Declan McCullagh, CNet; New 'Firewall' song protests SOPA copyright bill (Q&A) :
"The songwriter behind the 2007 Internet hit "I Got a Crush on Obama" is now taking aim at the Stop Online Piracy Act.
Leah Kauffman, a Philadelphia-based singer and songwriter, has released "Firewall" to protest the Hollywood-backed copyright bill, which a House of Representatives committee had been scheduled to debate tomorrow. Earlier today, the committee debate was postponed until 2012.
In addition, Dan Bull, a U.K. singer, has released "SOPA Cabana," a none-too-flattering rap taking aim against SOPA. (SOPA can "ban" you--get it?)
Opposition from the two musicians is notable because the Recording Industry Association of America has been one of the leading supporters of SOPA and a Senate version called Protect IP."
Issues and developments related to IP, AI, and OM, examined in the IP and tech ethics graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology", coming in Summer 2025, includes major chapters on IP, AI, OM, and other emerging technologies (IoT, drones, robots, autonomous vehicles, VR/AR). Kip Currier, PhD, JD
Wednesday, January 18, 2012
All Eyes On US Stop Online Piracy Act (SOPA): Fate Of Bill Now Unclear; Intellectual Property Watch, 1/17/12
Liza Porteus Viana, Intellectual Property Watch; All Eyes On US Stop Online Piracy Act (SOPA): Fate Of Bill Now Unclear:
"Meanwhile, tomorrow (18 January), thousands of websites such as Reddit, BoingBoing, Free Press, Wikipedia, and others plan to “go dark” (#SOPAblackout on Twitter) in protest of the bill. Some critics are also organising a flood of censored posts on Facebook to coincide with the blackout. People are also taking to Twitter to ask for simple blackout codes so their sites can participate in the day of protest.
“The uncertainty and the compliance burden … would just make it unprofitable to run Reddit and we would shut down,” Erik Martin, general manager of Reddit, told reporters on a conference call Tuesday. “As far as what the internet would look like … they’re [venture capitalists] just not going to be funding companies in this area. …It has a chilling effect.”
But not all technology companies are on board with the blackout. Twitter, for one won’t join, and Facebook is not encouraging the move."
"Meanwhile, tomorrow (18 January), thousands of websites such as Reddit, BoingBoing, Free Press, Wikipedia, and others plan to “go dark” (#SOPAblackout on Twitter) in protest of the bill. Some critics are also organising a flood of censored posts on Facebook to coincide with the blackout. People are also taking to Twitter to ask for simple blackout codes so their sites can participate in the day of protest.
“The uncertainty and the compliance burden … would just make it unprofitable to run Reddit and we would shut down,” Erik Martin, general manager of Reddit, told reporters on a conference call Tuesday. “As far as what the internet would look like … they’re [venture capitalists] just not going to be funding companies in this area. …It has a chilling effect.”
But not all technology companies are on board with the blackout. Twitter, for one won’t join, and Facebook is not encouraging the move."
Sunday, January 15, 2012
Rupert Murdoch Attacks Google, Obama In Pro-SOPA Twitter Rant; HuffingtonPost.com, 1/15/12
Alana Horowitz, HuffingtonPost.com; Rupert Murdoch Attacks Google, Obama In Pro-SOPA Twitter Rant:
"Rupert Murdoch sounded off on Saturday about the White House's rejection of SOPA and PIPA, the controversial anti-piracy bills currently being debated in Congress.
"So Obama has thrown in his lot withSilicon Valley paymasters who threaten all software creators with piracy, plain thievery," he wrote on Twitter. "Piracy leader is Google who streams movies free, sells advts around them. No wonder pouring millions into lobbying.""
"Rupert Murdoch sounded off on Saturday about the White House's rejection of SOPA and PIPA, the controversial anti-piracy bills currently being debated in Congress.
"So Obama has thrown in his lot withSilicon Valley paymasters who threaten all software creators with piracy, plain thievery," he wrote on Twitter. "Piracy leader is Google who streams movies free, sells advts around them. No wonder pouring millions into lobbying.""
White House Will Not Support SOPA, PIPA; HuffingtonPost.com, 1/14/12
Catharine Smith, HuffingtonPost.com; White House Will Not Support SOPA, PIPA:
"This is not the end of the debate, the White House statement emphasized. "Moving forward, we will continue to work with Congress on a bipartisan basis on legislation that provides new tools needed in the global fight against piracy and counterfeiting, while vigorously defending an open Internet based on the values of free expression, privacy, security and innovation," the letter also read."
"This is not the end of the debate, the White House statement emphasized. "Moving forward, we will continue to work with Congress on a bipartisan basis on legislation that provides new tools needed in the global fight against piracy and counterfeiting, while vigorously defending an open Internet based on the values of free expression, privacy, security and innovation," the letter also read."
White House Says It Opposes Parts of Two Antipiracy Bills; New York Times, 1/14/12
Edward Wyatt, New York Times; White House Says It Opposes Parts of Two Antipiracy Bills:
"The Obama administration said Saturday that it strongly opposed central elements of two Congressional efforts to enforce copyrights on the Internet, all but killing the current versions of legislation that has divided both political parties and pitted Hollywood against Silicon Valley."
"The Obama administration said Saturday that it strongly opposed central elements of two Congressional efforts to enforce copyrights on the Internet, all but killing the current versions of legislation that has divided both political parties and pitted Hollywood against Silicon Valley."
Fighting Antipiracy Measure, Activist Group Posts Personal Information of Media Executives; New York Times, 1/13/12
Amy Chozick, New York Times; Fighting Antipiracy Measure, Activist Group Posts Personal Information of Media Executives:
"In protest of antipiracy legislation currently being considered by Congress, the group has posted online documents that reveal personal information about Jeffrey L. Bewkes, chairman and chief executive of Time Warner, and Sumner M. Redstone, who controls Viacom and the CBS Corporation. Those companies, like almost every major company in the media and entertainment industry, have championed the Stop Online Piracy Act, the House of Representatives bill, known as SOPA, and its related Senate bill, called Protect I.P."
