Taking Copyright Out to the Ball Game: A Closer Look at Baseball’s Most Famous Tunes; Library of Congress Blogs: Copyright Creativity at Work, March 26, 2026

Nicole McNew Chen, Library of Congress Blogs: Copyright Creativity at Work; Taking Copyright Out to the Ball Game: A Closer Look at Baseball’s Most Famous Tunes

"In 1908, lyricist Jack Norworth and composer Albert Von Tilzer wrote what would become one of the most recognized and most sung musical works in the United States: “Take Me Out to the Ball Game.” In a relatively short period, it was performed for the first time, registered with the Copyright Office, and published in a series of sheet music depicting vaudeville stars on the covers. The song was an instant hit, though it wouldn’t become the baseball theme we know today until much later. With Opening Day and the start of the 2026 Major League Baseball (MLB) season, we’re looking at the history of the song and copyright’s connection to America’s favorite pastime."

White House Unveils A.I. Policy Aimed at Blocking State Laws; The New York Times, March 20, 2026

 Cecilia Kang, The New York Times; White House Unveils A.I. Policy Aimed at Blocking State Laws

The Trump administration on Friday released new guidelines for federal legislation on the technology, recommending some safeguards for children and consumer protections for energy costs.

"The White House on Friday released policy guidelines that called for blocking state laws regulating artificial intelligence, while also recommending some safeguards for children and consumer protections for energy costs.

Dozens of states have passed laws in recent months to regulate A.I., which has created concerns about the technology’s potential to steal jobs, push up energy prices and threaten national security. But President Trump has made clear U.S. companies should have mostly free rein in a global race to dominate the technology.

On Friday, the White House called on Congress to pass federal A.I. legislation to override the state laws. Among the Trump administration’s suggested measures, Congress would streamline the process for building data centers, the warehouses full of computers that power A.I. The framework also proposed guardrails to prevent the government from using the technology for censorship, as well as mandating A.I.-related work force training."

OpenAI shutters AI video generator Sora in abrupt announcement; The Guardian, March 24, 2026

 Dara Kerr, The Guardian; OpenAI shutters AI video generator Sora in abrupt announcement

Tech firm ‘says goodbye’ to Sora, made publicly available in 2024, just six months after its launch of a stand-alone app

"In an abrupt announcement on Tuesday, OpenAI said it was “saying goodbye” to its AI video generator Sora. The move comes just six months after the company’s splashy launch of a stand-alone app with which people could make and share hyper-realistic AI videos in a scrolling social feed."

Is Big Tech Facing a Big Tobacco Moment?; The New York Times, March 26, 2026

 Andrew Ross Sorkin, Bernhard Warner, Sarah Kessler, Michael J. de la Merced, Niko Gallogly,Brian O’Keefe and Ian Mount, The New York Times; Is Big Tech Facing a Big Tobacco Moment?

Back-to-back courtroom losses have put technology giants, including Meta and Google, in uncertain territory as they face lawsuits and bans on teen users.

"Andrew here. Back in 2018, I moderated a panel at the World Economic Forum that included Marc Benioff of Salesforce. It was then that he essentially declared that Facebook was the modern-day equivalent of cigarettes, and that it and other social media companies should be regulated as such.

Well, Meta’s loss in court on Wednesday, in a case about whether its platforms were designed to be addictive to adolescents, may be a watershed. Investors don’t seem to be fazed — the company’s shares hardly moved after the verdict came out — but the decision could change the conversation around the company yet again. More below...

Some legal experts wonder if Big Tech is staring at a Big Tobacco moment, a reference to how cigarette makers had to overhaul their businesses — at a huge expense — after courts ruled that some of their products were addictive and harmful.

“We’re in a new era, a digital era, where we have to rethink definitions for products based on which entities might have superior information to prevent these injuries and accidents,” Catherine Sharkey, a professor of law at N.Y.U., told The Times. She added that the “implications” of those verdicts were “very, very big.”

“This has potentially large impacts on other areas in tech, A.I. and beyond that,” Jessica Nall, a San Francisco lawyer who represents tech companies and executives, told The Wall Street Journal. “The floodgates are already open.”

Meta and Google plan to appeal. The companies have signaled that they will fight efforts to make them drastically redesign their products and algorithms."

We're All Copyright Owners. Welcome to the Mess That AI Has Created; CNET, March 23, 2026

Katelyn Chedraoui , CNET; We're All Copyright Owners. Welcome to the Mess That AI Has Created

Copyright is one of the most important legal issues in the age of AI. And yes, it affects you.

