Federal CIOs, Take Open Data To Next Level; Information Week, 5/29/14

Bobby Caudill, Information Week; Federal CIOs, Take Open Data To Next Level:

"A prime example comes from the State of Michigan's Department of Human Services (DHS). Sadly, there are parents who opt to neglect their financial obligations to their children. Such individuals take steps to hide from the authorities, oftentimes using false contact information. In order to help get child support payments into the hands of the single parents in need, DHS asked a simple question: "How can we find these people?" The answer was in open data.

The data immediately available to the agency was not enough, so DHS looked to other sources in the state. Starting with the Secretary of State, DHS secured access to state drivers' license data. Gaining access to the contact information of the millions of people who are licensed to drive had a huge impact, but DHS found even more valuable information at the Department of Natural Resources (DNR). It turns out people don't think to falsify information when applying for hunting or fishing licenses. By integrating that information with its existing data, the agency could finally take action to help those in need. From my perspective, this is true innovation."

RESPECT Bill Would Put Golden Oldies Under Federal Copyright; Billboard, 5/29/14

Glenn Peoples, Billboard; RESPECT Bill Would Put Golden Oldies Under Federal Copyright:

"A new bill could help artists and labels collect royalties on the digital performance of older recordings while adding to the royalty expenses of the digital services that play them.

Revealed Thursday, the RESPECT Act was introduced by Rep. John Conyers (D-MI), ranking member of the House Judiciary Committee, and co-sponsored by Rep. George Holding (R-NC) and several other members of the House. The bill would place pre-1972 sound recordings under federal law. Because the performance right for these older recordings currently falls under states' laws, digital music services such as Pandora and SiriusXM do not pay royalties on them. (These services do pay publishers for the performance of the compositions, however.)

Hundreds of millions of dollars are at stake."

How does copyright work in space?; Economist, 5/22/13

G.F., Economist; How does copyright work in space? :

"CHRIS HADFIELD has captured the world's heart, judging by the 14m YouTube views of his free-fall rendition of David Bowie's "Space Oddity", recorded on the International Space Station (ISS). The Canadian astronaut's clear voice and capable guitar-playing were complemented by his facility in moving around in the microgravity of low-earth orbit. But when the man fell to Earth in a neat and safe descent a few days ago, after a five-month stay in orbit, should he have been greeted by copyright police? Commander Hadfield was only 250 miles (400 km) up, so he was still subject to terrestrial intellectual-property regimes, which would have applied even if he had flown the "100,000 miles" mentioned in the song's lyrics, or millions of kilometres to Mars. His five-minute video had the potential to create a tangled web of intellectual-property issues. How does copyright work in space?...

J.A.L. Sterling, a London-based expert on international copyright law, anticipated all this in a 2008 paper, "Space Copyright Law: the new dimension", in which he lists dozens more potentially problematic scenarios that could arise, some seemingly risible at first."

The Beastie Boys sue Monster Energy Co for copyright infringement; Reuters via New York Times, 5/27/14

John Russell,Reuters via New York Times; The Beastie Boys sue Monster Energy Co for copyright infringement:

"The Beastie Boys take Monster Energy Co to trial over claims the beverage maker used the band's songs without their permission."

New Nashville group to push for copyright reform; Tennessean, 5/25/14

Nate Rau, Tennessean; New Nashville group to push for copyright reform:

"A new group comprised of prominent Nashville music publishing companies and other copyright stakeholders has formed, seeking to add another voice to the ongoing debate about sweeping copyright reform.

The group, called Interested Parties Advancing Copyright, consists of about 50 independent publishers, administrators, business managers and entertainment attorneys.

IPAC submitted comments to the federal Copyright Office prior to Friday's deadline for industry stakeholders to weigh in on music licensing reform. IPAC also hopes to participate in next month's federal roundtable discussion in Nashville about the current methods for licensing musical works and sound recordings...

The group's formation comes at a critical time because Congress is in the middle of debates about broad copyright reform. At stake is the potential for sweeping changes to federal laws governing music licensing, performance royalties, digital royalties and music piracy enforcement."

Vimeo to Launch Music Copyright ID System; Billboard, 5/21/14

Andrew Flanagan, Billboard; Vimeo to Launch Music Copyright ID System:

"Vimeo, the hosting site popular with video artists of all stripes and which uses the motto "upload your own work," will be implementing a system they're calling Copyright Match, intended to prevent music copyright infringement on the site.

CEO Kerry Trainor tells Billboard the system will allow the company to be "a little more controlled in terms of making sure that copyrighted material in its entirety isn't being synched to Vimeo without proper licensing."...

The new system should be less severe than the Content ID system used at Vimeo's main competitor YouTube, which often pulls videos determined to be infringing with little notification to uploaders. Copyright Match, produced in partnership with audio identification company Audible Magic, will be a tiered process...

If videos have a fair use case -- one of the most problematic areas of copyright monitoring in the high-volume digital age -- Vimeo will hear them out and reinstate the video's visibility if it meets their criteria."

Justices Reinstate Copyright Lawsuit Over ‘Raging Bull’; New York Times, 5/19/14

Adam Liptak, New York Times; Justices Reinstate Copyright Lawsuit Over ‘Raging Bull’ :

"The Supreme Court on Monday revived a copyright lawsuit against the owners of “Raging Bull,” the acclaimed 1980 movie for which Robert De Niro won an Academy Award as best actor for his portrayal of the boxer Jake LaMotta.

