"The stimulus for this piece, however, is the copyright policy conference on November 17 hosted by the Re:Create Coalition. You may recall that the American Library Association (ALA) is a founding member of this new coalition that was born in spring 2015, which includes a range of important, influential, and ideologically diverse players such as the Consumer Technology Association (just renamed from the Consumer Electronics Association), Electronic Frontier Foundation, and R Street Institute. This first-ever public event of the coalition is a major milestone for heightened national advocacy for a balanced copyright regime in the digital era."
The Ebook version of my Bloomsbury book "Ethics, Information, and Technology" will be published on December 11, 2025 and the Hardback, Cloth, and Paperback versions will be available on January 8, 2026. The book includes chapters on IP, OM, AI, and other emerging technologies. Preorders are available via Amazon and this Bloomsbury webpage: https://www.bloomsbury.com/us/ethics-information-and-technology-9781440856662/
Tuesday, November 17, 2015
I’m Bullish about Copyright Policy for Libraries and I’m Not Crazy; American Libraries, 11/16/15
Alan S. Inouye, American Libraries; I’m Bullish about Copyright Policy for Libraries and I’m Not Crazy:
Sunday, November 15, 2015
Anne Frank’s Diary Gains ‘Co-Author’ in Copyright Move; New York Times, 11/13/15
Doreen Carvajal, New York Time; Anne Frank’s Diary Gains ‘Co-Author’ in Copyright Move:
"Copyright protections vary from country to country. The classic novella “The Little Prince” fell into the public domain this year in much of the world but remains under copyright in France because of an exception that grants a 30-year extension to authors who died during military service in World War I and II. Some critics of the foundation have already tested its resolve by posting bootleg copies of the diary online. Olivier Ertzscheid, a lecturer in communications and researcher at the University of Nantes, received a warning letter this month from a French publisher of the diary after he started circulating a copy online in protest. He removed it, but he and a French politician, Isabelle Attard, said they were waiting to see what happens in January before pressing forward with a plan to encourage publication of the original manuscript more widely online. “The best protection of the work is to bring it in the public domain, because its audience will grow even more,” said Ms. Attard, who noted that her own Jewish relatives were hidden or deported during the German occupation in France. “What is happening now is a bluff and pure intimidation.” The foundation insists that by issuing an early warning of its intent to extend the copyright, it is acting ethically to prevent publishers from pursuing a course that might be unproductive and costly. But if the foundation succeeds, publishers may wind up waiting even longer than the 70 years allowed after Otto Frank’s death."
Thursday, November 12, 2015
The monkey 'selfie' copyright battle is still going on, and it's getting weirder; Washington Post via Chicago Tribune, 11/11/15
Abby Ohlheiser, Washington Post via Chicago Tribune; The monkey 'selfie' copyright battle is still going on, and it's getting weirder:
"The U.S. Copyright office clarified last year that it only registers copyright claims for human authorship, meaning that neither the macaque, nor the nature photographer David Slater, have a valid claim to it, according to the office. That clarification came after a years-long disagreement between Slater and Wikimedia Commons, which hosted the image in the public domain. Slater said he should own the rights to the photograph, telling The Washington Post last year that the selfie's distribution by Wikimedia and Techdirt as public domain was "ruining my business." "If it was a normal photograph and I had claimed I had taken it," he added, "I would potentially be a lot richer than I am.""
Wednesday, November 11, 2015
4 Key Takeaways From Copyright Reform Committee's Silicon Valley Listening Tour; Electronic Frontier Foundation (EFF), 11/10/15
Parker Higgins, Electronic Frontier Foundation (EFF); 4 Key Takeaways From Copyright Reform Committee's Silicon Valley Listening Tour:
"The House Judiciary Committee, tasked with copyright reform in the Next Great Copyright Act process, has taken its long-running hearing show on the road. This week, members of the committee attended sessions in northern and southern California. The line-up of experts in Santa Clara yesterday was diverse and impressive, and included people like Internet Archive founder Brewster Kahle, noted musician Zoe Keating, iFixit CEO and DMCA activist Kyle Wiens, and of course EFF's own staff attorney Kit Walsh. Given the wide range of experts, the conversation covered a lot of ground. More than other hearings in this series, though, it got deep into some of the specifics necessary to address shortcomings in current law. Here are four crucial points that got discussed."
[Job Position] Open Data and Knowledge Manager; Carnegie Library of Pittsburgh
[Job Position] Carnegie Library of Pittsburgh; Open Data and Knowledge Manager:
"POSITION TITLE: Open Data and Knowledge Manager LOCATION: CLP- Main POSTING DATE: October 30, 2015 REQUISITION NUMBER: 151123 Job Summary: Carnegie Library of Pittsburgh has a strong interest in using data to achieve our strategic goals and mission. The candidate is responsible for helping CLP staff treat information as an organizational asset, bootstrapping a unified data repository and working to ensure consistent, reliable, and easily accessible sources of library data. The candidate will help make strategic decisions in how the library creates, structures, manages, shares, and uses information, assisting CLP staff to incorporate data literacy into public service. The candidate will develop and update a series of organizational metrics to track progress. The candidate will also collaborate with external stakeholders to use information to improve the communities we serve, and develop open data sets to aid in regional civic data projects."
Sunday, November 8, 2015
2 Illegal Movie-Sharing Websites Are Closed; New York Times, 11/3/15
Michael Cieply, New York Times; 2 Illegal Movie-Sharing Websites Are Closed:
"Two websites that film companies said had jointly become a clearinghouse for illegal movie viewing were closed last month by orders from courts in Canada and New Zealand, the Motion Picture Association of America said on Tuesday. The Popcorntime.io site, commonly referred to as Popcorn Time, was closed under an Oct. 16 order from the Federal Court in Ottawa. YTS.to, a BitTorrent site whose films were often reached through Popcorn Time, was closed under an interim injunction in a separate suit filed on Oct. 12 in the High Court of New Zealand, the M.P.A.A. said."
Tuesday, November 3, 2015
MPAA Adds New Rating To Warn Audiences Of Films Not Based On Existing Works; The Onion, 10/20/15
The Onion; MPAA Adds New Rating To Warn Audiences Of Films Not Based On Existing Works:
"“We recognize how distressing it can be when viewers go into a film and suddenly find themselves confronted with jarring scenes containing a protagonist they’ve never encountered before, which is precisely why we created this rating,” said Joan Graves, head of the MPAA’s ratings board, who said the new category was added in part due to the thousands of complaints the organization has received from moviegoers who were upset they weren’t given advance notice that they’d have to make sense of the scenarios unfolding onscreen. “It’s important that today’s movie fans are aware upon entering the theater that none of what they will see has been adapted from a well-known comic book, television series, novel, video game, historical event, previous movie, or theme park ride.” “Ultimately, it will be up to the consumer’s discretion as to whether a film is suitable for themselves and their family, but the O rating will explicitly caution people that they will have to pay attention during the movie and follow the storyline on their own,” Graves added. Though sources said films requiring the new rating are comparatively rare, a spate of high-profile movies over the past several years that do not stem from any previously existing source material—including The Kids Are All Right, Her, WALL-E, Birdman, and Nebraska, among others—have left many viewers angered and perplexed. Citing test audiences they have observed, MPAA officials said that many moviegoers spent the entirety of such films in a state of distress, waiting for the moment when the Incredible Hulk, Katniss Everdeen, Wolverine, or another recognizable character from an established franchise would appear onscreen and clarify the meaning and direction of the film."
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