Orphan Works and Mass Digitization: A Report of the Register of Copyrights; U.S. Copyright Office, June 2015

U.S. Copyright Office; Orphan Works and Mass Digitization: A Report of the Register of Copyrights:

In Ashley Madison hack, copyright "solution" is worse than no solution; Fortune, 7/21/15

Jeff John Roberts, Fortune; In Ashley Madison hack, copyright "solution" is worse than no solution:

"While the copyright takedown might sound like a solution, it’s a weak and short-lived one. For one thing, there’s nothing to stop the hackers simply uploading the files again, forcing Ashley Madison to send out DCMA notices over and over. And this assumes that the company even has a valid copyright it can enforce in the first place – an unlikely event since, in the case of members’ profiles, the copyright probably belongs to the users not Ashley Madison.

Ashley Madison’s DMCA announcement is little more than a bluff, and it’s one we’ve seen before. Recall, how in the wake of the Sony hacks, the movie studio hired super-lawyer David Boies to send around trumped-up intellectual property threats in a failed attempt to keep media from reporting on the leaks. Or how Jennifer Lawrence, and other celebrities who had their Apple iCloud accounts hacked, tried to use copyright law to stop people distributing nude photos.

In all of these cases, the copyright claims in question were weak or non-existent, but the hacking targets invoked them anyways. Why? The best answer is that lawyers had to respond to frantic entreaties from their clients to do something, and copyright was the nearest legal cudgel. It’s easy to use, everyone’s heard of it, and it can come with nasty penalties."

Ashley Madison, a Dating Website, Says Hackers May Have Data on Millions; New York Times, 7/20/15

Dino Grandoni, New York Times; Ashley Madison, a Dating Website, Says Hackers May Have Data on Millions:

"Under American copyright law, Ashley Madison has the power to scrub away private user information leaked in the breach and posted to other websites. On Monday, the company said that it had been doing just that to protect the identities of those who have used Ashley Madison.

But that may be a race that it cannot win. Paul Ferguson, senior adviser for Trend Micro, a security software provider, said that information on Ashley Madison, deleted in one online forum, is beginning to bubble up in others.

“Once something is published on the Internet,” he said, “it’s there forever.”"

At Comic-Con, Bring Out Your Fantasy and Fuel the Culture; New York Times, 7/15/15

A.O. Scott, New York Times; At Comic-Con, Bring Out Your Fantasy and Fuel the Culture:

"The deeper mythology of Comic-Con is that fans and creators are joined in communion, sharing in the holy work of imagination. The logic of popular culture today suggests that every fan is also an artist. This is literally true in the blossoming fields of fan art and fan fiction, in which devotees of intellectual properties (the ubiquitous San Diego shorthand for books, comics, movies and shows) make their own images and stories involving their favorite characters. Cosplay is a live-action form of fan art, or maybe fan nonfiction, and the owners of the intellectual property rights are careful not to interfere too much.

The organizers of Comic-Con, meanwhile, provide encouragement for fans who dream of professionalizing their passions. A smattering of panels offered advice on how to pitch an idea, how to market a product, how to make a living in a crowded marketplace. Social media and digital technology encourage the fantasy that everyone can make stuff and put it out there for everyone else.

Or maybe it isn’t a fantasy. The world of popular culture only gets bigger, and as it does it grows more diverse, more inclusive and more confounding."

Open Data Awards Celebrate Smart Uses Of Public Data; Forbes, 7/10/15

Paul Miller, Forbes; Open Data Awards Celebrate Smart Uses Of Public Data:

"Open Data’s rockstars gathered at Bloomberg’s London offices last night, for the second Open Data Awards. Organized by the Open Data Institute (ODI), the Awards celebrate “a generation of network thinkers who are changing the world with open data.” More importantly, they demonstrate some of the ways in which services and applications powered by Open Data are transforming lives and creating business opportunities around the world. ODI co-founders, Web inventor Sir Tim Berners-Lee and University of Southampton Professor Sir Nigel Shadbolt, presented the Awards and shared their perspectives on the work that is still to be done.

Awards covered five categories, comprising a Business award, an Innovation award, a Social Impact award, an Individual Champion award, and a Data Publisher award."

Stephen Hawking, Russian Billionaire Launch New Alien-Hunting Effort; Huffington Post, 7/20/15

Jacqueline Howard, Huffington Post; Stephen Hawking, Russian Billionaire Launch New Alien-Hunting Effort:

"At the Royal Society in London today, the famed physicist and Russian tech billionaire Yuri Milner announced the launch of a $100-million initiative to search for signs of intelligent life beyond Earth, BBC News reported. The initiative -- part of the Breakthrough Initiatives group -- is named Breakthrough Listen.

"With Breakthrough Listen, we’re committed to bringing the Silicon Valley approach to the search for intelligent life in the universe," Milner said in a written statement. "Our approach to data will be open and taking advantage of the problem-solving power of social networks."...

Milner said the search will be transparent and will rely on open-source software so that its findings can be shared with space enthusiasts around the world."

Grooveshark co-founder Josh Greenberg found dead at 28; Washington Post, 7/20/15

Abby Phillip, Washington Post; Grooveshark co-founder Josh Greenberg found dead at 28:

"The site Greenberg co-founded once had more than 35 million users, nearly 150 employees and two offices at its peak. But for much of its existence, it had been beset by legal challenges.

Record labels accused the site of playing music without acquiring licenses by leaning heavily on user-uploaded music.

In May, the site was shuttered, and Greenberg and co-founder Sam Tarantino issued an apologetic statement after a federal judge ruled that they had willfully violated copyright law.

“We started out nearly ten years ago with the goal of helping fans share and discover music,” they wrote in an apology. “But despite the best of intentions, we made very serious mistakes. We failed to secure licenses from rights holders for the vast amount of music on the service.”

They added: “That was wrong. We apologize. Without reservations.”

As part of the settlement, the company agreed to hand over its Web site, mobile apps and intellectual property. They faced up to $75 million in penalties if the terms of the settlement were violated."

Pirates face 10 years in prison under UK copyright shake-up; Wired.com, 7/20/15

Michael Rundle, Wired.com; Pirates face 10 years in prison under UK copyright shake-up:

"Pirates found guilty of copyright infringement could face up to 10 years in prison under new plans unveiled by the government.

The maximum sentence for commercial copyright infringement is currently two years, but that would be increased by five times under the new plans, unveiled as part of a consultation on intellectual property.

The new prison sentence would apply only to "commercial scale" copyright infringement, however, meaning the vast majority of internet users would not be at risk...