"You probably rarely, if ever, think about copyright law. But if you want to understand why there are so many lawsuits being filed against AI companies, knowing a bit about copyright law is key. And whether you know it or not, these issues affect you.

If you've ever written a blog post, taken a photo or created an original video, you're a copyright owner. That's most of us, which means that copyright law -- its protections, limitations and application -- is more relevant to you than you might've thought. Sadly, copyright in the age of generative AI is something of a mess."

Supreme Court tosses $1B copyright verdict in record companies' battle over illegal internet downloads; Fox News, March 25, 2026

Eric Mack, Fox News ; Supreme Court tosses $1B copyright verdict in record companies' battle over illegal internet downloads

"The Supreme Court unanimously ruled Wednesday that internet providers are not liable for copyright infringement by their users, delivering an opinion in Cox v. Sony and tossing a $1 billion verdict."

Supreme Court Sides With Internet Provider in Copyright Fight Over Pirated Music; The New York Times, March 25, 2026

Ann E. Marimow, The New York Times ; Supreme Court Sides With Internet Provider in Copyright Fight Over Pirated Music

Leading music labels sued Cox Communications for failing to terminate accounts of subscribers flagged for distributing copyrighted music.

"The Supreme Court unanimously said on Wednesday that a major internet provider could not be held liable for the piracy of thousands of songs online in a closely watched copyright clash."

Cox Communications, Inc. v. Sony Music Entertainment; SCOTUSblog, March 25, 2026

SCOTUSblog; Cox Communications, Inc. v. Sony Music Entertainment

"Holding: Internet service provider Cox Communications neither induced its users’ infringement of copyrighted works nor provided a service tailored to infringement, and accordingly Cox is not contributorily liable for the infringement of Sony’s copyrights.

Judgment: Reversed and remanded, 9-0, in an opinion by Justice Thomas on March 25, 2026. Justice Sotomayor wrote an opinion concurring in the judgment, joined by Justice Jackson."

Fostering ethical use of AI in K-12 education; Iowa Public Radio, March 20, 2026

 

Ben Kieffer, 

Samantha McIntosh

, Iowa Public Radio; Fostering ethical use of AI in K-12 education

"The use of artificial intelligence in school has become more common since the launch of ChatGPT in late 2022. Today, a majority of U.S. teens say they use AI chatbots for school work, according to the Pew Research Center. 

On this episode of River to River, two Iowa-based educators who are working together in advancing ethical and human-centered approaches to artificial intelligence across K-12 education share their experiences. Iowa State University professor Evrim Baran is the project director of the Critical AI in Education Pathways Initiative, which launched a micro-credential course this month for educators. Chad Sussex founded the Winterset Community School District's AI task force, and has recently expanded into consulting for other school districts around the state.

Then we talk with Rebecca Winthrop, who coauthored a recent report that shares of the potential negative risks that generative AI poses to students, and what can be done to prevent them while maximizing the potential benefits of AI.

Guests:

• Evrim Baran, ISU professor of educational technology and human-computer interaction and Helen LeBaron Hilton Chair, College of Health and Human Sciences
• Chad Sussex, grades 7-12 assistant principal and AI task force leader, Winterset Community School District
• Rebecca Winthrop, senior fellow and director of the Center for Universal Education, Brookings Institution"

Chicken Soup for the Soul Sues AI Firms for Copyright Infringement; Publishers Weekly, March 20, 2026

  Ed Nawotka , Publishers Weekly; Chicken Soup for the Soul Sues AI Firms for Copyright Infringement

"Chicken Soup for the Soul is suing tech companies OpenAI, Anthropic, Google, Meta, xAI, Perplexity, Apple, and Nvidia for copyright infringement. The suit, filed March 17 in the Northern District of California, alleges that hundreds of its copyrighted works were ingested without authorization or compensation to train large language models...

Much like the complaint filed in December by author John Carreyrou and others against many of the same defendants, this filing also aims to challenge the class-action model that has dominated AI copyright litigation.

Pointing to the pending Anthropic settlement in the Northern District of California, the suit notes that the framework would pay rights holders approximately $3,000 per work—"just 2% of the Copyright Act's statutory ceiling of $150,000 per willfully infringed work." The complaint states that such settlements "seem to serve Defendants, not creators."