The case arose from a 1963 screenplay written by Frank Petrella in collaboration with Mr. LaMotta. Mr. Petrella died in 1981, and his daughter Paula inherited the rights to the screenplay.

She did not sue the movie’s owners until 2009, and the United States Court of Appeals for the Ninth Circuit, in San Francisco, said that was too late. The copyright law itself would have allowed the suit, as its three-year statute of limitations starts to run anew every time there is a fresh infringement."

Newspapers need robust copyright law protection; Albuquerque Journal, 5/17/14

Caroline Little, President & CEO, Newspaper Association of America; Newspapers need robust copyright law protection:

"Newspapers’ concern in this area is not the personal use of newspaper-generated content but rather its use by businesses that benefit financially through the unlicensed monetization of that content.

By taking newspaper content without paying for it, these companies undercut the fundamental economic model that supports journalism that is so important to our communities.

As an example of the importance of copyright protection, consider a case last year that was decided by a federal judge in New York. The case involved Meltwater, a for-profit service, which scraped Associated Press articles from the Internet and resold verbatim excerpts to subscribers.

The AP sued the news service for copyright infringement, and the court properly found that Meltwater’s customers viewed the service as a substitute for reading the original articles."

The Biggest Filer of Copyright Lawsuits? This Erotica Web Site; New Yorker, 5/15/14

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Five years of being intimidated by the Harvard Bluebook's copyright policies; BoingBoing.net, 5/16/14

Cory Doctorow, BoingBoing.net; Five years of being intimidated by the Harvard Bluebook's copyright policies: "Rogue archivist Carl Malamud sez, "For five years, Professor Frank Bennett, a distinguished legal scholar at Nagoya University School of Law, has been trying to add Bluebook Support to Zotero, the open source citation tool used all over the world. Professor Bennett asked Harvard Law Review for permission. They said no."

Seven people jailed in China's first online copyright lawsuit; ZDNet, 5/16/14

Cyrus Lee, ZDNet; Seven people jailed in China's first online copyright lawsuit:

"Zhou Zhiquan, CEO of the movie downloading website, was sentenced five years imprisonment for copyright infringement, and a fine of 1 million yuan (US$160,000).

Zhou's other six co-workers were sentenced in jail from one to three years, according to a Sina news report, which called the judgment "the first one ever" dealing with the country's online copyright infringement.

Siluhd.com was deemed as the country’s largest illegal high-definition movie downloading website, providing tens of thousands of high-definition Blu-ray movies as well videos and television programs. Its registered members had once exceeded 1.4 million.

However, in a crackdown in late April of 2013, when it was also the 13th World Intellectual Property Day, the Chinese police shut down the site and detained CEO and over 30 other employees for suspicion of infringing IP rights."

Copyright Licensing Organization Gets New Boss; New York Times, 5/14/14

Noam Cohen, New York Times; Copyright Licensing Organization Gets New Boss:

"Creative Commons, whose licensing system encourages the sharing of more than 500 million copyrighted works, on Wednesday appointed a veteran of similar open Internet projects to be its new chief executive.

The new leader, Ryan Merkley, 36, was recently the chief operating officer at the Mozilla Foundation, the organization that supports the open-source Firefox browser, and has also worked with the governments of Toronto and Vancouver...

Creative Commons was founded in 2001 with the idea of making it easier for people to give permission to the public to share or incorporate works under certain conditions — for example, if the new use is noncommercial, or credit is given...

Still, one of the principal challenges for the organization is to keep tabs on its licensees, Mr. Merkley said. The 500 million total “is an estimate, not an actual number,” he said. “It is hard to track them.”

That technical problem, he said, speaks to a larger concern: how to organize Creative Commons content so that the public can easily find and use it in their own projects."

Oracle wins copyright ruling against Google over Android; Reuters, 5/9/14

Dan Levine and Diane Bartz, Reuters; Oracle wins copyright ruling against Google over Android:

"Oracle Corp won a legal victory against Google Inc on Friday as a U.S. appeals court decided Oracle could copyright parts of the Java programming language, which Google used to design its Android smartphone operating system.

The case, decided by the U.S. Court of Appeals for the Federal Circuit in Washington, is being closely watched in Silicon Valley. A high-profile 2012 trial featured testimony from Oracle's chief executive, Larry Ellison, and Google CEO Larry Page, and the legal issues go to the heart of how tech companies protect their most valuable intellectual property.

Google's Android operating system is the world's best-selling smartphone platform."

Obama Signs Nation's First 'Open Data' Law; Information Week, 5/12/14

William Welsh, Information Week; Obama Signs Nation's First 'Open Data' Law:

"President Barack Obama enacted the nation's first open data law, signing into law on May 9 bipartisan legislation that requires federal agencies to publish their spending data in a standardized, machine-readable format that the public can access through USASpending.gov.

The Digital Accountability and Transparency Act of 2014 (S. 994) amends the eight-year-old Federal Funding Accountability and Transparency Act to make available to the public specific classes of federal agency spending data "with more specificity and at a deeper level than is currently reported," a White House statement said."

EU rejects international solution to library and archive copyright problems; causes collapse of WIPO meeting; IFLA, 5/6/14

IFLA; EU rejects international solution to library and archive copyright problems; causes collapse of WIPO meeting:

"Discussions by the World Intellectual Property Organisation (WIPO) Standing Committee on Copyright & Related Rights (SCCR) broke down in the early hours of Saturday morning 3 May, after the European Union (EU) attempted to block future discussion of copyright laws to aid libraries and archives fulfill their missions in the digital environment.