Individuals and organisations are able to make their views known on the consultation to the Intellectual Property Office by emailing enforcement@ipo.gov.uk, with the full details available via Gov.uk. The responses will be collated and published before the proposals move forward through the Commons.

The new proposed measures come in the context of tougher controls over pirate sites and proxies, and intense lobbying from the music, film and digital entertainment industries over digital theft."

Judge Trims 'Blurred Lines' Song Dispute Verdict to $5.3M; Associated Press via New York Times, 7/14/15

Associated Press via New York Times; Judge Trims 'Blurred Lines' Song Dispute Verdict to $5.3M:

"A judge on Tuesday trimmed more than $2 million from a verdict against Robin Thicke and Pharrell Williams over their hit "Blurred Lines," but Marvin Gaye's family will also get a significant share of future earnings from the 2013 hit song.

U.S. District Judge John A. Kronstadt ruled that the copyright infringement verdict a jury reached in March should be cut from nearly $7.4 million to $5.3 million. The judge's ruling, however, gives Gaye's family 50 percent of the song's future royalties.

Kronstadt's 56-page ruling dealt with several post-trial issues, including a request by Thicke and Williams' lawyers for a new trial. The judge rejected that motion, and also refused to issue an injunction requested by Gaye's family that would have temporarily blocked sales and performance of "Blurred Lines.""

Facebook's video plan? Grow like hell, deal with copyright later; Forbes, 7/10/15

Jeff John Roberts, Forbes; Facebook's video plan? Grow like hell, deal with copyright later:

"The challenge of chasing down copyright infringers has led content owners, in general, to claim the safe harbor rules are too lax, and that platforms like YouTube should do more to take down unauthorized videos. Studios have filed a spate of lawsuits to argue that more websites should be liable under a “red flag” provision in the copyright law, which can strip a site’s legal immunity in the event they obviously should have known about the infringement, or if they are directly making money from it.

But so far those lawsuits, including a long-running one against YouTube, have not really changed websites’ responsibilities when it comes to copyright, according to Lothar Determann, a copyright lawyer with Baker & McKenzie in San Francisco. He added more broadly that the law’s larger goal of protecting tech platforms still applies, and courts will not order websites to conduct copyright investigations.

The freebooter issue for Facebook, then, appears to be less of a legal problem than a moral one. Video owners may come to blame Facebook – safe harbors notwithstanding – for using their content to get rich while flouting their copyright concerns. Such claims, whether fair or not, have dogged Google and YouTube for years, and led to legal and political headaches."

Appeals judges hear about Prince’s takedown of “Dancing Baby” YouTube vid; ArsTechnica.com, 7/7/15

Joe Mullin, ArsTechnica.com; Appeals judges hear about Prince’s takedown of “Dancing Baby” YouTube vid:

"A long-running copyright fight between the Electronic Frontier Foundation and Universal Music over fair use in the digital age was considered by an appeals court today, a full eight years after the lawsuit began.

EFF and its client Stephanie Lenz sued Universal Music Group back in 2007, saying that the music giant should have realized Lenz's home video of her son Holden dancing to Prince's "Let's Go Crazy" was clearly fair use. Under EFF's view of the Digital Millennium Copyright Act, Universal should have to pay damages for a wrongful takedown.

If EFF wins the case, it could have repercussions for how copyright takedowns work online. The group is trying to make Universal pay up under 17 USC 512(f), the section of the DMCA that penalizes copyright owners for wrongful takedowns. Currently, victories under that statute are exceedingly rare and happen only in extreme circumstances."

AP Exclusive: China Ministry Posted Bootleg 'Liar's Poker'; Associated Press via New York Times, 7/3/15

Associated Press via New York Times; AP Exclusive: China Ministry Posted Bootleg 'Liar's Poker' :

"A complete bootlegged copy of Michael Lewis' bestselling book about Wall Street, "Liar's Poker," was hosted on the official website of the Chinese Commerce Ministry, the agency responsible for intellectual property protection in China, The Associated Press has found.

How and why a PDF, in English, of Lewis' raucous memoir about the excesses of Wall Street in the 1980s ended up on the ministry's site remains a mystery. The ministry did not respond to multiple requests for comment this week, but on Friday removed the page from its website.

China has a long and troubled history with copyright infringement. Despite high-level attempts to bolster enforcement, particularly as Beijing turns to innovation as a source of economic growth, piracy remains rampant — and widely tolerated.

Andrew Hay, director of security research at OpenDNS, a network security firm based in San Francisco, confirmed the file was hosted on the Ministry of Commerce website and was not a spoof."

YouTube Not Liable on Copyright, but Needs to Do More: German Court; Reuters via New York Times, 7/1/15

Reuters via New York Times; YouTube Not Liable on Copyright, but Needs to Do More: German Court:

"A German court reaffirmed on Wednesday that YouTube was only responsible for blocking copyright-infringing videos which had been brought to its attention, but the judicial panel said the Google video unit could do more to stop breaches.

The Hamburg regional court rejected an appeal by German performing rights association GEMA, upholding a lower court ruling that said sites such as YouTube do not actively have to search for illegal activity by their users.

The appeals court rebuffed a Google appeal on a secondary issue in the case, finding that YouTube had failed to act promptly enough to takedown infringing videos in seven of 12 cases brought before the court. For the remaining five video clips at issue YouTube had no duty to remove them, it said."

No Directions For WIPO Copyright Committee, Despite Positive Mood; Intellectual Property Watch, 7/6/15

Catherine Saez, Intellectual Property Watch; No Directions For WIPO Copyright Committee, Despite Positive Mood:

"Despite what was described as good momentum by World Intellectual Property Organization delegates trying to find ways to protect broadcasting organisations against piracy and providing copyright exceptions and limitations for the benefit of libraries, archives, education and research, no recommendation to the upcoming annual WIPO General Assembly could be agreed last week.

The 30th session of the WIPO Committee on Copyright and Related Rights (SCCR) took place from 29 June to 3 July 2015."

Robin Thicke Finally Speaks About 'Blurred Lines' Lawsuit; Huffington Post, 7/2/15

Julia Brucculieri, Huffington Post; Robin Thicke Finally Speaks About 'Blurred Lines' Lawsuit:

"In an interview with the New York Times, Thicke explains, "I know the difference between inspiration and theft. I’m constantly inspired, but I would never steal. And neither would Pharrell."

He continues, "As a songwriter, you’re obviously trying to create a brand-new feeling that comes from your heart. But you can’t help but be inspired by all of the greatness that came before you."

Thicke admits to being "careless" during the trial, as he was going through a very messy public divorce with his former wife, Paula Patton...