Chicken Soup for the Soul is instead seeking individualized statutory damages determined by a jury. The law firms behind the suit say more than 1,000 authors representing more than 5,000 works have signed on to the same approach."

Federal jury rejects hymn copyright infringement claim against British composer; The Oregonian, March 20, 2026

 Maxine Bernstein, The Oregonian; Federal jury rejects hymn copyright infringement claim against British composer

"A jury in Portland on Friday found that a British composer didn’t purloin musical passages of an American composer’s Christian hymn in a case that brought both musicians into a downtown federal courtroom to play the pieces. 

The composers took turns using an electric keyboard positioned in front of the jury box during a four-day trial before U.S. District Judge Karin J. Immergut.

The eight jurors got the case Thursday afternoon and spent less than a day deliberating before returning its verdict that Bernadette Farrell of London hadn’t copied notes from Vincent A. Ambrosetti’s “Emmanuel.”"

The dictionaries are suing OpenAI for ‘massive’ copyright infringement, and say ChatGPT is starving publishers of revenue; Fortune, March 21, 2026

Jake Angelo, Fortune; The dictionaries are suing OpenAI for ‘massive’ copyright infringement, and say ChatGPT is starving publishers of revenue

"In a filing submitted to the Southern District of New York, the companies accuse OpenAI of cannibalizing the traffic and ad revenue that publishers depend on to survive. “ChatGPT starves web publishers, like [the] Plaintiffs, of revenue,” the complaint reads. Where a traditional search engine sends users to a publisher’s website, Britannica and Merriam-Webster allege ChatGPT instead absorbs the content and delivers a polished answer. It also alleges the AI company fed its LLM with researched and fact-checked work of the companies’ hundreds of human writers and editors...

In an apt example, the complaint describes a prompt asking “How does Merriam-Webster define plagiarize?” to which the model reportedly responded with a definition identical to the one found in the Merriam-Webster dictionary. The complaint adds that the dictionary has been registered with the U.S. Copyright Office."

Music copyright case in Portland focuses on 12 bars from two Catholic hymns; The Oregonian, March 18, 2026

Maxine Bernstein | The Oregonian/OregonLive; Music copyright case in Portland focuses on 12 bars from two Catholic hymns

"Two composers are dueling in court in a copyright infringement case this week in Portland over 12 bars of 26 notes in two Catholic hymns...

American composer Vincent A. Ambrosetti wrote the music and lyrics for “Emmanuel,” in 1980 and claims London-based composer Bernadette Farrell stole from his song to write her “Christ, Be Our Light,” in 1993."

UK reverses course on AI copyright position after backlash; Engadget, March 18, 2026

Will Shanklin , Engadget; UK reverses course on AI copyright position after backlash

"halk up a win for creative artists against AI companies. On Wednesday, the UK government abandoned its previous position on copyrighted works. It’s currently working on a data bill that, if unaltered, would have allowed AI companies like Google and OpenAI to train models on copyrighted materials without consent. Artists and other copyright holders would only have been offered a mere opt-out clause.

After significant backlash, the UK backed off from that position. "We have listened," Technology Secretary Liz Kendall said on Wednesday. However, the government’s new stance is, well, not a stance at all. It currently "no longer has a preferred option" about how to handle the issue.

Still, backpedaling from its previous position is viewed as a win for artists. UK Music CEO Tom Kiehl described the decision as "a major victory," while promising to work with the government on the next steps."

Organizations Warn Fast-Track of Bill to Separate Copyright Office from Library of Congress Would Be a ‘Grave Mistake’; IP Watchdog, March 18, 2026

EILEEN MCDERMOTT, IP Watchdog; Organizations Warn Fast-Track of Bill to Separate Copyright Office from Library of Congress Would Be a ‘Grave Mistake'

"Spurred by reports that House leaders are trying to fast-track a bill to separate the U.S. Copyright Office from the Library of Congress, a coalition of consumer rights, industry, open internet and library groups has again sent a letter to the House Committee on Administration urging it to consider the bill on the regular timeline to avoid “unintended consequences.” A full committee markup of the bill is scheduled for tomorrow, March 18,

H.R. 6028, the Legislative Branch Agencies Clarification Act, would change the procedures for appointing and removing the Librarian of Congress, the Director of the Government Publishing Office (GPO), and the Register of Copyrights. Instead of being appointed by the President and confirmed by the Senate, the Librarian and Director of the GPO would be appointed by a “bipartisan congressional commission” and could only be removed from office by a majority vote of the majority and minority leaders of the House of Representatives and the Senate."