"In protest of antipiracy legislation currently being considered by Congress, the group has posted online documents that reveal personal information about Jeffrey L. Bewkes, chairman and chief executive of Time Warner, and Sumner M. Redstone, who controls Viacom and the CBS Corporation. Those companies, like almost every major company in the media and entertainment industry, have championed the Stop Online Piracy Act, the House of Representatives bill, known as SOPA, and its related Senate bill, called Protect I.P."
Tuesday, January 10, 2012
The Songs Remain the Same, but Broadway Heirs Call the Shots; New York Times, 1/9/12
Patrick Healy, New York Times; The Songs Remain the Same, but Broadway Heirs Call the Shots:
"On Thursday, after years of fits and starts, “The Gershwins’ Porgy and Bess” will open on Broadway, updated and streamlined, part of a spate of unusually aggressive undertakings by musical-theater estates...
The newly adapted book for the Broadway version of “Porgy and Bess” — but not the songs — will likely gain a new copyright that could be licensed. The estates’ trustees say the moneymaking potential of the new copyright depends on the Broadway musical becoming a hit that producers will want to license in the future.
Since “Nice Work” is a new show, the Gershwin estates will have a long new copyright to enjoy, whereas the rights for the original 1926 show, “Oh, Kay!” expire at the end of 2021. (The Gershwin estates now earn a few million dollars a year, according to the trustees.)"
"On Thursday, after years of fits and starts, “The Gershwins’ Porgy and Bess” will open on Broadway, updated and streamlined, part of a spate of unusually aggressive undertakings by musical-theater estates...
The newly adapted book for the Broadway version of “Porgy and Bess” — but not the songs — will likely gain a new copyright that could be licensed. The estates’ trustees say the moneymaking potential of the new copyright depends on the Broadway musical becoming a hit that producers will want to license in the future.
Since “Nice Work” is a new show, the Gershwin estates will have a long new copyright to enjoy, whereas the rights for the original 1926 show, “Oh, Kay!” expire at the end of 2021. (The Gershwin estates now earn a few million dollars a year, according to the trustees.)"
Saturday, January 7, 2012
EMI Label Sues ReDigi, the Used Digital Music Store; New York Times, 1/6/12
Ben Sisario, New York Times; EMI Label Sues ReDigi, the Used Digital Music Store:
"Earlier this week, the music-publishing division of EMI filed suit against Grooveshark, a popular online music service, for breach of contract. On Friday, one of the labels in EMI’s recorded-music arm, Capitol, sued another online music company, ReDigi, for copyright infringement.
ReDigi opened last year with a novel, if controversial, business concept: let consumers resell their old digital music files. Relying on the “first sale doctrine”..."
"Earlier this week, the music-publishing division of EMI filed suit against Grooveshark, a popular online music service, for breach of contract. On Friday, one of the labels in EMI’s recorded-music arm, Capitol, sued another online music company, ReDigi, for copyright infringement.
ReDigi opened last year with a novel, if controversial, business concept: let consumers resell their old digital music files. Relying on the “first sale doctrine”..."
Friday, January 6, 2012
US pressured Spain to implement online piracy law, leaked files shows; Guardian, 1/5/12
Dominic Rushne, Guardian; US pressured Spain to implement online piracy law, leaked files shows:
"The US ambassador in Madrid threatened Spain with "retaliation actions" if the country did not pass tough new internet piracy laws, according to leaked documents.
The latest revelation comes amid a fierce debate over America's own plans to pass online piracy legislation that critics claim will damage the infrastructure of the internet and restrict free speech."
"The US ambassador in Madrid threatened Spain with "retaliation actions" if the country did not pass tough new internet piracy laws, according to leaked documents.
The latest revelation comes amid a fierce debate over America's own plans to pass online piracy legislation that critics claim will damage the infrastructure of the internet and restrict free speech."
New Lawsuit Means All Major Labels Are Suing Grooveshark; New York Times, 1/5/12
Ben Sisario, New York Times; New Lawsuit Means All Major Labels Are Suing Grooveshark:
"Grooveshark, a popular digital music service that is being sued for copyright infringement by three of the four major record companies, now has problems with the one big label that it has a licensing deal with.
On Wednesday, EMI Music Publishing filed suit against Grooveshark’s parent company, the Escape Media Group, for breach of contract, saying that since striking the deal in 2009, Escape has “made not a single royalty payment to EMI, nor provided a single accounting statement.”"
"Grooveshark, a popular digital music service that is being sued for copyright infringement by three of the four major record companies, now has problems with the one big label that it has a licensing deal with.
On Wednesday, EMI Music Publishing filed suit against Grooveshark’s parent company, the Escape Media Group, for breach of contract, saying that since striking the deal in 2009, Escape has “made not a single royalty payment to EMI, nor provided a single accounting statement.”"
[Podcast] Copyright Law in the Digital Age; Diane Rehm Show, 1/5/12
[Podcast] Diane Rehm Show; Copyright Law in the Digital Age:
"Copyright laws emerged with the arrival of the printing press in 15th-century England. The printing patent served as a way to protect guild members from those who would copy their work. Today, we live in a world of digital abundance, where everyone is both a creator and a user. As more and more information is produced and shared online -- literary, dramatic, musical, and artistic works -- some believe we need more ways to protect it without discouraging creativity. Diane and her guests discuss the role of copyright law in the digital age.
Guests
William Patry Senior copyright counsel at Google and author of "How to Fix Copyright"
Michael Carroll Director of the Program on Information Justice and Intellectual Property at Washington College of Law at American University and founding board member of Creative Commons, Inc.
Sandra Aistars Executive Director of Copyright Alliance"
"Copyright laws emerged with the arrival of the printing press in 15th-century England. The printing patent served as a way to protect guild members from those who would copy their work. Today, we live in a world of digital abundance, where everyone is both a creator and a user. As more and more information is produced and shared online -- literary, dramatic, musical, and artistic works -- some believe we need more ways to protect it without discouraging creativity. Diane and her guests discuss the role of copyright law in the digital age.
Guests
William Patry Senior copyright counsel at Google and author of "How to Fix Copyright"
Michael Carroll Director of the Program on Information Justice and Intellectual Property at Washington College of Law at American University and founding board member of Creative Commons, Inc.