Thicke and Williams ultimately lost the case and the jury awarded Gaye's children $4 million in damages plus $3.4 million in profits the two artists had made from their copyright infringement. They went on to appeal the case.

Thicke notes the verdict could have a negative effect on the music industry as a whole, saying, "If the verdict holds up, I believe that it will have a ripple effect on the arts and the industry in general. I mean, if you made the first superhero movie, do you own the concept of the superhero?""

Does the Copyright Office Belong in a Library?; Library Journal, 7/2/15

Kevin L. Smith, Library Journal; Does the Copyright Office Belong in a Library? :

"It has been a busy time for those of us who watch the doings of the Copyright Office. In addition to releasing a massive report on Orphan Works and Mass Digitization, about which I have written here, the Copyright Office (CO) is the subject of a piece of legislation introduced as a discussion draft on June 3. The bill, if it were officially introduced and ultimately enacted, would remove the CO from the Library of Congress (LC) and establish it as an independent agency of the federal government, under the Executive Branch. Then, while we were still considering the ramifications of this idea, came the announcement on June 10 of the pending retirement of Dr. James Billington, who has been the Librarian of Congress for the past 29 years.

These events suggest long-term changes for the copyright and library communities, and it is worth taking a moment to consider, especially, the impact of the idea of making the Copyright Office an independent agency.

The first thing that strikes me about the “discussion draft” of the proposed law to establish the Copyright Office as an independent agency—called the Copyright Office for the Digital Economy (CODE) Act—is that it never says why it is needed...

In short, this bill seems like a solution in search of a problem, unless you accept that the problem is that music and movie companies are making less money than they would like. Rather than considering such an ill-advised bill, I hope that we will see, over the next year and a half or so, a new Librarian of Congress who will provide stronger leadership on many issues, but especially on the need to keep copyright policy, and the Copyright Office, firmly grounded in the needs and interests of all of the American public."

A New Kind of Leader: Transition time at the Library of Congress; Library Journal, 7/1/15

John N. Berry III, Library Journal; A New Kind of Leader: Transition time at the Library of Congress:

"The Librarian of Congress needs to be a modern library administrator, capable of curating the great collections, leading the exemplary staff of more than 3,000, and keeping LC’s array of vital services current and on technology’s cutting edge.

LC must be led by a person who understands and not only can deal effectively with the huge cultural, economic, and political differences in America but can deliver information services that enlighten our Congress and the people of the nation. The Librarian of Congress must lead us out of the jungle of conflicting claims, rival demands, and legal interpretations that obscure our implementation of the rules and regulations of intellectual property and copyright.

Simultaneously, the Librarian of Congress must be an intellectual inspiration, with an acumen and articulateness that capture the attention of an argumentative society of free people struggling to govern themselves amid the tempests of a world so complex that true cultural understanding is rare and difficult to achieve.

If that formidable job sounds like the one most librarians work at every day, then that suggests an excellent place for our president to begin the search for candidates: in our nation’s libraries.

It is our duty, through ALA and through all of our most effective connections to government, to help the president find the right librarian to lead our national library. We all know she or he is out there ready and waiting to accept the challenge."

Bad News: Supreme Court Refuses to Review Oracle v. Google API Copyright Decision; Electronic Frontier Foundation (EFF), 6/29/15

Michael Barclay and Corynne McSherry, Electronic Frontier Foundation (EFF); Bad News: Supreme Court Refuses to Review Oracle v. Google API Copyright Decision:

"Sadly, today the U.S. Supreme Court refused to review the Federal Circuit’s dangerous decision in Oracle v. Google. Oracle claims a copyright on the Java Application Programming Interface (API), and that Google infringed that copyright by using certain Java APIs in the Android OS. The Federal Circuit had ruled in Oracle’s favor, reversing a well-reasoned district court opinion holding that the APIs in question were not subject to copyright. Google had asked the Supreme Court to review the Federal Circuit decision. On behalf of 77 computer scientists, EFF had filed an amicus brief supporting Google’s petition.

The Federal Circuit’s decision has been harshly criticized for its misunderstanding of both computer science and copyright law. APIs are, generally speaking, specifications that allow programs to communicate with each other, and are different than the code that implements a program. Treating APIs as copyrightable would have a profound negative impact on interoperability, and, therefore, innovation.

Today’s decision doesn’t mean that Oracle has won the lawsuit. The case will now return to the district court for a trial on Google’s fair use defense."

The DOJ's Copyright Fetish Might Screw Up the Internet's Future; Forbes, 6/9/15

Marvin Ammori, Forbes; The DOJ's Copyright Fetish Might Screw Up the Internet's Future:

"The DOJ asked the Supreme Court not to review a lower court decision that said API interfaces are copyrightable. But that decision threatens new and existing websites and devices that we all rely on. Hopefully, the Supreme Court will ignore the DOJ’s recommendation and eventually reverses the lower court.

“But what’s an API?” you ask. API stands for “application programming interface” and is essentially a way for software developers to interact with information on other sites or on their own sites. When you go to a restaurant’s website and see an embedded map of the location, the restaurant’s developers didn’t create the map from scratch. They merely used an API—perhaps the Google Maps or Mapbox API—to get a map for the location. An API lets one company build on another’s innovation; we don’t all have to create a global mapping company merely to give directions to our restaurants. An API obviously has two parts: the interface and the code behind it. The interface is essentially a shortcut available to others (imagine “1899 M St. NW location” or some other shortcut that probably every map developer already knows) and the code behind it is all the complicated computer lines that create the visual map.

The case at issue involves whether the interfaces—just the shortcuts, not the code behind it—are copyrightable. It arises out of a lawsuit between Oracle and Google concerning the Java programming language. Computer programmers use a variety of “languages” to create websites and apps—they’re called Ruby on Rails, Python, Erlang, C+, Basic, and so on. Some languages are more popular than others, the same way English is more popular than Icelandic or Dutch."

‘Hand to God’ Play Sued by Abbott and Costello Heirs Over Use of ‘Who’s on First?’; New York Times, 6/4/15

Andrew R. Chow, New York Times; ‘Hand to God’ Play Sued by Abbott and Costello Heirs Over Use of ‘Who’s on First?' :

"The Broadway play “Hand to God” has ridden its foul-mouthed humor, as well as a wry use of Bud Abbott and Lou Costello’s “Who’s on first?” baseball routine, to five Tony nominations.

But the estate of Abbott and Costello is trying to catch the play stealing just days before the Tony ceremony on Sunday. The comedians’ heirs on Thursday sued over the play’s use of the famous routine.

