, The New York Times ; The World’s Leading Deepfake Expert No Longer Trusts His Own Eyes: In the age of A.I., Hany Farid is struggling to prove what’s real before the internet decides for itself.
My Bloomsbury book "Ethics, Information, and Technology" was published on Nov. 13, 2025. Purchases can be made via Amazon and this Bloomsbury webpage: https://www.bloomsbury.com/us/ethics-information-and-technology-9781440856662/
Sunday, June 14, 2026
The World’s Leading Deepfake Expert No Longer Trusts His Own Eyes: In the age of A.I., Hany Farid is struggling to prove what’s real before the internet decides for itself.; The New York Times, June 14, 2026
Thursday, May 28, 2026
Taylor Swift trademarking her voice and likeness points to a new legal frontier in combating AI deepfakes; The Conversation, May 28, 2026
Daryl Lim, Associate Dean for Research and Strategic Partnerships, Penn State, The Conversation; Taylor Swift trademarking her voice and likeness points to a new legal frontier in combating AI deepfakes
"As a law professor, I was struck by Swift’s filings because they highlight a new legal frontier in artificial intelligence.
Most AI-related litigation has centered on copyright law, which protects creative works such as songs, books, photographs and recordings from being copied, distributed, adapted or publicly performed without permission.
But TAS Rights Management’s recent move involves trademark law, not copyright. The filings aren’t really about protecting Swift’s lyrics or albums. Instead, they’re about preventing AI-generated voices and images from misleading people into believing she has endorsed a product, political message or cause."
Tuesday, May 12, 2026
Celebrities are filing trademarks to combat AI clones. Should you?; The Washington Post, May 8, 2026
Ethan Beck, The Washington Post ; Celebrities are filing trademarks to combat AI clones. Should you?
"The lawyers The Post spoke with for this article said that more celebrities might follow McConaughey and Swift in registering trademarks of their likenesses. If they’re using their likenesses or voices in a commercial context — a requirement to claim a trademark — these registrations could act as a safeguard. Pollack said a lot of his clients have asked about filing trademarks as a protection in the AI age.
“McConaughey and Swift registered sound clips, which is not entirely novel,” said Jennifer Rothman, a law professor at the University of Pennsylvania. “That will probably cause more of a trend of people who are actors and singers using those voice clips to claim that their voice itself is a mark.”"
Tuesday, April 28, 2026
Taylor Swift files to trademark her voice, likeness to ward off AI deepfakes; Reuters, April 27, 2026
Brad Brooks , Reuters; Taylor Swift files to trademark her voice, likeness to ward off AI deepfakes
"Pop superstar Taylor Swift filed trademark applications for two audio clips and one image of herself in what a trademark attorney said is an attempt to protect her voice and likeness from deepfake videos and audio created by artificial intelligence.
The applications were filed with the U.S. Patent and Trademark Office on Friday and list Swift's TAS Rights Management as being the owner of the audio clips and image."
Sunday, April 26, 2026
This Is How We Get Moral A.I. Companies; The New York Times, April 26, 2026
Paul Ford, The New York Times; This Is How We Get Moral A.I. Companies
"Artificial intelligence can be wondrous, but the technology underneath is more than a little monstrous. It eats up all the words in the world, from blogs to books, often without permission. It burns whole forests’ worth of energy, digesting that raw material into its models, and gulps billions of gallons of water to cool down. These are the same qualities we perceive in Godzilla, but distributed. Is it any wonder that the Japanese word “kaiju,” or strange beast, has “AI” smack in the middle?...
The entire culture of American technology is built around two terms: disruption and, of course, scale. But ethics are constraints on disruption and scale. Truly ethics-bound organizations — the U.S. justice system, the American Medical Association, the Catholic priesthood — have hard scaling limits. Their rules run deep, and their requirements to serve are so onerous that only a few people can do the job. Punishments for transgressors include losing their licenses, being defrocked and being disbarred. Software industry people might have good degrees and are often good people, but they are making it up as they go along. They take no oath, are inconsistently certified and can only be fired, not exiled from the trade."
