement of news deserts and layoffs at venerable institutions such as the Washington Post, Biden added starkly: “The free press is crumbling. Editors are disappearing. Social media is giving up on fact checking. Truth is smothered by lies, told for power and for profit. We must hold the social platforms accountable, to protect our children, our families and our very democracy from the abuse of power.”

Zuckerberg’s recent decision to abandon factcheckers on Facebook, and Musk’s weaponisation of X in favour of far-right movements including Maga, was surely uppermost in Biden’s mind. Trust in the old media is breaking down as people turn to a fragmented new ecosystem. It has all happened with disorienting speed."

USPTO releases AI strategic plan; FedScoop, January 15, 2025

CAROLINE NIHILL,  FedScoop; USPTO releases AI strategic plan

"The U.S. Patent and Trademark Office is planning to examine the intersection of artificial intelligence innovation and advancing intellectual property policies as part of a new AI strategy the agency released Tuesday. 

In the document, the USPTO said it intends to study AI-related implications for IP protections and potential uses for the technology to safeguard trademark rights. The agency plans to advocate for the development of “sound judicial precedents and legislation that promote both AI innovation and respect for IP rights, while not unnecessarily constraining future AI innovation.”"

'The New York Times' takes OpenAI to court. ChatGPT's future could be on the line; NPR, January 14, 2025

 Bobby Allyn, NPR; 'The New York Times' takes OpenAI to court. ChatGPT's future could be on the line

"A group of news organizations, led by The New York Times, took ChatGPT maker OpenAI to federal court on Tuesday in a hearing that could determine whether the tech company has to face the publishers in a high-profile copyright infringement trial.

Three publishers' lawsuits against OpenAI and its financial backer Microsoft have been merged into one case. Leading each of the three combined cases are the Times, The New York Daily News and the Center for Investigative Reporting.

Other publishers, like the Associated Press, News Corp. and Vox Media, have reached content-sharing deals with OpenAI, but the three litigants in this case are taking the opposite path: going on the offensive."

Meta Lawyer Lemley Quits AI Case Citing Zuckerberg 'Descent'; Bloomberg Law, January 14, 2026

Kyle Jahner

, Bloomberg Law; Meta Lawyer Lemley Quits AI Case Citing Zuckerberg 'Descent'

"California attorney Mark Lemley dropped Meta Platforms Inc. as a client in a high-profile copyright case because of CEO Mark Zuckerberg’s “descent into toxic masculinity and Neo-Nazi madness,” the Stanford University professor said on LinkedIn."

USPTO announces new Artificial Intelligence Strategy to empower responsible implementation of innovation; United States Patent and Trademark Office (USPTO), January 14, 2025

United States Patent and Trademark Office (USPTO) ; USPTO announces new Artificial Intelligence Strategy to empower responsible implementation of innovation 

"AI Strategy outlines how the USPTO will address AI's impact across IP policy, agency operations, and the broader innovation ecosystem  

WASHINGTON—The U.S. Patent and Trademark Office (USPTO) announced a new Artificial Intelligence (AI) Strategy to guide the agency’s efforts toward fulfilling the potential of AI within USPTO operations and across the intellectual property (IP) ecosystem. The Strategy offers a vision for how the USPTO can foster responsible and inclusive AI innovation, harness AI to support the agency’s mission, and advance a positive future for AI to ensure that the country maintains its leadership in innovation. 

“We have a responsibility to promote, empower, and protect innovation,” said Derrick Brent, Acting Under Secretary of Commerce for Intellectual Property and Acting Director of the USPTO. “Developing a strategy to unleash the power of AI while mitigating risks provides a framework to advance innovation and intellectual property.”  

The strategy aims to achieve the USPTO’s AI vision and mission through five focus areas which include: 

1. Advance the development of IP policies that promote inclusive AI innovation and creativity. 
2. Build best-in-class AI capabilities by investing in computational infrastructure, data resources, and business-driven product development. 
3. Promote the responsible use of AI within the USPTO and across the broader innovation ecosystem.
4. Develop AI expertise within the USPTO’s workforce.
5. Collaborate with other U.S. government agencies, international partners, and the public on shared AI priorities.