“Filing a lawsuit on the eve of the Tony awards is obviously nothing more than a stunt,” the play’s lead producer, Kevin McCollum, said in an email. “Frankly, we welcome the attention.”

The federal lawsuit, filed in the Southern District of New York, is claiming copyright infringement against the playwright Robert Askins, the producers and the promoters. The estate said cease-and-desist requests were sent after the play opened on Broadway in April, and it is seeking damages and lawyers’ fees."

Review: ‘Notes of a Native Song’ Is Stew’s Homage to James Baldwin; New York Times, 6/4/15

Charles Isherwood, New York Times; Review: ‘Notes of a Native Song’ Is Stew’s Homage to James Baldwin:

"The concept, according to Stew, who wrote the lyrics and text and collaborated with Heidi Rodewald on the music, is to present Baldwin “as a blues singer,” although the music is primarily rock-driven, as was the case with their “Passing Strange,” which opened at the Public Theater and subsequently moved to Broadway. Stew also jokes that he might be accused of “spiritual copyright infringement” in creating that show, because he has long been inspired by Baldwin’s own journey. As with Baldwin, who wrote most of his work during a long exile from America spent mostly in France, Stew’s artistic development took place partly in Europe and was dramatized in “Passing Strange.”

He certainly needn’t worry about actual copyright infringement in “Notes of a Native Song.” For the most part, the details of Baldwin’s life are alluded to haphazardly; don’t expect anything close to a linear biography, or even a nonlinear one."

Medicine’s Hidden Roots in an Ancient Manuscript; New York Times, 6/1/15

Mark Schrope, New York Times; Medicine’s Hidden Roots in an Ancient Manuscript:

"Scholars are just beginning to pore over the text, the oldest known copy of Galen’s “On the Mixtures and Powers of Simple Drugs.” It may well provide new insights into medicine’s roots and into the spread of this new science across the ancient world...

Little is known of the history of the manuscript in Baltimore, formally known as the Syriac Galen Palimpsest, from its recycling in the 11th century until the 1920s, when it was sold to a private collector in Germany. After that, the manuscript fell again from public view until 2002, when it was purchased by a collector in a private sale. He has not been publicly identified.

In 2009, the Galen Palimpsest was lent to the Walters Art Museum for spectral imaging of its leaves by an independent group of specialists, which would reveal the erased Galen undertext. Each page is photographed digitally at extremely high resolution with varying colors and configurations of light, which in various ways illuminate the inks, grooves from writing and parchment itself. Computer algorithms exploit these variations to maximize the visibility of the undertext.

The resulting images went online under a “creative commons” license, meaning that anyone can use the material free for any noncommercial purpose. Once the images were online, William Noel, who was the curator of manuscripts and rare books at the museum, began organizing members of the tiny community of scholars who study Syriac scientific texts to study the new material."

‘The Last Bookaneer,’ by Matthew Pearl; New York Times Sunday Book Review, 5/29/15

John Vernon, New York Times Sunday Book Review; ‘The Last Bookaneer,’ by Matthew Pearl:

"The novelistic conceit of “The Last Bookaneer” is based on the historical fact that until the passage of the International Copyright Act of 1891, the pirating of books, especially books by British authors, was common in America. Set at the time of the act’s passage, Pearl’s novel tells a one-last-heist story of two rival pirates, Penrose Davenport and a mysterious malefactor called Belial, who separately leave for Samoa, where Robert Louis Stevenson is finishing what promises to be his final novel. (Stevenson and his family did indeed spend his last years in Samoa.) Each bookaneer hopes to steal Stevenson’s manuscript and sell it to a New York publisher before the law goes into effect on July 1, which means they’re engaged in a race against time...

In his asides, Pearl can be smart and inventive. He clearly knows the quirky history of books, especially those by the great 19th-century writers. The voice of his narrator, a bookseller by trade, is authentic and convincing, with just the right dash of stuffiness and complaint. In fact, the best thing about “The Last Bookaneer” may be the opportunity it provides for its author to comment on writers, bibliophiles and publishers, with sly allusions to today’s changing and threatened book culture. The closure of a bookshop, Fergins remarks, is a “failure of mankind — a sign . . . that bookshops will one day disappear altogether and be replaced by mail order.”"

How copyright law threatens your right to repair your car; Vox, 5/28/15

Timothy B. Lee, Vox; How copyright law threatens your right to repair your car:

"The DMCA prohibits anyone from "circumventing" electronic locks that prevent copying of copyrighted content, including software. The law was designed for the kind of copy-prevention schemes used by DVDs and online music stores like iTunes.

But the software baked into your car is also copyrighted. In theory, that means carmakers could invoke the DMCA to shut down third-party diagnostic tools, shut out independent mechanics, and prevent customers from repairing their own vehicles. Earlier this year, the Electronic Frontier Foundation filed a petition with the Librarian of Congress, which has the authority to grant DMCA exemptions, to allow customers and independent mechanics to repair their vehicles without the permission of automakers.

Most automakers oppose the petition. General Motors, for example, argues that the ban on tinkering with car software is an important safety feature. "The proposed exemption presents a host of potential safety, security and regulatory concerns that proponents have not fully considered," the carmaker says.

They point out, for example, that someone could use software to disable a car's airbag and then sell the vehicle to another customer, who would have no way of knowing the airbag wouldn't deploy in an accident.

This isn't a crazy argument. The software on your smartphone or PC can't get anyone killed. The software in your car can. So it's worth being concerned about the safety risks of unauthorized software tampering.

But people have had the ability to modify their cars in potentially dangerous ways since long before the invention of software."

No more DIY farmer? John Deere copyright battle brings farm equipment ownership in question; Kankakee Daily Journal, 5/30/15

Dennis Moran, Kankakee Daily Journal; No more DIY farmer? John Deere copyright battle brings farm equipment ownership in question:

"Deere & Co. is among major manufacturers engaged in a U.S. Copyright Office battle, one over sophisticated electronic systems.

At issue is access to the software controlling much of the operation of modern cars, trucks and tractors. The software is copyright-protected and, beyond that, locked to prevent hackers and do-it-your-selfers from altering or copying it.

The people and organizations asking the Copyright Office to permit access to the software say it's a matter of fully "owning" the tractor or car you paid for, and that open access would enable consumers to make do-it-yourself repairs without having to go through authorized repair shops with software access codes.

Deere isn't the only company fighting the proposed change — General Motors, the Association of Global Automakers and Eaton Corporation are among the half dozen or so companies and manufacturer associations filing briefs in opposition — but it seems to have become the whipping boy for the opposition with one provocative online story making the rounds.