Sandra Aistars Executive Director of Copyright Alliance"
Google Files Motion to Dismiss in Google Books Case; Digital Shift, 12/23/11
David Rapp, Digital Shift; Google Files Motion to Dismiss in Google Books Case:
"Google yesterday filed a motion to dismiss the Authors Guild as a plaintiff in the long-running Google Books lawsuit, arguing that the organization lacks “associational standing” to sue on behalf of individual copyright holders."
"Google yesterday filed a motion to dismiss the Authors Guild as a plaintiff in the long-running Google Books lawsuit, arguing that the organization lacks “associational standing” to sue on behalf of individual copyright holders."
Monday, January 2, 2012
The Danger of an Attack on Piracy Online; New York Times, 1/1/12
David Carr, New York Times; The Danger of an Attack on Piracy Online:
"Given both Congress’s and the entertainment industry’s historically wobbly grasp of technology, I don’t think they should be the ones re-engineering the Internet. The rest of us might have to just hold our noses and learn enough about SOPA to school them in why it’s a bad idea."
"Given both Congress’s and the entertainment industry’s historically wobbly grasp of technology, I don’t think they should be the ones re-engineering the Internet. The rest of us might have to just hold our noses and learn enough about SOPA to school them in why it’s a bad idea."
Sunday, January 1, 2012
Apropos Appropriation; New York Times, 1/1/12
Randy Kennedy, New York Times; Apropos Appropriation:
"In March a federal district court judge in Manhattan ruled that Mr. Prince — whose career was built on appropriating imagery created by others — broke the law by taking photographs from a book about Rastafarians and using them without permission to create the collages and a series of paintings based on them, which quickly sold for serious money even by today’s gilded art-world standards: almost $2.5 million for one of the works...
The decision, by Judge Deborah A. Batts, set off alarm bells throughout Chelsea and in museums across America that show contemporary art. At the heart of the case, which Mr. Prince is now appealing, is the principle called fair use, a kind of door in the bulwark of copyright protections. It gives artists (or anyone for that matter) the ability to use someone else’s material for certain purposes, especially if the result transforms the thing used — or as Judge Pierre N. Leval described it in an influential 1990 law review article, if the new thing “adds value to the original” so that society as a whole is culturally enriched by it."
"In March a federal district court judge in Manhattan ruled that Mr. Prince — whose career was built on appropriating imagery created by others — broke the law by taking photographs from a book about Rastafarians and using them without permission to create the collages and a series of paintings based on them, which quickly sold for serious money even by today’s gilded art-world standards: almost $2.5 million for one of the works...
The decision, by Judge Deborah A. Batts, set off alarm bells throughout Chelsea and in museums across America that show contemporary art. At the heart of the case, which Mr. Prince is now appealing, is the principle called fair use, a kind of door in the bulwark of copyright protections. It gives artists (or anyone for that matter) the ability to use someone else’s material for certain purposes, especially if the result transforms the thing used — or as Judge Pierre N. Leval described it in an influential 1990 law review article, if the new thing “adds value to the original” so that society as a whole is culturally enriched by it."
Saturday, December 31, 2011
Copyright Office Supports Federalization of Pre-1972 Sound Recordings; LibraryJournal.com, 12/29/11
Michael Kelley, LibraryJournal.com; Copyright Office Supports Federalization of Pre-1972 Sound Recordings:
"In a report issued Wednesday, the U.S. Copyright Office recommended that sound recordings made before February 15, 1972 be brought under federal jurisdiction.
"We believe that bringing pre-1972 sound recordings into the federal copyright system serves the interests of consistency and certainty, and will assist libraries and archives in carrying out their missions while also offering additional rights and protection for sound recording right holders," Register of Copyrights Maria A. Pallante said in a statement.
Until now, a hodgepodge of state common-law regimes has governed the protection of these works. The result has often been a legal fog that has confused and chilled efforts to preserve historical sound recordings and make them accessible."
"In a report issued Wednesday, the U.S. Copyright Office recommended that sound recordings made before February 15, 1972 be brought under federal jurisdiction.
"We believe that bringing pre-1972 sound recordings into the federal copyright system serves the interests of consistency and certainty, and will assist libraries and archives in carrying out their missions while also offering additional rights and protection for sound recording right holders," Register of Copyrights Maria A. Pallante said in a statement.
Until now, a hodgepodge of state common-law regimes has governed the protection of these works. The result has often been a legal fog that has confused and chilled efforts to preserve historical sound recordings and make them accessible."
Songwriters Group Backs Village People Singer in Rights Case; New York Times, 12/20/11
James C. McKinley, Jr., New York Times; Songwriters Group Backs Village People Singer in Rights Case:
"The Songwriters Guild of America has entered a legal battle between Victor Willis, the lead singer of the Village People, and the publishing company that owns the copyrights to the group’s songs, saying the case is an important test of a songwriters’ right to regain control of his or her work after 35 years."
"The Songwriters Guild of America has entered a legal battle between Victor Willis, the lead singer of the Village People, and the publishing company that owns the copyrights to the group’s songs, saying the case is an important test of a songwriters’ right to regain control of his or her work after 35 years."
A Comic Distributes Himself; New York Times, 12/18/11
David Carr, New York Times; A Comic Distributes Himself:
"Louis C. K. is something of a pirate in the entertainment world, a man who has ignored propriety on his way to building a huge comic franchise. So it’s odd to see him put one of his shows for sale on the Web and politely ask fans not to rip him off.
The weirder thing? It seems to be working."
"Louis C. K. is something of a pirate in the entertainment world, a man who has ignored propriety on his way to building a huge comic franchise. So it’s odd to see him put one of his shows for sale on the Web and politely ask fans not to rip him off.
The weirder thing? It seems to be working."
Marvel in Support of SOPA; ComicBookResources.com, 12/29/11
Steve Sunu, ComicBookResources.com; Marvel in Support of SOPA:
"Today, Marvel Comics came under fire by fans when the publisher's support of the Stop Online Piracy Act (or SOPA) came to light. While the list of companies that support SOPA has been publicly available since December 22, Marvel's support of the bill was noticed only recently and the fan reaction was less than positive."