The USPTO and our sister agencies within the Department of Commerce, as well as the U.S. Copyright Office, are providing critical guidance and recommendations to advance AI-driven innovation and creativity. In 2022, the USPTO created the AI and Emerging Technology (ET) Partnership, which has worked closely with the AI/ET community to gather public feedback through a series of sessions on topics related to AI and innovation, biotech, and intellectual property (IP) policy. Since its 2022 launch, more than 6,000 stakeholders have engaged with us on these critical issues. In addition, the USPTO collaborates across government to advance American leadership in AI by promoting innovation and competition as set forth in the Biden-Harris Administration’s landmark October 2023 AI Executive Order. 

The full text of the AI Strategy can be found on the AI Strategy webpage. Additionalinformation on AI, including USPTO guidance and more on USPTO’s AI/ET Partnership, can be found on our AI webpage. "

Elon Musk says all human data for AI training ‘exhausted’; The Guardian, January 9, 2025

Dan Milmo, The Guardian; Elon Musk says all human data for AI training ‘exhausted’

"However, Musk also warned that AI models’ habit of generating “hallucinations” – a term for inaccurate or nonsensical output – was a danger for the synthetic data process.

He said in the livestreamed interview with Mark Penn, the chair of the advertising group Stagwell, that hallucinations had made the process of using artificial material “challenging” because “how do you know if it … hallucinated the answer or it’s a real answer”.

Andrew Duncan, the director of foundational AI at the UK’s Alan Turing Institute, said Musk’s comment tallied with a recent academic paper estimating that publicly available data for AI models could run out as soon as 2026. He added that over-reliance on synthetic data risked “model collapse”, a term referring to the outputs of models deteriorating in quality...

High-quality data, and control over it, is one of the legal battlegrounds in the AI boom. OpenAI admitted last year it would be impossible to create tools such as ChatGPT without access to copyrighted material, while the creative industries and publishers are demanding compensation for use of their output in the model training process."

Nosferatu (1922) Dracula Copyright Infringement Story Explained; Screen Rant, January 8, 2025

By Shaurya Thapa & Fellipe Silva Santos, Screen Rant; 

Nosferatu (1922) Dracula Copyright Infringement Story Explained

"Copyright was a big thing even back in 1922 when Nosferatu came out."

3Blue1Brown copyright takedown blunder by AI biz blamed on human error; The Register, January 7, 2025

Thomas Claburn , The Register; 

3Blue1Brown copyright takedown blunder by AI biz blamed on human error

"The errant copyright takedown of a popular video explaining Bitcoin, from Grant Sanderson's smash-hit YouTube channel 3Blue1Brown, has been reversed, with human error blamed.

The brand protection company responsible for the unwarranted takedown, ChainPatrol.io, also acknowledged that the legal demand was a mistake, and has been in communication with Sanderson about its efforts to return the video to YouTube. Sanderson – who has 6.8 million subscribers on YouTube, and whose in-depth videos mainly on mathematics and science have been viewed more than 600 million times – raised the alarm in a social media post on Monday.

He said he had just learned that YouTube had removed a 2017-era video he had made and applied a copyright strike – three of which will get an account terminated – despite the fact that he had only used his own content in his video."

The Internet Archive is in danger; WBUR, January 7, 2025

 

Claire Donnelly 

Meghna Chakrabarti, WBUR; 

The Internet Archive is in danger

"More than 900 billion webpages are preserved on The Wayback Machine, a history of humanity online. Now, copyright lawsuits could wipe it out.

Guests

Brewster Kahle, founder and director of the Internet Archive. Digital librarian and computer engineer.

James Grimmelmann, professor of digital and information law at Cornell Tech and Cornell Law School. Studies how laws regulating software affect freedom, wealth, and power."

HOW SHERLOCK HOLMES BROKE COPYRIGHT LAW; The Atlantic, January 7, 2025

Alec Nevala-Lee , The Atlantic; HOW SHERLOCK HOLMES BROKE COPYRIGHT LAW

"The estate based its argument on a distinction between “flat” and “round” fictional characters first proposed by E. M. Forster in his 1927 book, Aspects of the Novel, a concept frequently invoked in high-school literature classes but never previously tested in court.