"We Can't Let John Deere Destroy the Very Idea of Ownership," reads a headline for an opinion piece on Wired, a popular magazine that reports on the culture of emerging technologies."

Appropriation art meets Instagram: Is copyright law ready?; MSNBC, 5/26/15

Christopher Buccafusco, MSNBC; Appropriation art meets Instagram: Is copyright law ready? :

"Prince is an appropriation artist; he takes other people’s works and repurposes them in new, slightly different ways. The field of appropriation art dates back to Marcel Duchamp’s Fountain, a signed and dated urinal laid flat on the ground, and it includes Sherrie Levine’s re-photographing of famous Walker Evans images. An appellate court in New York recently declared that Prince’s modifications to photographs taken by Patrick Cariou were fair use, insulating Prince from liability for copyright infringement.

In his new work, Prince isn’t borrowing from established artists—he may be borrowing from you. His new show in New York’s Frieze Art Fair includes blown up images taken (I assume, without authorization) from other people’s Instagram accounts. According to The Washington Post, Prince left the images and the usernames intact, but he substituted his own, somewhat unusual comments beneath the images.

Will the original Instagram users be upset? They might be after they hear that Prince’s works sold for $90,000 each. Will they successfully be able to sue him? Probably not.

Again, the reason why will be the fair use doctrine. Copyright law gives people rights to encourage creativity. Although copying someone else’s creative work without paying for it is often against the law, certain kinds of copying isn’t. The fair use doctrine protects some kinds of copying when doing so is beneficial to society. For example, a reviewer can reproduce a portion of a book or movie in order to criticize it."

A reminder that your Instagram photos aren’t really yours: Someone else can sell them for $90,000; Washington Post, 5/25/15

Jessica Contrera, Washington Post; A reminder that your Instagram photos aren’t really yours: Someone else can sell them for $90,000:

"This month, painter and photographer Richard Prince reminded us that what you post is public, and given the flexibility of copyright laws, can be shared — and sold — for anyone to see. As a part of the Frieze Art Fair in New York, Prince displayed giant screenshots of other people’s Instagram photos without warning or permission...

The collection, “New Portraits,” is primarily made up of pictures of women, many in sexually charged poses. They are not paintings, but screenshots that have been enlarged to 6-foot-tall inkjet prints. According to Vulture, nearly every piece sold for $90,000 each.

How is this okay?

First you should know that Richard Prince has been “re-photographing” since the 1970s. He takes pictures of photos in magazines, advertisements, books or actors’ headshots, then alters them to varying degrees. Often, they look nearly identical to the originals. This has of course, led to legal trouble. In 2008, French photographer Patrick Cariou sued Prince after he re-photographed Cariou’s images of Jamaica’s Rastafarian community. Although Cariou won at first, on appeal, the court ruled that Prince had not committed copyright infringement because his works were “transformative.”"

The Turtles Win Class Action Certification In SiriusXM Copyright Lawsuit, Opening Door For Others; Forbes, 5/28/15

Nomi Prins, Forbes; The Turtles Win Class Action Certification In SiriusXM Copyright Lawsuit, Opening Door For Others:

"Legally, theses suits hinge on the demarcation between federal and state copyright laws. Under Section 114 of the federal Copyright Act, there is a statute of limitations on exclusive rights to recordings made on or after February 15, 1972. SiriusXM and others are operating legally under that law. Certain state laws, on the other hand, cover pre-1972 recordings. The Turtles have filed class-action suits against SiriusXM in California, Florida and New York, requesting more than $100 million in damages.

Granting this suit class action status leaves the door wide open for other artists with pre-1972 recordings to enter the class. The result could be substantial settlements, or many years of litigation, or both."

Publishing World Gathers This Week for Book Conventions; Associated Press via New York Times, 5/26/15

Associated Press via New York Times; Publishing World Gathers This Week for Book Conventions:

"The digital revolution that was supposed to have prevailed by now remains stalled. Independent bookstores, supposedly on the same path to oblivion as video stores and record shops, have grown for six consecutive years. Authors and agents are unhappy with the standard e-book royalty, 25 percent, but the once-predicted exodus to Amazon and other digital companies offering higher rates has yet to happen.

"I think traditional publishing offers elements that are still essential to writers and readers," said Roxana Robinson, president of the Authors Guild, a trade association for thousands of writers. "No one in the writing community likes the low e-book royalty rates, and I think you'll see a concerted effort to change them. But for many writers, the advantages offered by traditional houses still outweigh the disadvantages."

"It's not that nothing has changed," said literary agent Eric Simonoff, noting the downfall of the Borders superstore chain and the prevalence of e-books for romance novels and other genres. "But it's still a generally healthy business and it's still primarily physical books. It speaks to the reports of the demise of publishing being greatly exaggerated.""

Obama administration asks U.S. top court to decline Google copyright appeal; Reuters, 5/26/15

Lawrence Hurley and Dan Levine, Reuters; Obama administration asks U.S. top court to decline Google copyright appeal:

"The Obama administration on Tuesday sided against Google Inc and said the U.S. Supreme Court should not hear the company's appeal in a case against Oracle Corp with wide implications for the technology industry, according to a court filing.

The case involves how much copyright protection should extend to the Java programing language. Oracle won a federal appeals court ruling last year that allows it to copyright parts of Java, while Google argues it should be free to use Java without paying a licensing fee.

Google, which used Java to design its Android smartphone operating system, appealed to the U.S. Supreme Court. The high court then asked the Obama administration in January for its opinion on whether it should take the case because the federal government has a strong interest."

Mr Holmes and the strange case of the alleged copyright infringement; Guardian, 5/26/15

Ben Child, Guardian; Mr Holmes and the strange case of the alleged copyright infringement:

"The estate of Sir Arthur Conan Doyle is suing Hollywood studio Miramax over a forthcoming detective mystery starring Ian McKellen as an elderly Sherlock Holmes.

Bill Condon’s film Mr Holmes is based on the 2005 book A Slight Trick of the Mind by US author Mitch Cullin, but Conan Doyle’s heirs say it also borrows from later stories by the great Scottish novelist which remain under copyright in the US. Most Sherlock Holmes stories are now in the public domain, a situation which has led to a glut of productions featuring the famous sleuth on the big and small screens in recent years.

The new suit was filed in New Mexico, where Cullin was born, last week. It is the latest attempt by the Conan Doyle estate to re-establish copyright over Sherlock Holmes stories in the US, and follows the failure of a previous legal action last August."

