For the sake of jobs and culture, copyright law must be protected; The Hill, August 2, 2017

John Singleton, The Hill; For the sake of jobs and culture, copyright law must be protected

"The American film and television industries sit at the intersection of art and commerce. Although we often like to think we are simply making art, we also need to make back the investors’ money. And, like in any business, investors want to see a potential path to that profitable return before signing a check. That was as true in 1991 as it is today. The difference is that the emergence of online piracy has had a measureable effect on the health of our industry, threatening the financial success of every single television show, indie film and summer blockbuster.

It’s easy to look at piracy in a vacuum and chalk the illegal streaming of a movie up to a mere $5 or $10 loss for Hollywood investors. Yet the aggregate cost of piracy goes far beyond that. It makes film and television companies far more risk-averse, narrowing their output to that which seems the most bankable, thereby creating a climate in which no one would be willing to take a chance on a 24-year-old with a script about inner city life.

And if they’re not taking those chances, then who is? Where does the next Kenneth Lonergan come from? Sofia Coppola? James Gunn? Paul Greengrass? John Singleton?"

Is the threat of a copyright lawsuit stifling music?; BBC News, July 12, 2017

Chi Chi Izundu, BBC News; Is the threat of a copyright lawsuit stifling music?

"You would be hard-pushed to find a musician in the charts whose work hasn't taken inspiration from their idols and contemporaries.

Now though, music experts have told the Victoria Derbyshire programme that artists are being advised not to mention publicly who has inspired them.

This is because of a high-profile copyright infringement case in which US jurors ruled that Robin Thicke and Pharrell Williams, on their song Blurred Lines, had copied Marvin Gaye's Got To Give It Up."

The Internet Is Where We Share — and Steal — the Best Ideas; New York Times, June 6, 2017

Jenna Wortham, New York Times; The Internet Is Where We Share — and Steal — the Best Ideas

"In April, a photograph of Rihanna and Lupita Nyong’o taken at a Miu Miu fashion show three years ago began recirculating online. Their friendly body language and chic clothes (Rihanna wore thigh-highs, fur and leather; Lupita a plum jacket with a jeweled collar) caught the imagination of the internet. A Twitter user named @1800SADGAL suggested that “Rihanna looks like she scams rich white men and Lupita is the computer-smart best friend that helps plan” the scams. People began talking about an “Ocean’s 11”-type film written by and starring black women. Issa Rae was nominated to write the script and Ava DuVernay to direct. All four women chimed in on Twitter, announcing their support, though what that meant seemed unclear. Like any other online frenzy, it disappeared after a few days.

But a few weeks later, Entertainment Weekly reported that the social-media fantasy was actually coming to life: Netflix beat out several bidders at Cannes to buy the concept, which could go into production as early as next year. Viewed one way, this is a tale about how the web has collapsed the distance between audience and creator. But it also raises questions about ownership in the digital age."

World copyright day: NCC seizes N600m pirated books; The Guardian, April 30, 2017

Sam Oluwalana, The Guardian; 

World copyright day: NCC seizes N600m pirated books

"The Lagos State operatives of the Nigerian Copyright Council (NCC) recently impounded pirated books valued at about N600m. National President of the Nigerian Publishers Association (NPA), Mr. Adedayo Gbadega, disclosed this at a conference organised by the association in Ibadan, Oyo State, to commemorate the World Books, and Copyright Day.

With theme, “Collaborative Efforts At Curbing The Menace Of Book Privacy [sic] In Nigeria,” the event served as platform for major stakeholders in the industry to air their views on copyright and piracy in the country.

According to Gbadega, books and other intellectual materials have suffered a lot from the hands of pirates and this has caused a lot of conflict between publishers and actors, who see their books all over the place, but have nothing in term of financial rewards to show for it."

This ‘Stranger Things’ / ‘A Charlie Brown Christmas’ Mashup Is — Wait, Come Back, It’s Actually Really Good; Comics Alliance, 10/28/16

Chris Sims, Comics Alliance; This ‘Stranger Things’ / ‘A Charlie Brown Christmas’ Mashup Is — Wait, Come Back, It’s Actually Really Good:

"Listen, I’m as tired of stuff that mashes up two things that nerds like into one chimera of presumed awesomeness as everyone else is, but every now and then, that rare thing comes along that’s just really, really well done and well worth seeing. Today, we have one of those: Leigh Lahev and Oren Mendez’s Merry Christmas, Will Byers.

The animated short is, of course, a mashup that parodies Stranger Things and the classic A Charlie Brown Christmas, but what sets it apart from your average It’s Two Things project (aside from not being a t-shirt) is that it’s really, really well done, and also builds to a pretty great punchline. Take three minutes and give it a watch!"