In its legal filings, the estate drew a contrast between “flat” characters without depth—such as Superman and Amos and Andy—and “round” characters such as Holmes, who were capable of complexity and change. Doyle, it said, continued to develop Holmes to the very end, gradually transforming him from a reasoning machine into an empathetic figure who displays affection for women, dogs, and even his long-suffering partner. And it soon became clear that this argument would have enormous implications for copyright holders, who would be motivated to retain control over their characters by changing them incrementally for as long as possible."

CSotD: Telnaes is only unemployed, not gone; The Daily Cartoonist, January 4, 2025

 MIKE PETERSON, The Daily Cartoonist; CSotD: Telnaes is only unemployed, not gone

"We try to avoid duplication and stepping on each other’s toes around here, and by now you’ve likely seen DD Degg’s coverage of Ann Telnaes’ resignation from the Washington Post. And if you haven’t seen his coverage here, you’ve almost certainly seen some coverage because it is all over the Internet, with regret and praise coming from around the globe. As of seven this morning, her Substack announcement had 5,307 likes and had been shared 910 times...

Seeing these pieces on the importance of political cartooning and press freedom, it’s easy to recognize how inconsistent it would have been for her to accept the squelching of her voice by the Post’s current management.

Telnaes will no longer be on the pages of the Washington Post, but perhaps going out into the wider world will make her voice heard by a more diverse audience, particularly if the Post continues to cater to the new administration while hemorrhaging both talent and readership.

She’ll need support on her Substack, by which I mean subscriptions, not just applause, and if you haven’t been supporting small and local media outlets, this is an excellent place to start. 

The cartoon her editor refused to run, which was the final straw that induced her to walk away from a prestigious and well-paying job, offers the very reasonable suggestion that the billionaires who control major media are selling out to the administration, not just with obedience but in several cases with substantial financial contributions.

And here’s something else they’d just as soon not hear anyone say: It seems that major media may be working to gain influence with the wrong people, that they’re making friends with oligarchs but losing touch with their actual customers...

Samizdat is a term that defined underground writings — mimeographed or photocopied — that circulated in the Soviet Union as it began to totter and crash. In our country, in these times, we’re seeing the growth of Substacks and other small-scale publishing by people who, like Ann Telnaes, want to say what they think needs to be said, without being filtered and both-sidesed and required to be “fair and balanced” by management that is more interested in marketing than in journalism.

Supporting small publishers and individual writers matters. The big boys will get along with or without you, but the voices we need to hear need backing."

At the Intersection of A.I. and Spirituality; The New York Times, January 3, 2025

 Eli Tan, The New York Times; At the Intersection of A.I. and Spirituality

"For centuries, new technologies have changed the ways people worship, from the radio in the 1920s to television sets in the 1950s and the internet in the 1990s. Some proponents of A.I. in religious spaces have gone back even further, comparing A.I.’s potential — and fears of it — to the invention of the printing press in the 15th century.

Religious leaders have used A.I. to translate their livestreamed sermons into different languages in real time, blasting them out to international audiences. Others have compared chatbots trained on tens of thousands of pages of Scripture to a fleet of newly trained seminary students, able to pull excerpts about certain topics nearly instantaneously.

But the ethical questions around using generative A.I. for religious tasks have become more complicated as the technology has improved, religious leaders say. While most agree that using A.I. for tasks like research or marketing is acceptable, other uses for the technology, like sermon writing, are seen by some as a step too far."

We're using AI for stupid and unnecessary reasons. What if we just stopped? | Opinion; Detroit Free Press, January 6, 2025

Nancy Kaffer, Detroit Free Press; We're using AI for stupid and unnecessary reasons. What if we just stopped? | Opinion

"We're jumping feet first into unreliable, unproven tech with devastating environmental costs and a dense thicket of ethical problems.

It's a bad idea. And — because I enjoy shouting into the void — we really ought to stop."

OpenAI holds off on promise to creators, fails to protect intellectual property; The American Bazaar, January 3, 2025

 Vishnu Kamal, The American Bazaar; OpenAI holds off on promise to creators, fails to protect intellectual property

"OpenAI may yet again be in hot water as it seems that the tech giant may be reneging on its earlier assurances. Reportedly, in May, OpenAI said it was developing a tool to let creators specify how they want their works to be included in—or excluded from—its AI training data. But seven months later, this feature has yet to see the light of day.