Judge Wants to Know If 'Happy Birthday' Copyright Was Abandoned; Hollywood Reporter, 5/18/15

Eriq Gardner, Hollywood Reporter; Judge Wants to Know If 'Happy Birthday' Copyright Was Abandoned:

"U.S. District Judge George King wants to hear more about whether the 19th century schoolteacher who has been credited with writing "Happy Birthday to You" — the English language's most popular song — had abandoned the copyright to the lyrics. On Monday, King directed parties involved in a fight over whether the song is copyrighted to brief him on the issue of abandonment.

The lawsuit is a proposed class action that if successful would mean that film and TV producers no longer have to pay license fees to use the song. Is the "Happy Birthday" licensing cash cow about to be over? Maybe not. Although the deceptive headline might suggest otherwise, King's new order could actually be a favorable sign for defendant Warner/Chappell in its efforts to defend the validity of its copyright.

To understand why this is potentially good news for the song publisher, one must understand the arguments presented at summary judgment."

Google Wins Copyright And Speech Case Over 'Innocence Of Muslims' Video; NPR, 5/18/15

Bill Chappell, NPR; Google Wins Copyright And Speech Case Over 'Innocence Of Muslims' Video:

"In a complicated legal battle that touches on questions of free speech, copyright law and personal safety, a federal appeals court has overturned an order that had forced the Google-owned YouTube to remove an anti-Muslim video from its website last year.

Both of the recent decisions about the controversial "Innocence Of Muslims" video originated with the 9th U.S. Circuit Court of Appeals. Last year, a three-judge panel agreed with actress Cindy Lee Garcia's request to have the film taken down from YouTube on the basis of a copyright claim. But Monday, the full en banc court rejected Garcia's claim.

"The appeal teaches a simple lesson — a weak copyright claim cannot justify censorship in the guise of authorship," Circuit Judge M. Margaret McKeown wrote in the court's opinion."

The benefits of studying copyright law? They're patently obvious; Guardian, 5/14/15

Oli Palmer, Guardian; The benefits of studying copyright law? They're patently obvious:

"Copyright law is at the forefront of a changing technological world. It moves incredibly fast in unexpected capacities, which makes it a fascinating subject to study at university...

Studying copyright law forces you to become creative. This form of law is relatively young, which means there are many grey areas you’ll have to make decisions on. In effect, you become the judge.

Studying copyright law can also help you to acquire skills many law firms and other businesses desire, such as an acute attention to detail...

“A student who wishes to acquire commercial awareness would find the study of copyright law extremely useful for his or her professional development.”...

But the best thing about copyright law is how enjoyable it is and how applicable it is to everyday life, which is bizarre when you consider the intangible nature of its rights.

Rachel Metcalf, 22, who studied copyright law at Durham University, says: “My studies gave me an awareness of why the law should be appreciated by all, not just lawyers.”

Merely reading this article is interacting with copyright. So is watching back-to-back episodes of Breaking Bad on Netflix, or listening to your Friday night Spotify playlist. Why not begin to read between the lines?"

Super-scholars: MPAA offers $20,000 for academic research in copyright battle; Guardian, 5/7/15

Sam Thielman, Guardian; Super-scholars: MPAA offers $20,000 for academic research in copyright battle:

"If you’re an academic who loves conservative interpretations of copyright law, the MPAA might be willing to pay you enough to go see The Avengers about 1,500 times (not in 3D, though).

In an effort to “fill gaps in knowledge and contribute to a greater understanding of challenges facing the content industry”, the Motion Picture Association of America is available to fund academic research to the tune of $20,000 per successful proposal, according to guidelines released recently by the movie industry lobbying group.

An email from the Sony WikiLeaks hack, quoted by copyright news site TorrentFreak, had a fairly direct statement about the conference’s purpose from Sony global general counsel Steven B Fabrizio: “[T]he MPAA is launching a global research grant program both to solicit pro-copyright academic research papers and to identify pro-copyright scholars who we can cultivate for further public advocacy.”"

[Podcast] Providing Universal Access to Modern Materials – and Living to Tell the Tale, Spring 2015

[Podcast] Providing Universal Access to Modern Materials – and Living to Tell the Tale:

"The Internet Archive (IA), an independent non-profit, provides access to digital materials (including books, websites, music, video, TV and software) on the Internet. In this plenary talk from CNI's recent spring meeting, digital library pioneer and IA founder Brewster Kahle describes the particular challenge of providing open access to modern materials, particularly in light of repeated admonishments by legal advisors that, in doing so, "bad things would happen."

Providing Universal Access to Modern Materials – and Living to Tell the Tale is now available online:

YouTube: https://youtu.be/-bW0v2F9Rgc

Vimeo: https://vimeo.com/125044497"

Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard; New York Times, 5/4/15

Ron Cowen, New York Times; Ghostly Voices From Thomas Edison’s Dolls Can Now Be Heard:

"Last month, the Historical Park posted online three never-before-heard Edison doll recordings, including the two from the Rolfses’ collection. “There are probably more out there, and we’re hoping people will now get them digitized,” Mr. Fabris said.

The technology, which is known as Irene (Image, Reconstruct, Erase Noise, Etc.), was developed by the particle physicist Carl Haber and the engineer Earl Cornell at Lawrence Berkeley. Irene extracts sound from cylinder and disk records. It can also reconstruct audio from recordings so badly damaged they were deemed unplayable.

“We are now hearing sounds from history that I did not expect to hear in my lifetime,” Mr. Fabris said.

The Rolfses said they were not sure what to expect in August when they carefully packed their two Edison doll cylinders, still attached to their motors, and drove from their home in Hortonville, Wis., to the National Document Conservation Center in Andover, Mass. The center had recently acquired Irene technology."

Grooveshark Shuts Down to Settle Copyright Infringement Suit; New York Times, 4/30/15

Ben Sisario, New York Times; Grooveshark Shuts Down to Settle Copyright Infringement Suit:

"Add Grooveshark to the list of music websites that have been sued out of existence over copyright infringement.

On Thursday, Grooveshark, a free streaming site that once had 35 million users and advertising from the likes of Mercedes-Benz — but which drew the ire of major record companies for failing to receive permission for hosting music — agreed to shut down, ending a series of lawsuits stretching back four years.

In a statement posted on its site, Grooveshark said, “We started out nearly 10 years ago with the goal of helping fans share and discover music. But despite best of intentions, we made very serious mistakes. We failed to secure licenses from rights holders for the vast amount of music on the service. That was wrong. We apologize.”

Grooveshark said it had also agreed to “wipe clean all of the record companies’ copyrighted works and hand over ownership of this website, our mobile apps and intellectual property, including our patents and copyrights.”"