The Man Musicians Call When Two Tunes Sound Alike; New York Times, 10/11/16

Alex Marshall, New York Times; The Man Musicians Call When Two Tunes Sound Alike:

"People often hear similarities between songs when no copying has occurred, Mr. Bennett says. That should not be a surprise. Most songwriters follow a strict set of rules — songs being three to four minutes long or having four beats to a bar — so there is actually much scope for similarity. But the truth is that many songwriters do use other people’s music for inspiration.

“Society’s become enamored by the romantic myth of creativity,” he says. “The idea that inspiration comes to us in a genius-like way from God or the spirit or whatever. Often for songwriters, that is how it feels emotionally. But, of course, every songwriter is partly a product of their influences. Allowing yourself to be influenced by a song — just not copying the melody, chords or lyrics — is perfectly fine. I mean, isn’t that what songwriting actually is?”

Mr. Oxendale agrees. “A lot of famous songs have been created using reference tracks and there’s nothing wrong with that,” he says. “There would be no Beethoven without Haydn. Who would want to have lost his music?”"

STRANGER THINGS GETS BUFFY-STYLE CREDITS IN FAN VIDEO; Comic Book Resources, 9/26/16

Jacob Hill, Comic Book Resources; STRANGER THINGS GETS BUFFY-STYLE CREDITS IN FAN VIDEO:

"Considering its heavily ’80s-influenced tone, YouTuber Tony Harley decided to re-style “Stranger Things” with one of the most iconic opening sequences of the 1990s — the title sequence of “Buffy the Vampire Slayer.” It makes sense as both are stories about kids struggling against a strange supernatural threat and both star awesome ladies with three-part names. Millie Bobby Brown takes the place of Sarah Michelle Gellar as the lead-in character, while Winona Ryder gets the place of honor at the end of the credits — a place held by “Anthony Stewart Head as Giles” and later “Alyson Hannigan as Willow”."

It Gets Better: U.S. Patent and Trademark employees share their stories; U.S. Patent and Trademark Office, 6/25/15

[Video] U.S. Patent and Trademark Office; It Gets Better: U.S. Patent and Trademark employees share their stories:

[Kip Currier: While prepping for a patent lecture for my Intellectual Property and "Open" Movements course next week, I serendipitously found this inspiring "It Gets Better" video from 2015, featuring USPTO Director Michelle K. Lee and openly LGBT employees in the USPTO.]

"“Do not let the bullies of the world distract you from the commitment to achieve your fullest potential,’ says USPTO Director Michelle K. Lee in this video featuring stories from our employees, “It does get better.”"

To Boldly Go Where No Fan Production Has Gone Before; Slate, 7/13/16

Marissa Martinelli, Slate; To Boldly Go Where No Fan Production Has Gone Before:

"The issues at the heart of the Axanar case are complex—in addition to copyright infringement, CBS and Paramount are accusing the Axanar team of profiting from the production by paying themselves salaries, among other things. Abrams, who directed 2009’s Star Trek and 2013’s Star Trek Into Darkness, promised during a fan event back in May that the lawsuit would be going away at the behest of Justin Lin, the Beyond director who has sided, surprisingly, with Axanar over Paramount. But despite Abrams’ promise, the lawsuit rages on, and in the meantime, other Trekkie filmmakers have had to adapt. Federation Rising, the planned sequel to Horizon, pulled the plug before fundraising had even started, and Star Trek: Renegades, the follow-up to Of Gods and Men that raised more than $132,000 on Indiegogo, has dropped all elements of Star Trek from the production and is now just called Renegades. (Amusingly, this transition seems to have involved only slight tweaks, with the Federation becoming the Confederation, Russ’ character Tuvok becoming Kovok, and so on.) Other projects are stuck in limbo, waiting to hear from CBS whether they can boldly go forth with production—or whether this really does spell the end of the golden age of Star Trek fan films.

Axanar may very well have crossed a line, and CBS and Paramount are, of course, entitled to protect their properties. But in the process, they have suffocated, intentionally or otherwise, a robust and long-standing fan-fiction tradition, one that has produced remarkable labors of love like Star Trek Continues, which meticulously recreated the look and feel of the 1960s show, and an hourlong stop-motion film made by a German fan in tribute to Enterprise—a project almost eight years in the making. It’s a tradition that gave us web series like Star Trek: Hidden Frontier, which was exploring same-sex relationships in Star Trek well before the canon was ready to give us a mainstream, openly gay character."

Celebrating American Ingenuity and Innovation on World Intellectual Property Day; The White House, 4/26/16

Danny Marti, The White House; Celebrating American Ingenuity and Innovation on World Intellectual Property Day:

"Today, on World Intellectual Property Day 2016, we join our partners around the world in celebrating the important role that the creative and innovative communities play in our cultural and economic lives.