Called Media Manager, the tool would “identify copyrighted text, images, audio, and video,” OpenAI said at the time, to reflect creators’ preferences “across multiple sources.” It was intended to stave off some of the company’s fiercest critics, and potentially shield OpenAI from IP-related legal challenges...

OpenAI has faced various legal challenges related to its AI technologies and operations. One major issue involves the privacy and data usage of its language models, which are trained on large datasets that may include publicly available or copyrighted material. This raises concerns over privacy violations and intellectual property rights, especially regarding whether the data used for training was obtained with proper consent.

Additionally, there are questions about the ownership of content generated by OpenAI’s models. If an AI produces a work based on copyrighted data, it is tricky to determine who owns the rights—whether it’s OpenAI, the user who prompted the AI, or the creators of the original data.

Another concern is the liability for harmful content produced by AI. If an AI generates misleading or defamatory information, legal responsibility could fall on OpenAI."

Washington Post cartoonist quits after paper rejects sketch of Bezos bowing to Trump; Associated Press (AP) via Washington Post, January 4, 2025

 Todd Richmond | AP via Washington Post; Washington Post cartoonist quits after paper rejects sketch of Bezos bowing to Trump

[Kip Currier: Note that this story posted at 8:08 PM EST January 4, 2025 on the Washington Post website is written by an Associated Press (AP) reporter, not a Washington Post reporter. I have not yet located an article or OpEd piece written by a Washington Post staff person that addresses the Ann Telnaes editorial cartoon controversy, other than the Substack article by Ann Telnaes explaining her resignation.

• When and how will the Washington Post cover this story, and even more importantly, the implications for free presses, access to information, free expression, and democracy?
• Where are the Washington Post OpEd pieces about these issues by internal commentators like Eugene Robinson, Jennifer Rubin, Eric Wemple, etc.?
• Will there be no coverage by the newspaper itself that killed Ann Telnaes' draft cartoon?

The Washington Post's tagline "Democracy Dies in Darkness" is fast becoming an ironic commentary on its own ethical lapses in timely and fulsome reporting, transparency, accountability, and journalistic integrity.]

[Excerpt]

"A cartoonist has decided to quit her job at the Washington Post after an editor rejected her sketch of the newspaper’s owner and other media executives bowing before President-elect Donald Trump.

Ann Telnaes posted a message Friday on the online platform Substack saying that she drew a cartoon showing a group of media executives bowing before Trump while offering him bags of money, including Post owner and Amazon founder Jeff Bezos.

Telnaes wrote that the cartoon was intended to criticize “billionaire tech and media chief executives who have been doing their best to curry favor with incoming President-elect Trump.” Several executives, Bezos among them, have been spotted at Trump’s Florida club Mar-a-Lago. She accused them of having lucrative government contracts and working to eliminate regulations."

A Pulitzer winner quits 'Washington Post' after a cartoon on Bezos is killed; NPR, January 4, 2025

David Folkenflik, NPR; A Pulitzer winner quits 'Washington Post' after a cartoon on Bezos is killed

[Kip Currier: Every day, U.S. oligarchs like Washington Post owner Jeff Bezos and Los Angeles Times owner Patrick Soon-Shiong feel more emboldened to cravenly censor criticism of themselves and impede freedom of expression and access to information.

Thank you, Ann Telnaes, for speaking truth to power with your satirical artistry and standing up for the importance of free and independent presses with your principled resignation decision. As the Pulitzer Prize-winning editorial cartoonist underscored in explaining her resignation, "Democracy can't function without a free press".

The evidence is now even more clear than one year or a decade ago: Consolidation of ownership of print journalism and broadcast media by a few billionaires and corporate conglomerates chills the ability to dissent and provide access to diverse perspectives. 

The diagnosis and ramifications are also clear: Having a handful of oligarchs control America's newspapers is antithetical to well-informed citizenries and healthy democracies. (See here for a prescient 2017 article by veteran journalist and free speech/free press advocate Bill Moyers.)

Potential remedies? It's absolutely imperative that free speech-supporting Americans develop and nurture alternative ways to promote access to information and freedom of expression, as is increasingly being done on Substack accounts (see examples here, and here, and here) and via podcasts.

In the longer term, collaborative trusts (see here, for example) that can purchase newspapers and share ownership among more than one individual offer some potential ways to challenge oligarch newspaper monopolies.]