Library and archive delegations from Europe, Latin America, Africa, Australia, the United States, Canada and the UK attended the 27th meeting of the SCCR from 28 April – 2 May 2014, to push for an international treaty to help libraries and archives preserve cultural heritage, facilitate access to essential information by people wherever they are in the world.

The meeting ended in disarray at 1:30am on Saturday morning, after the EU tried to have crucial references to “text-based” work on copyright exceptions removed from the meeting conclusions - a move viewed by other Member States and library and archive NGOs present as an attempt to delay, if not derail, any progress on copyright exceptions at WIPO."

The Conservative Case For Taking On The Copyright Lobby; Business Insider, 4/30/14

Derek Khanna, Business Insider; The Conservative Case For Taking On The Copyright Lobby:

"Current U.S. law provides copyright protection for the life of the author plus 70 years. For corporate authors, the term is 120 years after creation or 95 years after publication. But those changes reflect only part of the reality. In fact, lobbyists have usurped the policymaking process itself to ensure that whenever one term of copyright is set to expire the law is extended.

Several times, these extensions have even been made retroactively, reapplying copyright protections to works that already had moved into the public domain. Thus, the degree to which the current life-plus-70 standard can be relied on to accurately project when a specific work may move into the public domain is limited.

The practical effect of this policy is, effectively, a regime of indefinite copyright. During oral arguments of the 2002 case of Eldred v. Ashcroft, Justice Sandra Day O'Connor said of the policy of continual copyright extension that it "flies directly in the face of what the framers had in mind, absolutely."

If You Repeat A Lie Often Enough

Jack Valenti, then head of the Motion Picture Academy of America, testified during the legislative runup to passage of 1998's Sonny Bono Copyright Term Extension Act (colloquially known as the Mickey Mouse Protection Act) that "copyright term extension has a simple but compelling enticement: it is very much in America's economic interests."

We have lots of reasons to be skeptical of Valenti’s claim. One, it wasn’t backed by data. Two, there is overwhelming data to the contrary from economists. Three, Valenti was well known for making stuff up that was demonstrably untrue and for having little regard for the rest of the economy."

Claiming a Copyright on Marx? How Uncomradely; New York Times, 4/30/14

Noam Cohen, New York Times; Claiming a Copyright on Marx? How Uncomradely:

"The Marxist Internet Archive, a website devoted to radical writers and thinkers, recently received an email: It must take down hundreds of works by Karl Marx and Friedrich Engels or face legal consequences.

The warning didn’t come from a multinational media conglomerate but from a small, leftist publisher, Lawrence & Wishart, which asserted copyright ownership over the 50-volume, English-language edition of Marx’s and Engels’s writings.

To some, it was “uncomradely” that fellow radicals would deploy the capitalist tool of intellectual property law to keep Marx’s and Engels’s writings off the Internet. And it wasn’t lost on the archive’s supporters that the deadline for complying with the order came on the eve of May 1, International Workers’ Day...

Still, Mr. Walters said the archive respected the publisher’s copyright, which covers the translated works, not the German originals from the 19th century. On Wednesday, the archive removed the disputed writings with a note blaming the publisher and a bold headline: “File No Longer Available!”"

Open data: slow down Whitehall's approach has the subtlety of a smash-and-grab-raider and it must take its own advice on best practice; Guardian, 4/18/14

Editorial, Guardian; Open data: slow down Whitehall's approach has the subtlety of a smash-and-grab-raider and it must take its own advice on best practice:

"Open data is potentially of incalculable value. The capacity to merge and manipulate information from a range of public bodies is already delivering wider benefit that ranges from better policing to environmental protection. It will lead to sharper policy making, cheaper drugs and improved health strategies. More contentiously, it could also develop into a valuable revenue stream for government. Whitehall is understandably excited about the potential. But it is approaching the whole open data project with the subtlety of a smash-and-grab raider...

A year ago, the government's own review into open data was published. Its first call was for a National Data Strategy, open to audit, that would set out what data should be released and in what form. Other recommendations included a focus on security, releasing anonymised data only into "safe havens" and introducing tough penalties on end users that fail to safeguard it. This may be part of the best practice HMRC insists it is committed to observing, but external experts are sceptical. Whitehall needs to take its own advice. It needs a strategy, one that explains exactly what the criteria for release of data are, sets out security safeguards that withstand challenge and introduces tough penalties for any breach that demonstrate a genuine respect for privacy."

The Shadow of the Billion-Dollar Copyright Award; National Law Review, 4/28/14

John K. Burke and Vedder Price, National Law Review; The Shadow of the Billion-Dollar Copyright Award:

"On March 18, the Ninth Circuit issued a decision with significant impact for copyright owners in Alaska Stock v. Houghton Mifflin Harcourt Pub. Co., holding that a registration for a compilation covers any copyrightable component works that are also owned by the applicant, even if the registration application did not list the title and author of each component work.

This ruling affirms that a copyright owner can obtain a single copyright registration covering a large number of works. For example, a magazine might contain over 100 separately copyrighted images along with 10 individually copyrighted articles. If the copyrights for the compilation, the photographs and the articles are held by a single owner, all of these works may be covered using a single registration by applying for a copyright in the compilation of the magazine. Using this approach, the owner is saved from needing to submit 111 separate copyright applications, each requiring a separate application and fee.