"Today, Marvel Comics came under fire by fans when the publisher's support of the Stop Online Piracy Act (or SOPA) came to light. While the list of companies that support SOPA has been publicly available since December 22, Marvel's support of the bill was noticed only recently and the fan reaction was less than positive."
Marvel Wins Court Battle Over Rights to Ghost Rider; New York Times, 12/29/11
George Gene Gustines, New York Times; Marvel Wins Court Battle Over Rights to Ghost Rider:
"A federal judge in New York has ruled that Marvel Entertainment owns the rights to Ghost Rider, a supernatural character possessed by a spirit of vengeance who first appeared in 1972. The character was the subject of a lawsuit by a writer seeking to cash in on lucrative movie rights, according to a report by The Associated Press."
"A federal judge in New York has ruled that Marvel Entertainment owns the rights to Ghost Rider, a supernatural character possessed by a spirit of vengeance who first appeared in 1972. The character was the subject of a lawsuit by a writer seeking to cash in on lucrative movie rights, according to a report by The Associated Press."
Sunday, December 25, 2011
Publishers vs. Libraries: An E-Book Tug of War; New York Times, 12/24/11
Randall Stross, New York Times; Publishers vs. Libraries: An E-Book Tug of War:
"Worried that people will click to borrow an e-book from a library rather than click to buy it, almost all major publishers in the United States now block libraries’ access to the e-book form of either all of their titles or their most recently published ones."
"Worried that people will click to borrow an e-book from a library rather than click to buy it, almost all major publishers in the United States now block libraries’ access to the e-book form of either all of their titles or their most recently published ones."
Tuesday, December 20, 2011
"X-Men Origins: Wolverine" Uploader Sentenced to One Year in Prison; ComicBookResources.com, 12/19/11
ComicBookResources.com; "X-Men Origins: Wolverine" Uploader Sentenced to One Year in Prison:
"A New York City man who admitted to illegally uploading an unfinished copy of "X-Men Origins: Wolverine" a month before the movie's release was sentenced Monday to one year in federal prison."
"A New York City man who admitted to illegally uploading an unfinished copy of "X-Men Origins: Wolverine" a month before the movie's release was sentenced Monday to one year in federal prison."
M.I.T. Expands Its Free Online Courses; New York Times, 12/19/11
Tamar Lewin, New York Times; M.I.T. Expands Its Free Online Courses:
"While students at the Massachusetts Institute of Technology pay thousands of dollars for courses, the university will announce a new program on Monday allowing anyone anywhere to take M.I.T. courses online free of charge — and for the first time earn official certificates for demonstrating mastery of the subjects taught...
M.I.T. led the way to an era of online learning 10 years ago by posting course materials from almost all its classes. Its free OpenCourseWare now includes nearly 2,100 courses and has been used by more than 100 million people.
But the new “M.I.T.x” interactive online learning platform will go further, giving students access to online laboratories, self-assessments and student-to-student discussions."
"While students at the Massachusetts Institute of Technology pay thousands of dollars for courses, the university will announce a new program on Monday allowing anyone anywhere to take M.I.T. courses online free of charge — and for the first time earn official certificates for demonstrating mastery of the subjects taught...
M.I.T. led the way to an era of online learning 10 years ago by posting course materials from almost all its classes. Its free OpenCourseWare now includes nearly 2,100 courses and has been used by more than 100 million people.
But the new “M.I.T.x” interactive online learning platform will go further, giving students access to online laboratories, self-assessments and student-to-student discussions."
Sunday, December 18, 2011
Angelina Jolie dismisses lawsuit against In the Land of Blood and Honey; Guardian, 12/7/11
Ben Child, Guardian; Angelina Jolie dismisses lawsuit against In the Land of Blood and Honey:
"In an interview with the LA Times published yesterday, Jolie denied ever having read Braddock's book. "It's par for the course. It happens on almost every film," she said during an interview about her new film at a New York hotel. "There are many books and documentaries that I did pull from," added the Oscar-winning actor, citing work by journalists Peter Maas and Tom Gielten. "It's a combination of many people's stories. But that particular book I've never seen.""
"In an interview with the LA Times published yesterday, Jolie denied ever having read Braddock's book. "It's par for the course. It happens on almost every film," she said during an interview about her new film at a New York hotel. "There are many books and documentaries that I did pull from," added the Oscar-winning actor, citing work by journalists Peter Maas and Tom Gielten. "It's a combination of many people's stories. But that particular book I've never seen.""
In the Bronx, a Collision of Cars, Celebrity and Copyright; New York Times, 11/28/11
David Gonzalez, New York Times; In the Bronx, a Collision of Cars, Celebrity and Copyright:
"To get that Bronx flavor that so inspired Ms. Lopez “to be tougher…to stay sharper…to think faster,” the spot’s producer stitched in a series of details intended to evoke the South Bronx — a break dancer, a guy drumming on a pail and a stunningly colored graffiti mural, the words “I ❤ the Bronx” clearly visible as the camera pans past the wall. But Fiat and its ad agency, Doner, may have missed one neighborhood detail that could lead to legal action: the copyright symbol on the lower right corner of the mural."
"To get that Bronx flavor that so inspired Ms. Lopez “to be tougher…to stay sharper…to think faster,” the spot’s producer stitched in a series of details intended to evoke the South Bronx — a break dancer, a guy drumming on a pail and a stunningly colored graffiti mural, the words “I ❤ the Bronx” clearly visible as the camera pans past the wall. But Fiat and its ad agency, Doner, may have missed one neighborhood detail that could lead to legal action: the copyright symbol on the lower right corner of the mural."
Saturday, December 17, 2011
Revealing the Habits of Copyright Advocates; New York Times, 12/16/11
J. David Goodman, New York Times; Revealing the Habits of Copyright Advocates:
"As Congress moves forward on two bills aimed at curbing online piracy, a Web site has given opponents a way to attack those lobbying for the measures by exposing their illegal downloads.
The site, youhavedownloaded.com, allows users to search through publicly available data that links roughly 50 million file-sharing users to specific content downloaded on torrent sites, which allow movies, television shows and other large files to be rapidly shared."