Now OpenAI is getting sued by the dictionary; Quartz, March 17, 2026

Quartz Staff, Quartz; Now OpenAI is getting sued by the dictionary

Encyclopedia Britannica and Merriam-Webster sued the ChatGPT maker, accusing it of copying almost 100,000 articles to train its AI models

"Encyclopedia Britannica and its subsidiary Merriam-Webster have filed suit against OpenAI, alleging that the ChatGPT maker copied their copyrighted content without authorization to train its large language models,

The lawsuit, filed in Manhattan federal court last week, alleges that OpenAI used close to 100,000 Britannica articles to train its models, and that ChatGPT responses frequently reproduce or closely paraphrase Britannica's reference content, including encyclopedia articles and dictionary entries. The complaint also alleges OpenAI uses a retrieval-augmented generation system to pull from Britannica's content in real time when generating responses."

Senators tell ByteDance to ‘immediately shut down’ Seedance AI video app; CNBC, March 17, 2026

Emily Wilkins, CNBC ;  Senators tell ByteDance to ‘immediately shut down’ Seedance AI video app

"Sens. Marsha Blackburn and Peter Welch are calling for a halt to the new version of ByteDance’s artificial intelligence app, Seedance, which generates videos of real people and licensed characters, raising copyright and intellectual property concerns. 

Seedance 2.0 “is the most glaring example of copyright infringement from a ByteDance product to date, and you must immediately shut down Seedance and implement meaningful safeguards to prevent further infringing outputs,” Blackburn, R-Tenn., and Welch, D-Vt., wrote in a letter to ByteDance CEO Liang Rubo that was first obtained by CNBC.

Their letter is a sign of growing concerns on Capitol Hill about how AI companies are developing and using their models and whether proper protections are in place for those who generate the materials the models train from."

Disney's new Cars ride uses patent technology that lets you steer freely across a mountain race course; Boing Boing, March 16, 2026

RUBEN BOLLING, Boing Boing; Disney's new Cars ride uses patent technology that lets you steer freely across a mountain race course

"WDWMagic has reported on a patent application made by Disney in 2024, published on March 12, 2026, that seems to indicate that the new marquee Cars ride may have a totally innovative ride system that promises to be a lot of fun. Riders would drive free ranging vehicles through multiple paths over a mountainous race course.

The patent describes a ride system where vehicles can move freely across uneven terrain along multiple path options. Guests choose their route. A fleet controller manages all the vehicles on the track, overriding guest input when needed to maintain spacing, prevent collisions, and direct vehicles toward specific attraction elements.

The track itself is designed to handle rough terrain. The patent specifically mentions hills, valleys, bumps, rocks, stumps, puddles, potholes, and shrubbery – exactly the kind of terrain you would expect on an off-road rally race through a national park.

Vehicles navigate the terrain using a guide wire embedded in or below the track surface. Line detectors on each vehicle follow the guide wire, allowing the vehicle to steer along the designated path. Guests control their speed and direction within limits set by the system.

From Patent Application US 2026/0072453 A1, public document"

How Trump Drove a Wedge Between Florida Republicans Over A.I.; The New York Times, March 16, 2026

 David McCabe and Patricia Mazzei , The New York Times; How Trump Drove a Wedge Between Florida Republicans Over A.I.

A Florida bill that would have regulated artificial intelligence, backed by Gov. Ron DeSantis, failed to gain traction after President Trump made it clear he did not want states to rein in the technology.

"Florida lawmakers failed to pass a sweeping bill aimed at reining in the power of artificial intelligence by the time their annual legislative session wrapped up Friday.

The legislation, known as an A.I. Bill of Rights, flopped even though Gov. Ron DeSantis, a Republican, had spent months championing it. The bill would have forced companies to disclose when they use A.I. chatbots to interact with consumers and forbidden the technology’s use in licensed mental health counseling, among other measures.

But Republicans in the Florida House of Representatives refused to take up the bill because of President Trump. Mr. Trump has visibly positioned himself as pro-A.I., signing executive orders to protect the tech industry and threatening states that try to regulate the technology. In recent weeks, the White House has communicated to state legislators around the country that it is wary of states regulating A.I., while Mr. Trump has reiterated his support for the technology in public."