Going forward, content distributors such as website operators that regularly publish large numbers of copyrighted works must take care to ensure they only use works with the permission of the copyright owner."

With Aereo, Supreme Court digs into copyright nuances; CNet, 4/22/14

Joan E. Solsman, CNet; With Aereo, Supreme Court digs into copyright nuances:

"The Supreme Court, grilling lawyers for TV-streaming service Aereo and the broadcast TV companies seeking to shut it down, focused Tuesday on issues of private versus public performance, universal uncertainty about risks to cloud computing, and the difference between true innovation versus technological cleverness to avoid paying for content.

At stake in the copyright case is how people watch and pay for TV in the digital age, and how the companies that create content are compensated. The case could also call into question the legality of cloud-computing services unrelated to TV, something several justices brought up with both sides."

At Stake in the Aereo Case Is How We Watch TV; David Carr, 4/22/14

David Carr, New York Times; At Stake in the Aereo Case Is How We Watch TV:

"Again and again, Aereo has been tagged as a Rube Goldberg-like invention. Some justices appeared to agree with that view, suggesting that Aereo was exploiting a loophole, a clever end run around federal copyright law...

Aereo is a hybrid of old and new, built on a legion of miniature antennas that grab programming out of the airwaves, as has happened since the dawn of television, but then storing that content in the cloud to be called down in an instant or at a time of the subscriber’s choosing. As arguments proceeded, you could see the justices grappling with the implications attached to the start-up: was it a cable company, was it a cloud storage enterprise, and most important, was it distributing the broadcasters’ programming to the public and if so, should it pay the price for doing so?"

Pandora sued by record labels for copyright infringement; CNet, 4/17/14

Dara Kerr, CNet; Pandora sued by record labels for copyright infringement:

"Pandora has been hit with a copyright infringement lawsuit by major record labels, according to The New York Times. The labels contend that the music streaming service must pay license fees for songs recorded before 1972.

The suit was filed in New York state court by Sony, Warner, and Universal, according to the Times. The labels argue that even though older songs, like James Brown's "I Got You" and the Beatles' "Hey Jude," aren't protected under federal copyright law -- they are covered by state laws.

The record labels claim they lose millions of dollars yearly from Pandora, other streaming music services, and satellite radio companies for playing older songs. Many of these songs are played on streaming stations like "Golden Oldies" and "50s Rock 'n' Roll," and the labels say they should get royalties for these pre-1972 songs."

Boy named after Wayne Rooney not allowed personalised Easter egg due to 'copyright law'; Express.co.uk, 4/14/14

Sarah Ann Harris, Express.co.uk; Boy named after Wayne Rooney not allowed personalised Easter egg due to 'copyright law' :

"A LITTLE boy named after England striker Wayne Rooney was told he could not have his name written on an Easter egg because of "copyright issues".

Staff at a branch of Thorntons in Bury, Greater Manchester, refused to ice three-year-old Rooney's name on a chocolate egg in case it broke copyright laws, said the child's angry mother, Jo-anne Scholes.

She said instead, as a compromise, staff agreed to put her son's full name, Rooney Scholes, on the egg, bought by a family friend on Saturday...

There is no copyright or trademark protection for people's names under UK law."

Of Bundles, Bindings, and the Next Great Copyright Law; Library Journal, 4/17/14

Kevin L. Smith, Library Journal; Of Bundles, Bindings, and the Next Great Copyright Law:

"What will the next great copyright law look like? It depends to a large degree on what we think is great about the current copyright law. Many of the problems and proposals for reform that I listened to in Berkeley made me think that the pressure of digital technology is too much for the very notion of copyright, and that the legal regime built around that concept is collapsing under the weight. The question, I think, is whether we should try to keep strengthening the structure of the law to withstand that pressure, which is the approach we have taken so far, or whether perhaps we should reduce the pressure by returning to a more lightweight set of protections. As someone pointed out during the week, our first copyright law in the U.S. protected simply the right to copy, publish, and vend a work. Maybe we could return to that approach by just protecting the right to commercially exploit a work of authorship and stripping away many of the protections, and hence the required exceptions, that cause so many problems for museums, schools, universities, and individuals who simply want to engage in socially beneficial activities that do not threaten the core markets for those works."

Big data and open data: what's what and why does it matter?; Guardian, 4/15/14

Joel Gurin, Guardian; Big data and open data: what's what and why does it matter? :

"Big data and the new phenomenon open data are closely related but they're not the same. Open data brings a perspective that can make big data more useful, more democratic, and less threatening.

While big data is defined by size, open data is defined by its use. Big data is the term used to describe very large, complex, rapidly-changing datasets. But those judgments are subjective and dependent on technology: today's big data may not seem so big in a few years when data analysis and computing technology improve.

Open data is accessible public data that people, companies, and organisations can use to launch new ventures, analyse patterns and trends, make data-driven decisions, and solve complex problems. All definitions of open data include two basic features: the data must be publicly available for anyone to use, and it must be licensed in a way that allows for its reuse. Open data should also be relatively easy to use, although there are gradations of "openness". And there's general agreement that open data should be available free of charge or at minimal cost."