[Excerpt]

"A Pulitzer Prize-winning cartoonist for the Washington Post has resigned after its editorial page editor rejected a cartoon she created to mock media and tech titans abasing themselves before President-elect Donald Trump.

Among the corporate chiefs depicted by Ann Telnaes was Amazon founder and Post owner Jeff Bezos. The episode follows Bezos' decision in October to block publication of a planned endorsement of Vice President Harris over Trump in the waning days of last year's presidential elections.

The inspiration for Telnaes' latest proposed cartoon was the trek by top tech chief executives including Bezos to Trump's Florida estate, Mar-a-Lago, as well as the seven-figure contributions several promised to make toward his inauguration. She submitted a sketch before Christmas. It was never published."

Wicked and the Importance of the Public Domain; Reason, January 1, 2025

JOE LANCASTER , Reason; Wicked and the Importance of the Public Domain

"But at the moment there is perhaps no better testament to the importance of the public domain than Wicked."

Florida Sports Blog Hit With Copyright Case; Law360, January 3, 2025

 Andrew Karen, Law360; Florida Sports Blog Hit With Copyright Case

"A Boca Raton, Florida-based sports blog is facing a copyright case from a New York photographer after including an image in a post about the history of the Sports Illustrated brand..."

U.S. Copyright Office to Begin Issuing Further AI Guidance in January 2025; The National Law Review, January 2, 2025

 John Hines of The Sedona Conference  , The National Law Review; U.S. Copyright Office to Begin Issuing Further AI Guidance in January 2025

"Parts 2 and 3, which have not yet been released, will be of heightened interest to content creators and to individuals and businesses involved in developing and deploying AI technologies. Ultimate regulatory and legislative determinations could materially recalibrate the scope of ownership and protection afforded to works of authorship, and the stakes are extremely high...

Part 2 of the report, which the Copyright Office expects to publish “after the New Year Holiday,” will address the copyrightability of AI-generated works, and more specifically, how the nature and degree of such use affects copyrightability and registrability. Current law is clear that to be copyrightable, a work must be created by a human. E.g., Thaler v. Perlmutter, 678 F.Supp. 140 (D.DC 2023), on appeal. However assistive tools are used in virtually all creation, from pencils to cameras to photo-editing software programs. In the context of registrability, the Copyright Office offered the following distinction in its March 2023 guidance: “[W]hether the ‘work’ is basically one of human authorship, with the computer [or other device] merely being an assisting instrument, or whether the traditional elements of authorship in the work (literary, artistic, or musical expression or elements of selection, arrangement, etc.) were actually conceived and executed not by man but by a machine.” In Part 2, the Copyright Office will have an additional opportunity to explore these and related issues – this time with the advantage of the many comments offered through the Notice of Inquiry process.

Part 3 of the report, which the Copyright Office anticipates releasing “in the first quarter of 2025,” will focus on issues associated with training data. AI models, depending on their size and scope, may train on millions of documents—many of which are copyrighted or copyrightable— acquired from the Internet or through acquisition of various robust databases. Users of “trained” AI technologies will typically input written prompts to generate written content or images, depending on the model (Sora is now available to generate video). The output is essentially a prediction based on a correlation of values in the model (extracted from the training data) and values that are derived from the user prompts.

Numerous lawsuits, perhaps most notably the case that The New York Times filed against Microsoft and OpenAI, have alleged that the use of data to train AI models constitutes copyright infringement. In many cases there may be little question of copying in the course of uploading data to train the models. Among a variety of issues, a core common issue will be whether the use of the data for training purposes is fair use. Content creators, of course, point to the fact that they have built their livelihoods and/or businesses around their creations and that they should be compensated for what is a violation of their exclusive rights."

POPEYE, ‘THE SKELETON DANCE,’ AND ‘SINGIN’ IN THE RAIN’ ENTER THE PUBLIC DOMAIN; Rolling Stone, January 1, 2025

DANIEL KREPS, Rolling Stone ; POPEYE, ‘THE SKELETON DANCE,’ AND ‘SINGIN’ IN THE RAIN’ ENTER THE PUBLIC DOMAIN

"The first iteration of Popeye the Sailor, literary classics by Dashiell Hammett and William Faulkner, Alfred Hitchcock’s first sound film, and songs like “Singin’ in the Rain” and “Tiptoe Through the Tulips” are among the copyrighted works that will enter the public domain on Jan. 1.