Library Associations Spearhead New Copyright Coalition; Library Journal, 4/30/15

Lisa Peet, Library Journal; Library Associations Spearhead New Copyright Coalition:

"A group of technology companies, trade associations, and civil society organizations have joined forces to form Re:Create, a national coalition to advocate for balanced copyright policy. In the wake of recent proposals to amend the Digital Millennium Copyright Act, as well as constant advances in the field of knowledge creation, coalition members are calling for responsive copyright law that balances the interests of those who create information and products with those of users and innovators, providing robust exceptions as well as limitations to copyright law in order that it not limit new uses and technologies.

Particular attention will be paid to the concept of fair use, considered a “safety valve” within U.S. copyright law and an important reinforcement of the First Amendment right to freedom of expression. This emphasis is particularly timely, as on April 29 register of copyrights Maria Pallante announced at a House Judiciary Committee hearing that the U.S. Copyright Office would launch a Fair Use Index—a searchable database listing court opinions pertaining to fair use...

Partners from all sectors will be working together toward Re:Create’s agenda: ALA, the Association of Research Libraries (ARL), the Center for Democracy & Technology, the Computer & Communications Industry Association, the Consumer Electronics Association, the Electronic Frontier Foundation, the Media Democracy Fund, New America’s Open Technology Institute, Public Knowledge, and the R Street Institute. According to its website, Re:Create will be “Supporting a Pro-Innovation, Pro-Creator, Pro-Consumer Copyright Agenda.”"

Periscope Piracy Sets Up Grudge Match: Hollywood vs. Twitter; Variety, 5/3/15

Andrew Wallenstein, Variety; Periscope Piracy Sets Up Grudge Match: Hollywood vs. Twitter:

"Forget Mayweather-Pacquiao. There’s a more interesting fight brewing between Twitter and Hollywood.

The piracy of Saturday’s welterweight boxing championship enabled by Periscope, a livestreaming app recently acquired by Twitter, is setting up a conflict that could be just as brutal.

HBO and Showtime, which partnered on what will likely be the most popular boxing pay-per-view event ever, took a one-two punch of their own Saturday. First, they watched multiple pay-TV distributors experience technical problems transmitting the fight, which probably cut into their sales total.

But what made matters even worse is that countless people who did pay for the fight used their smartphones to re-transmit the fight to users of Periscope and, to a lesser extent, rival app Meerkat. Each stream reached hundreds or thousands of non-paying fans with a picture quality that was shaky and pixilated, yet still quite adequate."

Why the U.S. Copyright Office Wants to Run Away From Home; National Journal, 4/30/15

Kaveh Waddell, National Journal; Why the U.S. Copyright Office Wants to Run Away From Home:

"A federal office that has taken on the role of digital custodian and is now in charge of such 21st-century regulatory activities as approving mobile-phone jailbreaking and setting royalty rates for Internet radio says it needs out of its 19th-century home.

The U.S. Copyright Office has been part of the Library of Congress since 1897, and the office's director, Maria Pallante, told a congressional panel Wednesday it's time for a change, saying her office's hands are often tied as a part of the Library of Congress.

"The office's current organizational structure is under strain because the copyright system has evolved and because digital advancements have changed the expectations of the public," Pallante said in a written statement. She asked the committee to codify the Copyright Office's independence.

In many ways, an independent Copyright Office would operate much like it does now, Pallante said. Although part of a legislative-branch entity, the Justice Department has recognized that the Copyright Office behaves like, and should be treated like, an executive-branch agency.

In its current form, the office's uncertain legal status and subordination to the Library of Congress can create problems. A Government Accountability Office report last month found that the library's IT services, which the Copyright Office relies on, are stuck in the past and are detrimental to its work. And Pallante says it's difficult for her to hire the staff her office needs because of the conflicts between the mission—and the budget—of the Copyright Office and that of the Library of Congress."

Less Noise but More Money in Data Science; New York Times, 4/28/15

Steve Lohr, New York Times; Less Noise but More Money in Data Science:

"There is an apparent contradiction between the buoyant job market for big data practitioners and Gartner’s judgment that, on the perception scale, big data has moved from high expectations to what Gartner calls the “trough of disillusionment.” But, in fact, it fits a familiar pattern of technology absorption and use. Significant new technologies always take time to move into the mainstream as people and organizations learn to exploit them. It takes years.

The classic study of the phenomenon, “The Dynamo and the Computer: An Historical Perspective on the Modern Productivity Paradox,” by Paul David, an economic historian at Stanford University, was published in 1990. In it, Mr. David noted, the electric motor was introduced in the early 1880s, but its real payoff in productivity was not evident until the 1920s. It took that long for businesses to reorganize work around the industrial production line, the efficiency breakthrough of its day, made possible by the electric motor.

Similarly, it took a while for personal computers and the Internet to deliver big gains. And so too for big data, which harnesses computing, modern digital data and the software tools of artificial intelligence.

A report this week from Forrester Research described the challenge ahead. “Businesses are drowning in data but starving for insights,” the report began. “Worse, they have no systematic way to turn data into action.”"

Google Reaches Out to European Publishers, With $165 Million in Hand; New York Times, 4/28/15

Mark Scott, New York Times; Google Reaches Out to European Publishers, With $165 Million in Hand:

"Less than two weeks after the European Commission filed antitrust charges against Google for abusing its dominant position in online search, the company said it would spend 150 million euros, or $165 million, over the next three years to help European publishers and newspapers adapt to the digital world.

And by announcing the plan, the Digital News Initiative, Google was trying to assuage fears from many European newspapers, including Axel Springer of Germany, that the search giant held too much control over how Europeans access online content, analysts said. Google has a roughly 90 percent market share across the 28-member bloc, more than its stake in the American market.

The creation of Google’s program also comes before new potential problems for the company in Europe, including potential changes to Europe’s copyright rules."

The Man Who Broke the Music Business: The dawn of online piracy; New Yorker, 4/27/15

Stephen Witt, New Yorker; The Man Who Broke the Music Business: The dawn of online piracy:

"Napster lasted barely two years, in its original incarnation, but at its peak the service claimed more than seventy million registered accounts, with users sharing more than two billion MP3 files a month. Music piracy became to the early two-thousands what drug experimentation had been to the late nineteen-sixties: a generation-wide flouting of both social norms and the existing body of law, with little thought for consequences. In late 1999, the Recording Industry Association of America, the music business’s trade and lobbying group, sued Napster, claiming that the company was facilitating copyright infringement on an unprecedented scale. Napster lost the lawsuit, appealed, and lost again. In July, 2001, facing a court order to stop enabling the trade of copyrighted files, Napster shut down its service.