SOPA Defeat Haunts Efforts to Rein In Illegal Copying, British Official Says; New York Times, 4/17/14

Michael Cieply, New York Times; SOPA Defeat Haunts Efforts to Rein In Illegal Copying, British Official Says:

"Following the defeat in 2012 of the Stop Online Piracy Act, movie companies and other advocates for copyright owners both here and in Britain have been pointed toward voluntarism. That has meant, among other things, agreements under which Internet service providers send escalating warnings to those who are believed to be downloading copyrighted material illegally.

But at a news briefing in Los Angeles on Wednesday, Mr. Weatherly, a plainspoken type, also talked of escalating pressure — legal and otherwise — on those who advertise on sites where illegal downloading is taking place. “There are some laws in place, but we might need to beef up a couple of them a bit more,” suggested Mr. Weatherly, who spoke of an effort to “strangle the advertising revenue from the illegal sites.”"

Ted Hughes Estate Cuts Off Access, Biographer Says; New York Times, 3/31/14

Jennifer Schuessler, New York Times; Ted Hughes Estate Cuts Off Access, Biographer Says: "

The estate did not offer an explanation for its withdrawal of access, but rejected the suggestion there were any secrets it was “attempting to keep hidden,” according to The Guardian. The Hughes archive was purchased by the British Library in 2008, but copyright remains with the estate. Mr. Bate said his contract with Faber was canceled by mutual consent, and that he would rewrite the book for HarperCollins, consulting with lawyers about how much he could quote or paraphrase in keeping with fair use laws."

Trace the past with NY Public Library's Open Access Maps Project; CNet, 4/7/14

Bonnie Burton, CNet; Trace the past with NY Public Library's Open Access Maps Project:

"For over 15 years, the Lionel Pincus & Princess Firyal Map Division at the New York Public Library has been scanning maps from all over the world including those of the Mid-Atlantic United States from 16th to 19th centuries and even topographic maps of Austro-Hungarian empire ranging from 1877 and 1914.

Most notably, the NYPL has scanned more than 10,300 maps from property, zoning, and topographic atlases of New York City dating from 1852 to 1922.

There's also a "diverse collection of more than 1,000 maps of New York City, its boroughs and neighborhoods, dating from 1660 to 1922, which detail transportation, vice, real estate development, urban renewal, industrial development and pollution, political geography among many, many other things," NYPL posted in late March on its blog.

These and many more of the 20,000 cartographic works scanned are now available as high-resolution downloads for anyone who wants to visit their site.

"We believe these maps have no known US copyright restrictions," NYPL posted. "To the extent that some jurisdictions grant NYPL an additional copyright in the digital reproductions of these maps, NYPL is distributing these images under a Creative Commons CC0 1.0 Universal Public Domain Dedication.""

Academic Publishing Waiver Raises Concern; Chronicle of Higher Education via New York Times, 4/6/14

Megan O'Neil, Chronicle of Higher Education via New York Times; Academic Publishing Waiver Raises Concern:

"Faculty authors who contract to write for the publisher of Nature, Scientific American and many other journals could be signing away more than just the economic rights to their work, according to the director of the Office of Copyright and Scholarly Communications at Duke University.

Kevin Smith, the Duke official, said he stumbled across a clause in the Nature Publishing Group’s license agreement last month stating that authors waive or agree not to assert “any and all moral rights they may now or in the future hold” related to their work. In the context of scholarly publishing, “moral rights” include the right of the author always to have his or her name associated with the work and the right to have the integrity of the work protected so that it is not changed in a way that could result in reputational harm.

“In many countries, you can’t waive them as an author,” Mr. Smith said. “But in the Nature publishing agreement you are required to waive them, and if you are in a country where a waiver is not allowed, you have to assert in the contract you won’t insist on those rights.”

Grace Baynes, a spokeswoman for the Nature Publishing Group, declined to say how long the language on moral rights had been included in its license agreement."

Studios hit Megaupload with copyright-infringement lawsuit; Los Angeles Times, 4/7/14

Richard Verrier, Los Angeles Times; Studios hit Megaupload with copyright-infringement lawsuit:

"Hollywood studios are turning the screws on Kim Dotcom, founder of the once infamous piracy website Megaupload.

Several major U.S. studios on Monday filed a lawsuit against Kim Dotcom (a.k.a. Kim Schmitz and Kim Tim Jim Vestor) and others associated with Megaupload, alleging that they encouraged and profited from massive copyright infringement of movies and television shows before they were indicted on federal criminal charges and Megaupload was shut down."

Government open data proves a treasure trove for savvy businesses; ComputerWorld, 3/24/14

Cindy Waxer, ComputerWorld; Government open data proves a treasure trove for savvy businesses:

""We're at a tipping point," says Joel Gurin, senior adviser at New York University's Governance Lab (GovLab) and author of Open Data Now: The Secret to Hot Startups, Smart Investing, Savvy Marketing, and Fast Innovation. "This is the year open data goes from being a specialized expertise to becoming part of a CIO's tool kit. It's a very exciting time."

But unlocking open data's value remains a challenge. For one thing, much of today's open data flows from a whopping 10,000 federal information systems, many of which are based on outdated technologies. And because open data can be messy and riddled with inaccuracies, IT professionals struggle to achieve the data quality and accuracy levels required for making important business decisions. Then there are the data integration headaches and lack of in-house expertise that can easily hinder the transformation of open data into actionable business intelligence.

Yet for those IT leaders who manage to convert decades-old county records, public housing specs and precipitation patterns into a viable business plan, "the sky's the limit," says Gurin."