Friday, April 24, 2026
Sam Altman Wants to Know Whether You’re Human; The Atlantic, April 24, 2026
Will Gottsegen , The Atlantic; Sam Altman Wants to Know Whether You’re Human
And he has a way to prove it.
"As the CEO of OpenAI and the chairman of Tools for Humanity, Altman has a financial interest both in the products that create these dangers and in the ones that guard against them."
Sunday, April 19, 2026
The Tyranny of AI Everywhere; The Atlantic, April 16, 2026
Alexandra Petri, The Atlantic ; The Tyranny of AI Everywhere
Sneakers? Why stop there?
"I had the strangest dream. I dreamed that my shoes—my comfortable, unfashionable wool shoes—were pivoting to AI. “But you’re a shoe company,” I said. “Just go out of business! Keep your dignity!”
My shoes thanked me politely for the great question and then tried to walk me off a bridge. That was how I knew that their pivot to AI was complete. From Allbirds to AIlbirds (see, that L is an I!). Maybe I’ve cracked, I said to myself. Maybe this is the piece of AI news that has finally broken my spirit for good...
I tried to sit down on a bench, but the bench company had pivoted to AI. I couldn’t sit down, but the bench did tell me that I was right about everything. My newspaper had become AI a while ago, so there was nothing to read—or, rather, there were things to read, but I could not tell whether any of them were true. I thought I would go to a museum to cheer myself up. The paintings there had pivoted to AI (pAIntings), and their subjects were all following me with their eyes, not just Mona Lisa
“There’s a place for AI,” I said. “But … not everywhere.”
“I’m sorry,” the painting said. “I didn’t want this either, but everyone is doing it!”...
“It’s fine,” my grandmother said. I was surprised to hear from her, because as far as I knew, she was dead. “I’m not dead,” she said. “I’m just pivoting to AI, like that shoe company. Nothing dies anymore. It just becomes AI.”"
Friday, February 13, 2026
MPA Calls On TikTok Owner ByteDance To Curb New AI Model That Created Tom Cruise Vs. Brad Pitt Deepfake; Deadline, February 12, 2026
Ted Johnson , Deadline; MPA Calls On TikTok Owner ByteDance To Curb New AI Model That Created Tom Cruise Vs. Brad Pitt Deepfake
"As reported by Deadline’s Jake Kanter, Seedance 2.0 users are prompting the Chinese AI tool to create videos that appear to be repurposing, with startling accuracy, copyrighted material from studios, including Disney, Warner Bros Discovery and Paramount. In addition to the Cruise vs. Pitt fight, the model has produced remixes of Avengers: Endgame and a Friends scene in which Rachel and Joey are played by otters."
Thursday, January 15, 2026
Mother of one of Elon Musk’s sons sues over Grok-generated explicit images; The Guardian, January 15, 2026
Helena Horton, The Guardian; Mother of one of Elon Musk’s sons sues over Grok-generated explicit images
"The mother of one of Elon Musk’s children is suing his company – alleging explicit images were generated by his Grok AI tool, including one in which she was underage.
Ashley St Clair has filed a lawsuit with the supreme court of the state of New York against xAI, alleging that Grok, which is used on the social media platform X, promised to stop generating explicit images but continued to do so.
She is seeking punitive and compensatory damages, claiming dozens of sexually explicit and degrading deepfake images were created by Grok."
Tuesday, December 9, 2025
A.I. Videos Have Flooded Social Media. No One Was Ready.; A.I. Videos Have Flooded Social Media. No One Was Ready., December 8, 2025
Steven Lee Myers and Stuart A. Thompson, The New York Times ; A.I. Videos Have Flooded Social Media. No One Was Ready.
Apps like OpenAI’s Sora are fooling millions of users into thinking A.I. videos are real, even when they include warning labels.