 

As the calendar turns on New Year’s Day, thousands of copyrighted works across literature, film, and music from 1929 become open to fair use. This year’s slate also includes the French comic icon Tintin, Disney’s still-iconic The Skeleton Dance short (38 million views on YouTube!), Ernest Hemingway’s A Farewell to Arms, and the first English translation of All Quiet on the Western Front (the original German text became public domain last year).

Jennifer Jenkins, the director of Duke Law School’s Center for the Study of the Public Domain, documents each year’s Public Domain Day highlights on the center’s website.

 

“For copyrighted culture, the public domain arrives only after a long wait,” Jenkins wrote of the 2025 entrants. “Works from 1929 were first set to go into the public domain after a 56-year term in 1985, but a term extension pushed that date to 2005. They were then supposed to go into the public domain in 2005 after being copyrighted for 75 years. But before this could happen, Congress hit another 20-year pause button and extended their copyright term to 95 years. Now the wait is over.” (For sound recordings, the copyright term is 100 years.) 

Public Domain Day in 2024 was highlighted by the arrival of Mickey Mouse and Minnie Mouse, as the first iteration of those characters — as featured in the 1928 short Steamboat Willie — became free to use."

Column: A Faulkner classic and Popeye enter the public domain while copyright only gets more confusing; Los Angeles Times, December 31, 2024

Michael Hiltzik , Los Angeles Times; Column: A Faulkner classic and Popeye enter the public domain while copyright only gets more confusing

"The annual flow of copyrighted works into the public domain underscores how the progressive lengthening of copyright protection is counter to the public interest—indeed, to the interests of creative artists. The initial U.S. copyright act, passed in 1790, provided for a term of 28 years including a 14-year renewal. In 1909, that was extended to 56 years including a 28-year renewal.

In 1976, the term was changed to the creator’s life plus 50 years. In 1998, Congress passed the Copyright Term Extension Act, which is known as the Sonny Bono Act after its chief promoter on Capitol Hill. That law extended the basic term to life plus 70 years; works for hire (in which a third party owns the rights to a creative work), pseudonymous and anonymous works were protected for 95 years from first publication or 120 years from creation, whichever is shorter.

Along the way, Congress extended copyright protection from written works to movies, recordings, performances and ultimately to almost all works, both published and unpublished.

Once a work enters the public domain, Jenkins observes, “community theaters can screen the films. Youth orchestras can perform the music publicly, without paying licensing fees. Online repositories such as the Internet Archive, HathiTrust, Google Books and the New York Public Library can make works fully available online. This helps enable both access to and preservation of cultural materials that might otherwise be lost to history.”"

AI Developments at the U.S. Copyright Office in 2024; IP Watchdog, December 30, 2024

 BARRY WERBIN , IP Watchdog; AI Developments at the U.S. Copyright Office in 2024

"“The art challenges the technology, and the technology inspires the art.” Such is the conundrum facing the U.S Copyright Office in this era of rapidly expanding generative artificial intelligence technology. Human creativity has been the cornerstone of copyright protection for original works of authorship ever since the U.S. Constitution recognized copyright as a fundamental right to be protected for limited times. But the tenet that originality exists only when a human is primarily responsible for creating works of authorship is currently in flux and subject to extensive debate. Nowhere is this tension more visible than within the Copyright Office itself, which has been grappling with the core issue of what defines human creation when sophisticated technology like generative AI plays a significant role in creating works of authorship under the direction of a human creator."

Anthropic Agrees to Enforce Copyright Guardrails on New AI Tools; Bloomberg Law, December 30, 2024

 Annelise Levy, Bloomberg Law; Anthropic Agrees to Enforce Copyright Guardrails on New AI Tools

"Anthropic PBC must apply guardrails to prevent its future AI tools from producing infringing copyrighted content, according to a Monday agreement reached with music publishers suing the company for infringing protected song lyrics. 

Eight music publishers—including Universal Music Corp. and Concord Music Group—and Anthropic filed a stipulation partly resolving the publishers’ preliminary injunction motion in the US District Court for the Northern District of California. The publishers’ request that Anthropic refrain from using unauthorized copies of lyrics to train future AI models remains pending."