Are MOOCs - massive open online courses - the future of education?; The Australian, 4/5/14

Julie Hare, The Australian; Are MOOCs - massive open online courses - the future of education? :

"TODAY you can study with a Nobel Laureate - at home, for free. Is this the end of traditional university education?

Last August, Diccon Close went back to university, enrolling in an esoteric-sounding course called “Maps and the Geospatial Revolution” from Pennsylvania State University in the US. It was the first proper study Close, 49, had done since he passed his economics degree in the 1980s and he was pleased with himself when he gained a distinction. To do the five-week course, Close didn’t have to fly to the States or turn up to a campus. He completed it on his laptop in moments etched out from his frantic schedule while living and working in Sydney. His cohort consisted of 48,000 people from 150 countries and they were all connected through chat rooms and social media. For all he knows, he might have had a classmate living around the corner. Best of all, it didn’t cost him a cent."

Beastie Boys settle copyright dispute with toy company GoldieBlox; Guardian, 3/18/14

Guardian; Beastie Boys settle copyright dispute with toy company GoldieBlox:

"The Californian toy company GoldieBlox has reached a settlement with the Beastie Boys over its parody of their song Girls, which was used in an advert that went viral.

On 21 November 2013, a San Francisco-based law firm representing GoldieBlox filed a pre-emptive lawsuit asking the court to rule that, because it was a parody, the company’s version of the Beastie Boys song constituted fair use. An agreement to dismiss the claim has now been reached, and was filed in a US district court on 17 March, the Oakland Tribune reported.

The video, which gained more than 8m views in a week, encouraged young women to code apps, build spaceships and become engineers."

Lady Antebellum, Hanson Schmooze Lawmakers, Stump for Copyright Laws; U.S. News, 4/3/14

Tierney Sneed, U.S. News; Lady Antebellum, Hanson Schmooze Lawmakers, Stump for Copyright Laws:

"Neil Portnow, the president and CEO of the Recording Academy announced a new legislative initiative he and other reps from the music industries will be campaigning for during their advocacy day at the Capitol Thursday. Portnow proposed “a music omnibus bill” or a “MusicBus,” as he coined it during the event’s keynote speech. The bill he hopes to craft with lawmakers would strengthen the copyright laws across the music industry – unifying the interests of labels, publishers, performing rights organizations and others – in addition to piecemeal proposals that have been met by pushback from the National Association of Broadcasters."

Somerville resident works to open government data in Mass., other states; Boston Business Journal, 4/4/14

David Harris, Boston Business Journal; Somerville resident works to open government data in Mass., other states:

"Adam Friedman, a 32-year-old Somerville resident who works in the growing field of civic technology, is using his knowledge of programming to try to make state and local governments more accessible to the public.

His latest project. a searchable database of Massachusetts historic election information, gives voters a chance to peek into data that's traditionally been in the hands of the elections division of the Secretary of the Commonwealth's office...

"i [sic] see this as one piece in the larger infrastructure of democracy," he said. "Having this is giving people basic information about how power is transferred. Given that we're paying for the infrastructure to administer and collect votes, the citizens should have access to this anytime. It's a fundamental right."...

Next for Friedman? He's currently in the process of founding a company called Civica, devoted to public interest software — mostly targeted to government at all levels across the country."

UK copyright tweak in June will finally allow ripping of CDs; Guardian, 3/31/14

Charles Arthur, Guardian; UK copyright tweak in June will finally allow ripping of CDs:

"Under the 1988 Copyright, Designs and Patents Act, it is not in fact legal to transform a piece of copyrighted content from one storage form to another - so turning a CD, which is encoded in one method, into a file formatted as MP3 or Windows Media Audio or AAC and storing it on a computer hard drive or digital music player is, strictly, against the law.

Record labels have known about this for years - but have turned a blind eye, because prosecuting everyone who bought a music player or transferred files to their phone would be both ruinously expensive and terrible publicity.

But, the IPO guidance points out, "it will still be illegal to make copies for friends or family, or to make a copy of something you do not own or have acquired illegally, without the copyright owner's permission. So you will not be able to make copies of CDs for your friends, to copy CDs borrowed from friends, or to copy videos illegally downloaded from file-sharing websites.""

Jack Kirby’s heirs take Marvel copyright fight to Supreme Court; ComicBookResources.com, 4/3/14

Kevin Melrose, ComicBookResources.com; Jack Kirby’s heirs take Marvel copyright fight to Supreme Court:

"Claiming an appeals court “unconstitutionally appropriated” Jack Kirby’s copyrights and gave them to Marvel, the late artist’s heirs have taken their fight with the comics publisher to the U.S. Supreme Court.

In a petition filed March 21, and first reported by Law 360, Kirby’s children argue “it is beyond dispute” that the artist’s Marvel work between 1959 and 1963 was not produced as “work for hire” and, therefore, is subject to a clause in the U.S. Copyright Act that permits authors and their heirs to reclaim copyrights transferred before 1978.

The appeal follows an August decision by the Second Circuit upholding a 2011 ruling that Kirby’s Marvel works were indeed made at the “instance and expense” — that term plays a significant role in the heirs’ petition — with the publisher assigning and approving projects and paying a page rate; in short, they were “work for hire.” As such, the courts found, the 45 copyright-termination notices the artist’s heirs filed in 2009 for such characters as the Avengers, the X-Men, the Fantastic Four and the Hulk were invalid."