The dictionary sues OpenAI; TechCrunch, March 16, 2026

Amanda Silberling, TechCrunch; The dictionary sues OpenAI

"Encyclopedia Britannica and Merriam-Webster have filed a lawsuit against OpenAI, alleging in its complaint that the AI giant has committed “massive copyright infringement.”

Britannica, which owns Merriam-Webster, retains the copyright to nearly 100,000 online articles, which have been scraped and used to train OpenAI’s LLMs without permission, the publisher alleges in the lawsuit.

Britannica also accuses OpenAI of violating copyright laws when it generates outputs that contain “full or partial verbatim reproductions” of its content and when the AI lab uses its articles in ChatGPT’s RAG (retrieval augmented generation) workflow. OpenAI’s RAG tool is how the LLM scans the web or other databases for newly updated information when responding to a query. Britannica also alleges that OpenAI violates the Lanham Act, a trademark statute, when it generates made-up hallucinations and attributes them falsely to the publisher."

This Bill Would Force AI Companies to Disclose Copyrighted Works; PetaPixel, March 16, 2026

 Pesala Bandara, PetaPixel; This Bill Would Force AI Companies to Disclose Copyrighted Works

"U.S. Senators Adam Schiff, a Democrat from California, and John Curtis, a Republican from Utah, have introduced the Copyright Labeling and Ethical AI Reporting Act, known as the CLEAR Act. The proposed legislation would require companies developing AI models to report when copyrighted material is used to train those systems.

If passed, the legislation could increase transparency around the material used to train generative AI systems, including copyrighted photographs."

UK to rule out sweeping AI copyright overhaul; Politico, March 11, 2026

JOSEPH BAMBRIDGE, Politico; UK to rule out sweeping AI copyright overhaul 

The U.K. will rule out making creatives actively opt out of having their copyrighted material scraped by AI companies.

"The U.K. government will rule out sweeping reform of its copyright laws in a highly-anticipated policy update next week, according to three people briefed on government thinking and granted anonymity to speak freely. 

The people said the update, due by March 18, will state the government does not plan to take forward work on an “opt out” model, whereby rights holders would have to explicitly say they do not want their work used to train AI models. 

It comes amid intense pressure from rights holders and lawmakers not to pursue the “opt out” policy. The government previously said this was its “preferred option” to facilitate AI innovation in the U.K., before ministers were forced to row back."

SHELLEY’S ‘FRANKENSTEIN’ GETS AN AI REBOOT AT PASADENA’S HASTINGS BRANCH LIBRARY; Pasadena Now, March 15, 2026

 Pasadena Now; SHELLEY’S ‘FRANKENSTEIN’ GETS AN AI REBOOT AT PASADENA’S HASTINGS BRANCH LIBRARY

A discussion today ties the 1818 novel's warnings about creator responsibility to contemporary debates over artificial intelligence, part of the city's One City, One Story program 

"Two centuries before algorithms began analyzing people’s dreams and predicting their crimes, Mary Shelley wrote a novel about a scientist who built something he could not control. That novel, “Frankenstein,” is the subject of a free discussion today at Hastings Branch Library, where presenter Rosemary Choate will connect its 207-year-old themes to the same questions about artificial intelligence that Pasadena’s citywide reading program is exploring all month.

The event, titled “Frankenstein: Myths and the Real Story?” is part of the Pasadena Public Library’s 24th annual One City, One Story program, which this year selected Laila Lalami’s “The Dream Hotel” — a dystopian novel about a woman detained because an algorithm, fed by data from her dreams, deemed her a future criminal. The library has organized a month of lectures, films and book discussions around the novel’s themes of surveillance, technology and freedom, and the Frankenstein session draws a direct line between Shelley’s 1818 tale and the anxieties at the center of Lalami’s story.

Choate, a comparative literature and humanities instructor and founder of the Pomona College Alumni Book Club, will lead the discussion at 3 p.m. She will examine themes including creator responsibility, the consequences of unchecked technological ambition and society’s rejection of the “creation” — questions the library’s event description calls “highly relevant to contemporary debates surrounding the development and governance of AI,” according to the Pasadena Public Library’s event listing.

Shelley published “Frankenstein; or, The Modern Prometheus” anonymously in 1818, when she was 20 years old. The novel tells the story of Victor Frankenstein, a young scientist who assembles a creature from dead body parts and recoils from what he has made. The creature, abandoned by its creator, becomes violent as it fails to find acceptance. The novel is widely considered one of the first works of science fiction.