"As Congress moves forward on two bills aimed at curbing online piracy, a Web site has given opponents a way to attack those lobbying for the measures by exposing their illegal downloads.
The site, youhavedownloaded.com, allows users to search through publicly available data that links roughly 50 million file-sharing users to specific content downloaded on torrent sites, which allow movies, television shows and other large files to be rapidly shared."
Library Copyright Alliance Releases Letter Welcoming OPEN Act; Digital Shift, 12/16/11
David Rapp, Digital Shift; Library Copyright Alliance Releases Letter Welcoming OPEN Act:
"Earlier this week, the Library Copyright Alliance (LCA)—made up of the American Library Association, the Association of Research Libraries (ARL), and the Association of College & Research Libraries—released an open letter [PDF] to Sen. Ron Wyden (D-OR), Rep. Darrell Issa (R-CA), and Rep. Jason Chaffetz (R-UT), “welcoming [the] release” of a discussion draft bill the legislators have sponsored. Called the Online Protection and Enforcement of Digital Trade (OPEN) Act, the bill has been touted as a potential alternative to SOPA."
"Earlier this week, the Library Copyright Alliance (LCA)—made up of the American Library Association, the Association of Research Libraries (ARL), and the Association of College & Research Libraries—released an open letter [PDF] to Sen. Ron Wyden (D-OR), Rep. Darrell Issa (R-CA), and Rep. Jason Chaffetz (R-UT), “welcoming [the] release” of a discussion draft bill the legislators have sponsored. Called the Online Protection and Enforcement of Digital Trade (OPEN) Act, the bill has been touted as a potential alternative to SOPA."
Friday, December 16, 2011
Stop Online Piracy Act Vote Delayed; Wired.com, 12/16/11
David Kravets, Wired.com; Stop Online Piracy Act Vote Delayed:
"The House Judiciary Committee considering whether to send the Stop Online Piracy Act to the House floor abruptly adjourned Friday with no new vote date set —a surprise given that the bill looked certain to pass out of committee today.
The committee’s chairman and chief sponsor of the legislation, Rep. Lamar Smith (R-Texas), agreed to further explore a controversial provision that lets the Attorney General order changes to core internet infrastructure in order to stop copyright infringement.
Smith said the hearing would resume at the “earliest practical day that Congress is in session.” That could be weeks."
"The House Judiciary Committee considering whether to send the Stop Online Piracy Act to the House floor abruptly adjourned Friday with no new vote date set —a surprise given that the bill looked certain to pass out of committee today.
The committee’s chairman and chief sponsor of the legislation, Rep. Lamar Smith (R-Texas), agreed to further explore a controversial provision that lets the Attorney General order changes to core internet infrastructure in order to stop copyright infringement.
Smith said the hearing would resume at the “earliest practical day that Congress is in session.” That could be weeks."
Thursday, December 15, 2011
Lines Drawn on Antipiracy Bills; New York Times, 12/14/11
Edward Wyatt, New York Times; Lines Drawn on Antipiracy Bills:
"A House committee plans to take up one of the bills, the Stop Online Piracy Act, on Thursday...
“Our mistake was allowing this romantic word — piracy — to take hold,” Tom Rothman, the co-chief executive of Fox Filmed Entertainment, said in an interview last week in Washington.
“It’s really robbery — it’s theft — and that theft is being combined with consumer fraud,” he said."
"A House committee plans to take up one of the bills, the Stop Online Piracy Act, on Thursday...
“Our mistake was allowing this romantic word — piracy — to take hold,” Tom Rothman, the co-chief executive of Fox Filmed Entertainment, said in an interview last week in Washington.
“It’s really robbery — it’s theft — and that theft is being combined with consumer fraud,” he said."
Tuesday, December 13, 2011
E-Books, Shmee-Books: Readers Return to the Stores; New York Times, 12/12/11
Julie Bosman, New York Times; E-Books, Shmee-Books: Readers Return to the Stores:
"Facing economic gloom and competition from cheap e-readers, brick-and-mortar booksellers entered this holiday season with the humblest of expectations.
But the initial weeks of Christmas shopping, a boom time for the book business, have yielded surprisingly strong sales for many bookstores, which report that they have been lifted by an unusually vibrant selection; customers who seem undeterred by pricier titles; and new business from people who used to shop at Borders, the chain that went out of business this year."
"Facing economic gloom and competition from cheap e-readers, brick-and-mortar booksellers entered this holiday season with the humblest of expectations.
But the initial weeks of Christmas shopping, a boom time for the book business, have yielded surprisingly strong sales for many bookstores, which report that they have been lifted by an unusually vibrant selection; customers who seem undeterred by pricier titles; and new business from people who used to shop at Borders, the chain that went out of business this year."
Monday, December 12, 2011
Yoga Pose Copyright Bid Too Big of a Stretch, Regulator Says; BusinessWeek, 12/12/11
Ellen Rosen, BusinessWeek; Yoga Pose Copyright Bid Too Big of a Stretch, Regulator Says:
"Yoga poses such as head-to-knee stretches and the sequences of the moves are “exercises” rather than “choreography” and can’t be copyrighted in the U.S., regulators said.
The U.S. Copyright Office previously permitted yoga poses and their sequences to be registered, even if those exercises were in the public domain, Laura Lee Fischer, acting chief of the office’s Performing Arts Division, said in response to an inquiry by an attorney involved in lawsuits the founder of Bikram Yoga filed against three yoga studios.
The office reviewed the legislative history of the copyright law and decided that exercises, including yoga, “do not constitute the subject matter that Congress intended to protect as choreography,” Fischer said in an e-mail."
"Yoga poses such as head-to-knee stretches and the sequences of the moves are “exercises” rather than “choreography” and can’t be copyrighted in the U.S., regulators said.
The U.S. Copyright Office previously permitted yoga poses and their sequences to be registered, even if those exercises were in the public domain, Laura Lee Fischer, acting chief of the office’s Performing Arts Division, said in response to an inquiry by an attorney involved in lawsuits the founder of Bikram Yoga filed against three yoga studios.