Digital Music Pioneer Is Found Liable in Copyright Suit; New York Times, 3/28/14

Ben Sisario, New York Times; Digital Music Pioneer Is Found Liable in Copyright Suit:

"Michael Robertson, a pioneer in the digital music business who has repeatedly clashed with record companies over legal issues, was found liable this week for $41 million in a long-running federal copyright infringement suit.

Mr. Robertson’s latest conflict with the music industry was over MP3tunes, a company he founded in 2005 and shut down two years ago. MP3tunes let its users back up digital music files on remote services on the Internet — an early version of the so-called cloud lockers that technology giants like Apple and Google offer as part of their standard suite of digital music offerings...

During the MP3tunes trial, Mr. Robertson said that the company canceled the accounts of users who abused the locker system. In a statement on Thursday, he accused the music industry of suing his company “to send a message to others not to partner with us or to emulate our business,” and criticized the system of statutory damages for copyright infringement, which led to charges of up to $100,000 per song.

“I’m still holding out hope that the legal system will end up at the right place,” Mr. Robertson added. “Sometimes it takes a while with new technologies.”"

Seeking a Town on the Border of Fiction and Reality; New York Times, 3/28/14

Sam Roberts, New York Times; Seeking a Town on the Border of Fiction and Reality:

"Last week, a reporter for The New York Times noticed a mention on Twitter about fake towns, which mapmakers would invent to guard against copyright infringement. An Internet search turned up Agloe and the Google map, complete with the driving directions. Agloe was a mapmaker’s creation.

“It wasn’t uncommon for cartographers to put something fictitious so if they spotted another work with it they knew it was lifted,” said William Spicer, the president of Maps.com.

Among those countless copyright traps, Agloe achieved a rare distinction: The name stuck. As early as the 1930s, a fishing lodge named Agloe opened nearby (which later helped Rand McNally successfully claim in a lawsuit that the Agloe on its own map had not been copied from Socony’s)."

Ex-Yale President to Join Online Education Venture; New York Times, 3/24/14

Tamar Lewin, New York Times; Ex-Yale President to Join Online Education Venture:

"Richard C. Levin, who stepped down as president of Yale University in June, will next month become the chief executive of Coursera, a California-based provider of online academic courses...

Mr. Levin, who has been an adviser to Coursera since January, has been experimenting with online education for years, beginning in 2000 in a partnership with Stanford and Oxford. In 2007, he started Open Yale Courses to make dozens of classes taught by Yale professors available without cost.

“The main thing we will work on is to establish this model so our partner universities feel that offering large-scale MOOCs is an important part of their mission that helps faculty expand their reach, and benefits the world,” Mr. Levin said.

Mr. Levin, who has extensive experience in China, will also work on expanding Coursera’s presence there. Already, he said, China is the second-biggest source of Coursera enrollment, after the United States."

Steven Tyler tells Congress to walk his way on copyright; Washington Post, 3/25/14

Emily Heil, Washington Post; Steven Tyler tells Congress to walk his way on copyright:

"Onstage, with a view of the Capitol in the background, Tyler capped off a few days of lobbying with renditions of hits like “Cryin’” and “Dream On,” to a crowd of suits who looked like they were reliving their high-school days. The musician spent his visit to Washington meeting with members of Congress to talk about stronger protection for songwriters in the copyright system, including against having their work used, willy-nilly, in samples or mashups by other artists.

Tyler insisted in an interview before the show that he just wants to be a passionate voice in Washington for songwriters — not just the “rich rock stars” like him. “Hopefully, I can touch them, like a modern-day Will Rogers,” he says, evoking the folksy actor-turned advocate of the 1920s and ’30s. “He’d stand up and speak and everyone would listen.”"

Congress should bring copyright law into the 21st century; Los Angeles Times, 3/24/14

Los Angeles Times Editorial Board, Los Angeles Times; Congress should bring copyright law into the 21st century:

"Congress updated copyright law in 1998 to address the nation's shift from analog devices and packaged goods — think turntables and vinyl records — to computers and e-commerce. Unfortunately, the law it wrote has proved to be a better fit for a dial-up era dominated by America Online, not broadband and the World Wide Web. The tools the law created to protect songs, movies, pictures and books from piracy have been no match for the rampant global bootlegging that new technologies have unleashed. At the same time, innovative entrepreneurs eager to help consumers create, store or share content online complain that the law left too much uncertainty over whether they could be held liable when their users violate copyrights.

These are valid complaints, but Congress isn't likely to address them any time soon because there's no consensus among copyright holders and tech companies on how to rewrite the law. The only help from Washington at the moment is a new effort led by the U.S. Patent and Trademark Office to broker a deal between the tech and copyright industries on voluntary measures to reduce piracy. Although it won't be easy for them to agree, there are steps both sides could take to make the existing system work better."

Google, Viacom settle outmoded YouTube copyright suit; CNet, 3/18/14

Joan E. Solsman, CNet; Google, Viacom settle outmoded YouTube copyright suit:

"Google and Viacom have settled their seven-year copyright lawsuit, a nearly forgotten fight in which the central conflict has largely become an anachronism.

Viacom, the parent company of such television networks as MTV, Comedy Central, and Nickelodeon, sued Google shortly after the search giant's acquisition of YouTube. It claimed the sharing platform for user-generated videos hosted thousands of unauthorized clips.