That legal victory achieved little. Former users of Napster saw Internet file-sharing as an undeniable prerogative, and instead of returning to the record stores they embraced gray-market copycats of Napster, like Kazaa and Limewire. By 2003, global recording-industry revenues had fallen from their millennial peak by more than fifteen per cent. The losing streak continued for the next decade.

The R.I.A.A. tried to reassert the primacy of the industry’s copyrights. But civil suits against the peer-to-peer services took years to move through the appeals courts, and the R.I.A.A.’s policy of suing individual file-sharers was a public-relations disaster. To some at the music labels, Congress seemed disinclined to help. Harvey Geller, Universal’s chief litigator, spent years futilely petitioning legislators for better enforcement of copyright law. “Politicians pander to their constituents,” Geller said. “And there were more constituents stealing music than constituents selling it.”"

Dice Loaded Against Public in Canada's Copyright Term Extension; Electronic Frontier Foundation (EFF), 4/22/15

Jeremy Malcolm, Electronic Frontier Foundation (EFF); Dice Loaded Against Public in Canada's Copyright Term Extension:

"The announcement of the Canadian Government's plan to extend copyright terms for sound recordings came as a surprise when it was released in Canada's federal budget yesterday. The smooth stage management of the announcement has to be admired, accompanied as it was by pre-prepared soundbites from Canada's music A-list extolling the benefits of this handout. In fact, with all the drama and glamor of the announcement, all that was missing was any prior public consultation or debate that could give the government an actual mandate to make this sweeping change to Canadian law.

This extension only applies to copyright in sound recordings and performances, which have always been treated differently to the copyright of authors. The rights of authors, for example songwriters, continues on from their death under international copyright law, which recognizes the qualitative difference in the creativity involved."

Woman Who Designed 'Welcome to Fabulous Las Vegas' Sign Dies; Associated Press via New York Times, 4/21/15

Associated Press via New York Times; Woman Who Designed 'Welcome to Fabulous Las Vegas' Sign Dies:

"The woman who came up with a neon sign that has welcomed countless visitors to "fabulous Las Vegas" since 1959 has died.

Betty Willis, credited with designing the "Welcome to Fabulous Las Vegas" sign, died in her Overton, Nevada, home on Sunday, according to an obituary on the Virgin Valley & Moapa Valley Mortuaries' website.

The 91-year-old artist's often-copied sign sits in a median in the middle of Las Vegas Boulevard south of the Strip.

"It's the most recognizable icon in the world," said Danielle Kelly, executive director of The Neon Museum in Las Vegas, where the signs of Sin City's past are retired and on display.

The welcome sign's design, which doesn't have a copyright owner, has become a fixture on travel tchotchkes from Vegas and everywhere else, Kelly said."

Why I'm Betting On Cities And Data; Huffington Post, 4/20/15

Michael R. Bloomberg, Huffington Post; Why I'm Betting On Cities And Data:

"Technology has unleashed an explosion of new information for city halls to work with. The possibilities for how cities can use that data to improve lives -- and improve the way services are provided to citizens -- are limitless.

To help more cities embrace those possibilities, today Bloomberg Philanthropies is launching a new national program called What Works Cities. It is the most comprehensive effort yet to help city leaders use data and evidence in their decision-making to improve the lives of residents.

The $42 million program will do that by offering technical support and guidance to cities who want to do more with data. Working with a group of world-class partners, we'll help cities create plans for using data and evidence to reach concrete goals that their mayors identify as high priorities.

We'll also provide a forum for cities to work together and learn from each other. Sharing ideas and experiences is important, because cities face many common challenges. They shouldn't have to reinvent the wheel -- wasting employees' time and taxpayers' money -- when they don't have to. By giving cities a way to study the best examples of how others are using data, we'll help them take big steps forward.

City governments have a responsibility to make the most of every dollar, and data helps them do that."

Proposed Update to Copyright Rules Eases Barriers to Security Research; National Journal, 4/20/15

Kaveh Waddell, Comic Book Resources; Proposed Update to Copyright Rules Eases Barriers to Security Research:

"Researchers who hack into everything from thermostats to Facebook so they can identify and help patch security holes may get a little assistance from Congress.

Legislation proposed last week would change copyright law to make it easier for these security researchers—not malicious hackers—to find and expose software vulnerabilities without getting in trouble for it.

The 1998 Digital Millenium Copyright Act made it illegal to get around technology protections—that includes ripping DVDs, copying video games, and in some cases, even jailbreaking your own smartphone. One provision of the act offers exemptions for certain activities. Ostensibly, security research is one of those activities, but the way the law is set up makes it difficult to get exemptions for research, critics say...

The bill likely faces an uphill battle."

'Fantastic Four' trailer leaked, pulled fast on copyright grounds; CNet, 4/19/15

Michael Franco, CNet; 'Fantastic Four' trailer leaked, pulled fast on copyright grounds:

"Summer's the season for blockbuster movie releases, which means spring is the time for blockbuster-movie trailers. And this spring, it seems leaked trailers are going to be all the rage. Just last week, director Zack Snyder announced that a special screening for the trailer for the upcoming "Batman v Superman" film was to be held in IMAX theaters around the US on Monday. Then the trailer leaked online, forcing the studio to release the official trailer earlier than they'd have liked.

Now we have a just-leaked version of the new "Fantastic Four" film that's been posted online a day earlier than its official release date on Monday.

The trailer was leaked by a YouTube user going by the name of lioonelx. It's the only video posted by the user, who remains completely anonymous in his YouTube profile."

HBO tracking down pirates who downloaded leaked Game of Thrones episodes; Sydney Morning Herald, 4/20/15

Sydney Morning Herald; HBO tracking down pirates who downloaded leaked Game of Thrones episodes:

"If you've received a letter in the mail, you'll be relieved to know it carries no legal ramifications, as it's impossible to determine the individual who breached copyright from an IP address. However, repeated incidents could put a user in breach of their ISP's terms of service and result in termination of their account.

It's likely HBO simply hopes notifying users will make them think twice about their options before pirating next time (those options currently being Foxtel or wait, as HBO has announced they'll be blocking Australians from sneaking into their HBO Now service). The reminder that rights holders can track users down is particularly timely for viewers in Australia, where Dallas Buyers Club LLC recently won the right to request ISPs hand over subscriber details, and the looming Trans-Pacific Partnership has scary implications for pirates as well.

Of course any BitTorrent users hiding their locations behind virtual private networks (VPNs) — which are used increasingly in Australia — would have been invisible to HBO's investigations."