"Videos like the fake interview above, created with OpenAI’s new app, Sora, show how easily public perceptions can be manipulated by tools that can produce an alternate reality with a series of simple prompts.
In the two months since Sora arrived, deceptive videos have surged on TikTok, X, YouTube, Facebook and Instagram, according to experts who track them. The deluge has raised alarm over a new generation of disinformation and fakes.
Most of the major social media companies have policies that require disclosure of artificial intelligence use and broadly prohibit content intended to deceive. But those guardrails have proved woefully inadequate for the kind of technological leaps OpenAI’s tools represent."
Saturday, October 11, 2025
AI videos of dead celebrities are horrifying many of their families; The Washington Post, October 11, 2025
Wednesday, October 8, 2025
OpenAI wasn’t expecting Sora’s copyright drama; The Verge, October 8, 2025
Hayden Field , The Verge; OpenAI wasn’t expecting Sora’s copyright drama
"When OpenAI released its new AI-generated video app Sora last week, it launched with an opt-out policy for copyright holders — media companies would need to expressly indicate they didn’t want their AI-generated characters running rampant on the app. But after days of Nazi SpongeBob, criminal Pikachu, and Sora-philosophizing Rick and Morty, OpenAI CEO Sam Altman announced the company would reverse course and “let rightsholders decide how to proceed.”
In response to a question about why OpenAI changed its policy, Altman said that it came from speaking with stakeholders and suggested he hadn’t expected the outcry.
“I think the theory of what it was going to feel like to people, and then actually seeing the thing, people had different responses,” Altman said. “It felt more different to images than people expected.”
Saturday, October 4, 2025
Sam Altman says Sora will add ‘granular,’ opt-in copyright controls; TechCrunch, October 4, 2025
Anthony Ha , TechCrunch; Sam Altman says Sora will add ‘granular,’ opt-in copyright controls
"OpenAI may be reversing course on how it approaches copyright and intellectual property in its new video app Sora.
Prior to Sora’s launch this week, The Wall Street Journal reported that OpenAI had been telling Hollywood studios and agencies that they needed to explicitly opt out if they didn’t want their IP to be included in Sora-generated videos.
Despite being invite-only, the app quickly climbed to the top of the App Store charts. Sora’s most distinctive feature may be its “cameos,” where users can upload their biometric data to see their digital likeness featured in AI-generated videos.
At the same time, users also seem to delight in flouting copyright laws by creating videos with popular, studio-owned characters. In some cases, those characters might even criticize the company’s approach to copyright, for example in videos where Pikachu and SpongeBob interact with deepfakes of OpenAI CEO Sam Altman.
In a blog post published Friday, Altman said the company is already planning two changes to Sora, first by giving copyright holders “more granular control over generation of characters, similar to the opt-in model for likeness but with additional controls.”"
Friday, June 27, 2025
Denmark to tackle deepfakes by giving people copyright to their own features; The Guardian, June 27, 2025
Miranda Bryant , The Guardian; Denmark to tackle deepfakes by giving people copyright to their own features
"The Danish government is to clamp down on the creation and dissemination of AI-generated deepfakes by changing copyright law to ensure that everybody has the right to their own body, facial features and voice.
The Danish government said on Thursday it would strengthen protection against digital imitations of people’s identities with what it believes to be the first law of its kind in Europe."
Monday, December 30, 2024
Key IP Issues for the Next President and Congress to Tackle: AI and Patent Subject Matter Eligibility; IP Watchdog, December 29, 2024
RYAN J. MALLOY, IP Watchdog; Key IP Issues for the Next President and Congress to Tackle: AI and Patent Subject Matter Eligibility
"The debates surrounding the 2024 election focused on “hot button” issues like abortion, immigration, and transgender rights. But several important IP issues also loom over the next administration and Congress. These issues include AI-generated deepfakes, the use of copyrighted works for AI training, the patentability of AI-assisted inventions, and patent subject matter eligibility more generally. We might see President Trump and the 119th Congress tackle some or all of these issues in the next term."