Google and Viacom putting the conflict to rest reflects how much the attitude toward online video has changed for traditional content companies, from one of protective wariness to one of essential opportunity. It also reflects how YouTube, over the course of many years, has improved its control over its platform, enabling it to work more beneficially with those traditional content creators.

In a brief joint statement Tuesday, Google and Viacom said they resolved the suit, without disclosing any terms of the settlement."

After suits, Phoenix backs fair use and copyright law changes; Los Angeles Times, 2/28/14

August Brown, Los Angeles Times; After suits, Phoenix backs fair use and copyright law changes:

"Back in 2010, Harvard law professor Lawrence Lessig gave a lecture on copyright law. Speaking at a conference for the organization Creative Commons, he used YouTube clips of fans dancing to Phoenix's song "Lisztomania" as an example of proper "fair use" principles. He later uploaded the full lecture, which included the clips, to YouTube.

Liberation Music, the firm that licenses the Phoenix song in Australia and New Zealand, disagreed with Lessig's take. The firm issued a YouTube takedown order, asking that the lecture video be removed, and later threatened their own lawsuit against Lessig.

As perhaps was to be expected when one sues a law professor, Lessig and the Electronic Frontier Foundation countersued for "misusing copyright law."

The flurry of suits finally came to an end this week, according to Billboard, after Liberation admitted being in the wrong and would pay compensation associated with the cases."

Copyright meets “Innocence of Muslims”: Ninth Circuit orders removal of movie from YouTube, on copyright grounds; Washington Post, 2/26/14

Eugene Volokh, Washington Post; Copyright meets “Innocence of Muslims”: Ninth Circuit orders removal of movie from YouTube, on copyright grounds:

"Garcia’s theory is that (1) she owns the copyright to her own performance, (2) Youssef never properly acquired the rights to that performance — for instance, because there was no express assignment of rights — and therefore (3) a court should order Google to take down the video that infringes Garcia’s copyright. The Ninth Circuit held for Garcia, by a 2-1 vote. Chief Judge Alex Kozinski wrote the majority opinion, and was joined by Judge Ronald Gould. Judge N.R. “Randy” Smith dissented."

Unlocking the Benefits of Open Data; HuffingtonPost.com, 2/25/14

Ariel Smilowitz, HuffingtonPost.com; Unlocking the Benefits of Open Data:

"This past weekend marked the third annual Open Data Day, an international event that gathers people around the globe each year in an effort to support and encourage the adoption of open data policies by the world's governments and institutions. Open data is defined as "data that can be freely used, shared, and built-on by anyone, anywhere, for any purpose". With this in mind, over the weekend, designers, coders, statisticians, and those interested in open data participated in workshops and open data hackathons. Ultimately, each event provided participants with the chance to "write applications, liberate data, create visualizations, and publish analyses using public open data." In other words, participants were given a space to come together and collaborate on new ways to visualize, analyze, and spread information throughout the world.

All in all, Open Data Day connected over 100 cities on five continents."

Judge Likely to Dismiss Script Case; New York Times, 2/24/14

Michael Cieply, New York Times; Judge Likely to Dismiss Script Case:

"A federal judge here said she expected to grant summary judgment against a producer who accused Warner Bros. and others of basing the Clint Eastwood baseball film, “Trouble With the Curve,” on a script that belonged to him.

At a hearing on Monday, Judge Dale S. Fischer of the United States District Court for the Central District of California in Los Angeles said she was unconvinced by expert testimony about similarities between the Eastwood film, which was directed by Robert Lorenz, and a script that had been written for the producer Ryan Brooks, who brought the suit.

“They’re not substantially similar,” said Judge Fischer, who said she had watched the film and read the scripts."

TV Networks Ask Supreme Court to Shut Down Aereo; New York Times, 2/24/14

Leslie Kaufman, New York Times; TV Networks Ask Supreme Court to Shut Down Aereo:

"Aereo, the start-up that uses tiny antennas to stream the free signals of TV stations to its customers’ Internet-connected devices for a fee, is stealing from the broadcast networks on a giant scale, the broadcasters asserted in a filing with the Supreme Court on Monday.

“The Copyright Act does not tolerate business models premised on the unauthorized exploitation of the copyrighted works of others,” said the brief, which was filed by broadcasters including ABC, CBS, NBC and Fox.

On April 22, the Supreme Court is scheduled to hear American Broadcasting Companies v. Aereo, a case that has significant implications for a television industry undergoing profound changes, as well as challenges from upstart competitors like Netflix and Amazon."

New Legislation Seeks to Modernize Copyright Act to Benefit Songwriters; Billboard, 2/25/14

Ed Christman, Billboard; New Legislation Seeks to Modernize Copyright Act to Benefit Songwriters:

"A member of Congress has introduced legislation this morning aimed at ensuring that the Copyright Royalty Board also consider fair market value when setting songwriter mechanical royalty rates for digital services.

The legislation was introduced by Rep. Doug Collins (R-GA), a member of the House Committee on the Judiciary, carrying the name the Songwriter Equity Act. Its purpose is to update provisions in the Copyright Act to level the playing field for songwriter, composers and publishers to receive fair compensation for the use of their intellectual property."

European Union Sees Flurry Of Activity On Copyright Policy; Intellectual Property Watch, 2/21/14

Julia Fraser, Intellectual Property Watch; European Union Sees Flurry Of Activity On Copyright Policy:

"There have been several important developments related to copyright in the European Union in the past week. Below is a summary."