The One City, One Story program, now in its 24th year, selects a single book each year for citywide reading and discussion. A 19-member committee of community volunteers, led by Senior Librarian Christine Reeder, chose “The Dream Hotel” for its exploration of surveillance, freedom and the reach of technology into private life. The program is sponsored by The Friends of the Pasadena Public Library and the Pasadena Literary Alliance.

The month of events culminates in a conversation with Lalami and Pasadena Public Library Director Tim McDonald on Saturday, March 21, at 2 p.m. at Pasadena Presbyterian Church, 585 E. Colorado Blvd. That event is also free and open to the public."

Music Copyright in the Gen AI Age: Where Are We Now?; Brooklyn Sports & Entertainment Law Blog, February 11, 2026

Sam Woods , Brooklyn Sports & Entertainment Law Blog; Music Copyright in the Gen AI Age: Where Are We Now?

"Imagine you are a musician who has dedicated years of your life creating an album or EP — tinkering with the production, revising lyrics, finding the perfect samples— and now, you have finally shared your art with the world and are thrilled with the project’s success. However, while scrolling on TikTok a few months later, you hear some familiar audio. Wait a minute, is that one of your songs? No… not quite, but why does it sound so similar? Turns out, the song was created using artificial intelligence (“AI”)."

AI is dressing up greed as progress on creative rights; Financial Times, March 14, 2026

CAMILLA CAVENDISH, Financial Times; AI is dressing up greed as progress on creative rights

"At this week’s London Book Fair, a lot of people were walking around with one particular title wedged under their arms. Called Don’t Steal This Book, its pages are empty apart from the names of thousands of authors, including Kazuo Ishiguro and Richard Osman. It’s a chilling protest against the rampant theft of creative work by tech firms, which could leave future artists unable to earn a living."

ByteDance’s Controversial AI Video Model Reportedly on Hold Globally Due to Copyright Disputes; Gizmodo, March 14, 2026

MIKE PEARL  , Gizmodo; ByteDance’s Controversial AI Video Model Reportedly on Hold Globally Due to Copyright Disputes

"According to two anonymous leakers who spoke to the Information, the global release of Seedance 2.0 is on hold amid legal action from movie studios and streaming services.

When it was initially released, Seedance 2.0 appeared to have few if any protections in place to prevent users from generating videos appearing to star celebrities, copyrighted characters, and celebrities as copyrighted characters."

Perspective: No copyright for AI-generated content; Northern Public Radio, March 13, 2026

David Gunkel, Northern Public Radio; Perspective: No copyright for AI-generated content

"What the courts actually decided is that neither the AI system nor the human who uses it counts as the author of the resulting work. Simply prompting ChatGPT or Claude to produce something isn’t considered the kind of creative activity that copyright law recognizes as authorship. And that creates an unexpected result. If neither the AI nor the human user is the author, then the work has no author at all. In effect, AI-generated images, music, and text become “orphan works”—creations that belong to no one. And that means that anyone can use them."

The Guardian view on changes to copyright laws: authors should be protected over big tech; The Guardian, March 13, 2026

Editorial , The Guardian; The Guardian view on changes to copyright laws: authors should be protected over big tech

"In a scene that might have come from a dystopian novel, books were being stamped with “Human Authored” logos at this week’s London Book Fair. The Society of Authors described its labelling scheme as “an important sticking plaster to protect and promote human creativity in lieu of AI labelled content in the marketplace”.

Visitors to the fair were also being given copies of Don’t Steal This Book, an anthology of about 10,000 writers including Nobel laureate Kazuo Ishiguro, Malorie Blackman, Jeanette Winterson and Richard Osman, in which the pages are completely blank. The back cover states: “The UK government must not legalise book theft to benefit AI companies.” The message is clear: writers have had enough.

The fair comes the week before the government is due to deliver its progress report on AI and copyright, after proposals for a relaxation of existing laws caused outrage last year. Philippa Gregory, the novelist, described the plans for an “opt-out” policy, which puts the onus on writers to refuse permission for their work to be trawled, as akin to putting a sign on your front door asking burglars to pass by...

A House of Lords report published last week lays out two possible futures: one in which the UK “becomes a world-leading home for responsible, legalised artificial intelligence (AI) development” and another in which it continues “to drift towards tacit acceptance of large-scale, unlicensed use of creative content”. One scenario protects UK artists, the other benefits global tech companies. To avoid a world of empty content, the choice is clear."