The office reviewed the legislative history of the copyright law and decided that exercises, including yoga, “do not constitute the subject matter that Congress intended to protect as choreography,” Fischer said in an e-mail."
Thursday, December 8, 2011
Exploring open access in higher education: live chat best bits; Guardian, 12/7/11
Eliza Anyangwe, Guardian; Exploring open access in higher education: live chat best bits:
"What is the benefit of open access to academia? Who will pay for open education resources? These questions and many more are answered by our live chat panel"
"What is the benefit of open access to academia? Who will pay for open education resources? These questions and many more are answered by our live chat panel"
Monday, December 5, 2011
HathiTrust Defendants Respond to Authors Guild Lawsuit; Chronicle of Higher Education, 12/5/11
Chronicle of Higher Education; HathiTrust Defendants Respond to Authors Guild Lawsuit:
"The HathiTrust digital repository and the five universities sued by the Authors Guild and others over mass book digitization and alleged copyright infringement have filed a response to the lawsuit."
"The HathiTrust digital repository and the five universities sued by the Authors Guild and others over mass book digitization and alleged copyright infringement have filed a response to the lawsuit."
Dyson seeks to block copycat manufacturers in China; Guardian, 12/4/11
Dan Milmo, Guardian; Dyson seeks to block copycat manufacturers in China:
"The billionaire inventor Sir James Dyson has warned China that it risks being expelled from the World Trade Organisation (WTO) over copyright breaches including rip-offs of his famed inventions."
"The billionaire inventor Sir James Dyson has warned China that it risks being expelled from the World Trade Organisation (WTO) over copyright breaches including rip-offs of his famed inventions."
SOPA on the ropes? Bipartisan alternative to 'Net censorship emerges; ArsTechnica.com, 12/2/11
Nate Anderson, ArsTechnica.com; SOPA on the ropes? Bipartisan alternative to 'Net censorship emerges:
"But rightsholders do need some means of enforcing copyrights and trademarks, something tough to do when a site sets up overseas and willfully targets American consumers with fake goods and unauthorized content...
Fortunately, plenty can be done, and it can be done in a way that doesn't raise the same immediate concerns about due process and censorship. One promising alternative was unveiled today by a bipartisan group of 10 senators and representatives. It ditches the “law and order” approach to piracy and replaces it with a more limited, trade-based system.
And the legislators behind it have put out a draft of the idea for public comment before they even begin drawing up actual legislation."
"But rightsholders do need some means of enforcing copyrights and trademarks, something tough to do when a site sets up overseas and willfully targets American consumers with fake goods and unauthorized content...
Fortunately, plenty can be done, and it can be done in a way that doesn't raise the same immediate concerns about due process and censorship. One promising alternative was unveiled today by a bipartisan group of 10 senators and representatives. It ditches the “law and order” approach to piracy and replaces it with a more limited, trade-based system.
And the legislators behind it have put out a draft of the idea for public comment before they even begin drawing up actual legislation."
Colbert Takes On SOPA; TechDirt.com, 12/2/11
Mike Masnick, TechDirt.com; Colbert Takes On SOPA:
"Want to see just how mainstream the issues of SOPA and PROTECT IP are becoming? Last night they made it on to The Colbert Report, where he had a bit of a debate about SOPA, between record label owner Danny Goldberg and Harvard professor Jonathan Zittrain. It kicked off with a short segment, where Colbert explained the issue."
"Want to see just how mainstream the issues of SOPA and PROTECT IP are becoming? Last night they made it on to The Colbert Report, where he had a bit of a debate about SOPA, between record label owner Danny Goldberg and Harvard professor Jonathan Zittrain. It kicked off with a short segment, where Colbert explained the issue."
Sunday, December 4, 2011
Cambridge U. Press Would Like to Rent You an Article; Chronicle of Higher Education, 11/30/11
Jennifer Howard, Chronicle of Higher Education; Cambridge U. Press Would Like to Rent You an Article:
"A highly informal poll on Twitter produced more initial skepticism than enthusiasm about the Cambridge article-rental plan. ”24 hours access, w/o ability to markup or download, or view again? Nope. No researcher I know would get much use from a 24-hour evaporative e-article,” one librarian responded. Another said, “Do they use the flashing device from ‘Men in Black’ to wipe any memory of the article after 24 hours as well?” One researcher said it seemed most likely to appeal to researchers without institutional affiliations."
"A highly informal poll on Twitter produced more initial skepticism than enthusiasm about the Cambridge article-rental plan. ”24 hours access, w/o ability to markup or download, or view again? Nope. No researcher I know would get much use from a 24-hour evaporative e-article,” one librarian responded. Another said, “Do they use the flashing device from ‘Men in Black’ to wipe any memory of the article after 24 hours as well?” One researcher said it seemed most likely to appeal to researchers without institutional affiliations."
Monday, November 28, 2011
[Book Review of Robert Levine's "Free Ride"] Inconspicuous Consumption; New York Times, 11/25/11
[Book Review of Robert Levine's "Free Ride"] New York Times; Inconspicuous Consumption:
"In “Free Ride,” a book that should change the debate about the future of culture, Robert Levine argues, in effect, that Samuel Johnson was right, and that it’s the self-interested Silicon Valley technology companies and their well-financed advocates who are wrong. “The real conflict online,” Levine writes, “is between the media companies that fund much of the entertainment we read, see and hear and the technology firms that want to distribute their content — legally or otherwise.” By delivering content they don’t pay for, or selling content far below the price it cost to create, Levine says, information and entertainment distributors like YouTube and The Huffington Post become “parasites” on the media companies that invest substantially in journalists, musicians and actors; the distributors drive down prices in a way that sucks the economic lifeblood out of those who create and finance the best achievements of our culture. The result is a “digital version of Wal-Mart capitalism,” in which free-riding distributors reap all the economic benefits of the Internet by cutting prices, and culture suppliers are forced to cut costs in response. This dynamic, Levine argues, destroys the economic incentive to create the kinds of movies, television, music and journalism consumers demand, and for which they are, in fact, quite willing to pay."