As President Obama said in commemoration of World Intellectual Property Day, or World IP Day, today: “Whether through the music or movies that inspire us, the literature that moves us, or the technologies we rely on each day, ingenuity and innovation serve as the foundations upon which we will continue to grow our economies and bridge our cultural identities.”...

So take a moment today to join President Obama in celebrating the role of intellectual property in our world. And to all the makers out there, keep doing what you do. America’s greatest export truly is the creativity and innovation of the American people."

Hong Kong Government Drops Controversial Copyright Legislation; Variety, 3/3/16

Patrick Frater, Variety; Hong Kong Government Drops Controversial Copyright Legislation:

"The Hong Kong government announced on Friday that it had dropped its long-running attempt to introduce new copyright legislation.

Earlier this week the government said that if it could not get the draft law passed in the Legislative Council — Hong Kong’s mini parliament — that it would withdraw the bill...

Much of the local film and TV industry had expressed support for the copyright amendment bill, arguing that the territory’s legislation was years out of date and allows widespread piracy. Opponents of the bill argued that it endangered freedom of expression and creativity, especially online, that the bill poorly drafted and would be out of date the moment it became law."

The copyright cartel's plot to indoctrinate California kindergartens; Guardian, 9/29/13

Dan Gillmor, Guardian; The copyright cartel's plot to indoctrinate California kindergartens: "Hollywood and the recording industry (aka the Copyright Cartel) are leading the charge to create grade school lessons that – at least, in their draft form, as published by Wired – have a no-compromise message: if someone else created it, you need permission to use it. Sounds wonderful, until you think about how creativity actually works. And never mind that the law, already tipped in favor of copyright holders, doesn't hold such an absolutist position. It's no surprise to learn that America's biggest internet service providers – let's call them the Telecom Cartel, since that's what they've become – are part of this propaganda scheme. It's sad to learn, however, that the California School Library Association has climbed aboard; the organization helped produce the lessons that, thankfully, are still only in draft form. But they are likely to reach California classrooms later this school year and, presumably, other parts of the nation later on... There's a concept called "fair use" – deliberately ignored in the lesson, on the absurd basis that kids can't understand it – that explicitly allows others to make use of our work in ways we don't like, or anticipate."

The Creative Cocktail: A Guest Post; New York Times, 12/23/10

New York Times; The Creative Cocktail: A Guest Post:

"Kal Raustiala, a professor at UCLA Law School and the UCLA International Institute, and Chris Sprigman, a professor at the University of Virginia Law School, are experts in counterfeiting and intellectual property. They have been guest-blogging for us about copyright issues. This week, they write about the role of copyright in cocktails."

Copyright and Football: A Guest Post; New York Times, Freakonomics, 9/17/10

Kal Raustiala and Chris Sprigman, New York Times, Freakonomics; Copyright and Football: A Guest Post:

"Kal Raustiala, a professor at UCLA Law School and the UCLA International Institute, and Chris Sprigman, a professor at the University of Virginia Law School, are experts in counterfeiting and intellectual property. They have been guest-blogging for us about copyright issues. Today, they write about copyrighting and football."

http://freakonomics.blogs.nytimes.com/2010/09/17/copyrighting-football-a-guest-post/?scp=2&sq=copyright&st=cse

[Documentary] Copyright Criminals; PBS, Independent Lens, Airing 1/19/10 10 PM (in Pittsburgh area; check local listings)

PBS, Independent Lens, Airing 1/19/10, 10 PM EST in Pittsburgh area (check for local listing broadcast times); [Documentary] Copyright Criminals:

"Long before people began posting their homemade video mashups on the Web, hip-hop musicians were perfecting the art of audio montage through sampling. Sampling — or riffing — is as old as music itself, but new technologies developed in the 1980s and 1990s made it easier to reuse existing sound recordings. Acts like Public Enemy, De La Soul and the Beastie Boys created complex rhythms, references and nuanced layers of original and appropriated sound. But by the early 1990s, sampling had collided with the law. When recording industry lawyers got involved, what was once called “borrowed melody” became “copyright infringement.”

COPYRIGHT CRIMINALS examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law and money. The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul and Digital Underground, as well as emerging artists such as audiovisual remixers Eclectic Method. It also provides first-person interviews with artists who have been sampled, such as Clyde Stubblefield — James Brown's drummer and the world's most sampled musician — and commentary by another highly sampled musician, funk legend George Clinton.

Computers, mobile phones and other interactive technologies are changing our relationships with media, blurring the line between producer and consumer and radically changing what it means to be creative. As artists find more inventive ways to insert old influences into new material, COPYRIGHT CRIMINALS poses the question: Can you own a sound?"

http://www.pbs.org/independentlens/copyright-criminals/