"In “Free Ride,” a book that should change the debate about the future of culture, Robert Levine argues, in effect, that Samuel Johnson was right, and that it’s the self-interested Silicon Valley technology companies and their well-financed advocates who are wrong. “The real conflict online,” Levine writes, “is between the media companies that fund much of the entertainment we read, see and hear and the technology firms that want to distribute their content — legally or otherwise.” By delivering content they don’t pay for, or selling content far below the price it cost to create, Levine says, information and entertainment distributors like YouTube and The Huffington Post become “parasites” on the media companies that invest substantially in journalists, musicians and actors; the distributors drive down prices in a way that sucks the economic lifeblood out of those who create and finance the best achievements of our culture. The result is a “digital version of Wal-Mart capitalism,” in which free-riding distributors reap all the economic benefits of the Internet by cutting prices, and culture suppliers are forced to cut costs in response. This dynamic, Levine argues, destroys the economic incentive to create the kinds of movies, television, music and journalism consumers demand, and for which they are, in fact, quite willing to pay."
SOPA Opponents' Bogus Net Neutrality Comparisons; Forbes, 11/28/11
Scott Cleland, Forbes; SOPA Opponents' Bogus Net Neutrality Comparisons:
"In sum, net neutrality and stopping online piracy are very different issues...
With fixes to ensure the legislation only targets rogue websites and does not create unintended problems by requiring actual website blocking or traffic filtering, support for online anti-piracy legislation is likely to strongly consolidate as the bills progress, enabling it to become law in this Congressional session. To paraphrase Mark Twain: Internet reports of SOPA’s death are greatly exaggerated."
"In sum, net neutrality and stopping online piracy are very different issues...
With fixes to ensure the legislation only targets rogue websites and does not create unintended problems by requiring actual website blocking or traffic filtering, support for online anti-piracy legislation is likely to strongly consolidate as the bills progress, enabling it to become law in this Congressional session. To paraphrase Mark Twain: Internet reports of SOPA’s death are greatly exaggerated."
[Editorial] Piracy vs. an open Internet; Los Angeles Times, 11/25/11
[Editorial] Los Angeles Times; Piracy vs. an open Internet:
"Although much of Silicon Valley is up in arms about the House bill, there is a clear path to consensus. Lawmakers should craft a bill focused on cutting off funding for foreign sites that really are dedicated to infringement. If they have any doubt that such an approach can be effective, they should consider WikiLeaks. Efforts to block access to the site were an abject failure. Cutting off the company's ability to collect funds from its supporters, however, has pushed it to the brink of bankruptcy."
"Although much of Silicon Valley is up in arms about the House bill, there is a clear path to consensus. Lawmakers should craft a bill focused on cutting off funding for foreign sites that really are dedicated to infringement. If they have any doubt that such an approach can be effective, they should consider WikiLeaks. Efforts to block access to the site were an abject failure. Cutting off the company's ability to collect funds from its supporters, however, has pushed it to the brink of bankruptcy."
Sunday, November 27, 2011
[Editorial ] Going After the Pirates; New York Times, 11/26/11
[Editorial] New York Times; Going After the Pirates:
"The bill should be made to stipulate clearly that all of its provisions are aimed only at rogue Web sites overseas. Foreign sites must be granted the same safe harbor immunity — and the bill must not open the door to punishments for domestic sites that abide by the 1998 digital copyright law. And rather than encouraging credit card companies and advertising networks to pre-emptively cut off business to Web sites accused of wrongdoing, a court order should be required before they take action."
"The bill should be made to stipulate clearly that all of its provisions are aimed only at rogue Web sites overseas. Foreign sites must be granted the same safe harbor immunity — and the bill must not open the door to punishments for domestic sites that abide by the 1998 digital copyright law. And rather than encouraging credit card companies and advertising networks to pre-emptively cut off business to Web sites accused of wrongdoing, a court order should be required before they take action."
Thursday, November 24, 2011
Penguin Restores Kindle Lending, but Still Not Providing Digital Editions of New Titles; The Digital Shift, 11/23/11
Michael Kelley, The Digital Shift; Penguin Restores Kindle Lending, but Still Not Providing Digital Editions of New Titles:
"Penguin Group (USA) has backtracked from at least part of its recent decision to limit library lending."
"Penguin Group (USA) has backtracked from at least part of its recent decision to limit library lending."
Librarians Face Patrons Unhappy With Penguin Policy Change; ALA Condemns Ebook Decision; The Digital Shift, 11/22/11
Michael Kelley, The Digital Shift; Librarians Face Patrons Unhappy With Penguin Policy Change; ALA Condemns Ebook Decision:
"Todd Feinman, the chairman of the Oregon Digital Library Consortium (ODLC) , which has 22 library systems in its network (over 100 locations), said more complaints were likely forthcoming.
“I think that the whole paradigm is shifting and I imagine that there will be more of this over time,” he said. “I don’t know where this is going. These things are usually a surprise to us. It’s just hard to say what a publisher is going to do next,” he said.
Feinman said libraries could always boycott if necessary. ODLC has refused to license any ebooks from HarperCollins to protest that publisher’s February decision to limit library loans to 26 circulations."
"Todd Feinman, the chairman of the Oregon Digital Library Consortium (ODLC) , which has 22 library systems in its network (over 100 locations), said more complaints were likely forthcoming.
“I think that the whole paradigm is shifting and I imagine that there will be more of this over time,” he said. “I don’t know where this is going. These things are usually a surprise to us. It’s just hard to say what a publisher is going to do next,” he said.
Feinman said libraries could always boycott if necessary. ODLC has refused to license any ebooks from HarperCollins to protest that publisher’s February decision to limit library loans to 26 circulations."
European Court Rejects Call for I.S.P.’s to Curb Illegal File Sharing; New York Times, 11/24/11
Eric Pfanner, New York Times; European Court Rejects Call for I.S.P.’s to Curb Illegal File Sharing:
"The highest court in the European Union said on Thursday that Internet service providers could not be required to monitor their customers’ online activity to filter out the illegal sharing of music and other copyrighted material.
The ruling, by the European Court of Justice in Luxembourg, is a setback for a Belgian group representing music copyright owners, which had sought tougher measures to crack down on online file sharing."
"The highest court in the European Union said on Thursday that Internet service providers could not be required to monitor their customers’ online activity to filter out the illegal sharing of music and other copyrighted material.
The ruling, by the European Court of Justice in Luxembourg, is a setback for a Belgian group representing music copyright owners, which had sought tougher measures to crack down on online file sharing."
Wednesday, November 23, 2011
Movie fans turn to piracy when the online cupboard is bare; Guardian, 11/22/11
Cory Doctorow, Guardian; Movie fans turn to piracy when the online cupboard is bare:
"Ask anyone who's studied copyright policy – scholars of music and literature, economists, sociologists, law professors – and they'll tell you that the No 1 problem with copyright is that it is enacted without recourse to evidence...
Writing in the Guardian, Ben Goldacre has examined the most-cited statistics about piracy, job creation and GDP contributions in the so-called creative industries and found them so singularly lacking that he declared: "As far as I'm concerned, everything from this industry is false, until proven otherwise.""
"Ask anyone who's studied copyright policy – scholars of music and literature, economists, sociologists, law professors – and they'll tell you that the No 1 problem with copyright is that it is enacted without recourse to evidence...
Writing in the Guardian, Ben Goldacre has examined the most-cited statistics about piracy, job creation and GDP contributions in the so-called creative industries and found them so singularly lacking that he declared: "As far as I'm concerned, everything from this industry is false, until proven otherwise.""
Music label sues over Seth Rogen's 50/50; Guardian, 11/21/11
Ben Child, Guardian; Music label sues over Seth Rogen's 50/50:
"A Florida-based music and fashion label is suing the makers of the Seth Rogen/Joseph Gordon-Levitt cancer comedy 50/50, claiming it owns the copyright to the title.
Eastland Music Group (EMG) says it has been using the names 50/50 and Phifty-50 records to sell music by a hip-hop duo of the same name since 2000. They allege the film's release in US cinemas has already confused consumers."
"A Florida-based music and fashion label is suing the makers of the Seth Rogen/Joseph Gordon-Levitt cancer comedy 50/50, claiming it owns the copyright to the title.
Eastland Music Group (EMG) says it has been using the names 50/50 and Phifty-50 records to sell music by a hip-hop duo of the same name since 2000. They allege the film's release in US cinemas has already confused consumers."
WIPO SCCR Constructs Library Exceptions Topics For Discussion; Intellectual Property Watch, 11/23/11
William New, Intellectual Property Watch; WIPO SCCR Constructs Library Exceptions Topics For Discussion:
"The World Intellectual Property Organization copyright committee today agreed on “clusters” of topics under which they will discuss topics related to limitations and exceptions to copyright for libraries and archives, with an eye toward a possible instrument in the future."
"The World Intellectual Property Organization copyright committee today agreed on “clusters” of topics under which they will discuss topics related to limitations and exceptions to copyright for libraries and archives, with an eye toward a possible instrument in the future."
“Marathon” WIPO Copyright Session Opens With Hopes, Treaty Prospects; Intellectual Property Watch, 11/22/11
William New, Intellectual Property Watch; “Marathon” WIPO Copyright Session Opens With Hopes, Treaty Prospects:
"Officials from around the world have gathered for the next two weeks at the World Intellectual Property Organization in hopes of resolving the fate of several longstanding copyright policies under debate."
"Officials from around the world have gathered for the next two weeks at the World Intellectual Property Organization in hopes of resolving the fate of several longstanding copyright policies under debate."
Penguin Suspends E-Book Availability to Libraries; New York Times, 11/22/11
Julie Bosman, New York Times; Penguin Suspends E-Book Availability to Libraries:
"Another major publisher has pushed back against making its e-books available to library users. Penguin Book Group said it would “delay the availability” of new e-books to libraries because of security concerns."
"Another major publisher has pushed back against making its e-books available to library users. Penguin Book Group said it would “delay the availability” of new e-books to libraries because of security concerns."
Monday, November 21, 2011
Anti-piracy bill meets Web-freedom backlash; CNN.com, 11/18/11
Doug Gross, CNN.com; Anti-piracy bill meets Web-freedom backlash:
"A bill moving through Congress is intended, on its surface at least, to do something relatively simple: Crack down on the illegal pirating of movies, music and other copyrighted material.
But a major online backlash has evolved, with everyone from lawmakers to Web-freedom advocates to some of technology's biggest players calling it a greedy and dangerous overreach that could have a chilling effect on free speech and innovation.
Google, Yahoo and Facebook are among the Web heavyweights who have joined the chorus against the Stop Online Piracy Act (SOPA), which backers hope to have ready for a vote by the end of the year."
"A bill moving through Congress is intended, on its surface at least, to do something relatively simple: Crack down on the illegal pirating of movies, music and other copyrighted material.
But a major online backlash has evolved, with everyone from lawmakers to Web-freedom advocates to some of technology's biggest players calling it a greedy and dangerous overreach that could have a chilling effect on free speech and innovation.
Google, Yahoo and Facebook are among the Web heavyweights who have joined the chorus against the Stop Online Piracy Act (SOPA), which backers hope to have ready for a vote by the end of the year."
Sunday, November 20, 2011
Strange bedfellows: Nancy Pelosi, Ron Paul join SOPA opposition; ArsTechnica.com, 11/17/11
Nate Anderson, ArsTechnica.com; Strange bedfellows: Nancy Pelosi, Ron Paul join SOPA opposition:
"And Pelosi is far from the only member of Congress opposed to the legislation. On Tuesday, ten members of Congress signed a "dear colleague" letter expressing concerns with the bill. The signers were nine Democrats plus Rep Ron Paul (R-TX), a libertarian-leaning candidate for the GOP presidential nomination...
Also opposed to the legislation is Rep. Darrel Issa (R-CA)."
"And Pelosi is far from the only member of Congress opposed to the legislation. On Tuesday, ten members of Congress signed a "dear colleague" letter expressing concerns with the bill. The signers were nine Democrats plus Rep Ron Paul (R-TX), a libertarian-leaning candidate for the GOP presidential nomination...
Also opposed to the legislation is Rep. Darrel Issa (R-CA)."
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