You'll Never Guess Where This FBI Agent Left a Secret Interrogation Manual; Mother Jones, 12/20/13

Nick Baumann, Mother Jones; You'll Never Guess Where This FBI Agent Left a Secret Interrogation Manual: "In a lapse that national security experts call baffling, a high-ranking FBI agent filed a sensitive internal manual detailing the bureau's secret interrogation procedures with the Library of Congress, where anyone with a library card can read it... The 70-plus-page manual ended up in the Library of Congress, thanks to its author, an FBI official who made an unexplainable mistake. This FBI supervisory special agent, who once worked as a unit chief in the FBI's counterterrorism division, registered a copyright for the manual in 2010 and deposited a copy with the US Copyright Office, where members of the public can inspect it upon request. What's particularly strange about this episode is that government documents cannot be copyrighted. "A document that has not been released does not even need a copyright," says Steven Aftergood, a government secrecy expert at the Federation of American Scientists. "Who is going to plagiarize from it? Even if you wanted to, you couldn't violate the copyright because you don't have the document. It isn't available." "The whole thing is a comedy of errors," he adds. "It sounds like gross incompetence and ignorance." Julian Sanchez, a fellow with the libertarian Cato Institute who has studied copyright policy, was harsher: "Do they not cover this in orientation? [Sensitive] documents should not be placed in public repositories—and, by the way, aren't copyrightable. How do you even get a clearance without knowing this stuff?""

Digital Firsts; Library Journal, 12/18/13

Matt Ennis, Library Journal; Digital Firsts: "The U.S Department of Commerce (DoC) has been collecting public comment on the topic of the first sale doctrine and digital files in recent weeks; the agency was scheduled to meet about the issue on December 12 in Washington, DC. First sale doctrine is a set of exemptions to U.S. copyright law that permit consumers to resell used books or DVDs and libraries to loan books without seeking permission from publishers. Yet for reasons examined in more detail below, first sale exemptions have not translated well for digital content. The DoC’s call for public comment could mark the beginning of a campaign to reassess what copyright and first sale mean in the modern digital era, notes one expert. While the case did not directly address digital content, the Supreme Court’s Kirtsaeng v. Wiley decision in March “has reawakened interest, on the content owners’ side, to revise first sale,” says Mary Minow, Follett Chair of the Graduate School of Library and Information Science, Dominican University, and executive editor of Stanford University’s Copyright and Fair Use website. “Perhaps that’s even part of the impetus behind this call for public comment. The energy is there to revise copyright law in its entirety, including first sale. If libraries aren’t speaking up about what it is that we need, we’re just going to be bulldozed over.”"

After Beijing And Marrakesh, WIPO Copyright Committee Feels The Pressure; Intellectual Property Watch, 12/17/13

Catherine Saez, Intellectual Property Watch; After Beijing And Marrakesh, WIPO Copyright Committee Feels The Pressure: "Expectations are high this week on the outcome of discussions of the World Intellectual Property Organization committee on copyright. On the agenda is a potential new treaty protecting broadcasting organisations, and limitations and exceptions to copyright for libraries, archives, and education. In the mix is a new proposal by Japan to include computer networks in protected broadcasts. After two consecutive successes in Beijing in 2012, with the Beijing Treaty on Audiovisual Performances, and in Marrakesh in 2013, with the Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired, or Otherwise Print Disabled, the committee is expected to continue work on a treaty that would protect broadcasting organisations and has been under discussion for the last 15 years... For developing countries, the issue of limitations and exceptions to copyright for libraries and archives, educational, teaching and research institutions, and persons with other disabilities, is of central importance, according to several opening statements, such as the Group of Latin American and Caribbean countries (GRULAC), the Asia and Pacific Group, and the African Group. Algeria, on behalf of the African Group, said the international copyright system should respond to both private and public interests and should help the universal propagation of knowledge. The Marrakesh treaty, the delegate said, paved the way towards this goal. No delegations “can dispute the need for developing countries to have greater access to knowledge,” she said."

Government Requests to Remove Online Material Increase at Google; New York Times, 12/19/13

Claire Cain Miller, New York Times; Government Requests to Remove Online Material Increase at Google: "Governments, led by the United States, are increasingly demanding that Google remove information from the Web... Often, the requests come from judges, police officers and politicians trying to hide information that is critical of them. The most common request cites defamation, often of officials... Government requests to remove information increased most significantly in Turkey and Russia because of online censorship laws, according to Google... Google also said officials were resorting to new legal methods to demand that Google remove content, such as citing copyright law to take down transcripts of political speeches or government news releases."

Copyright Office Calls for Congress to Reconsider Royalties for Artists; New York Times, 12/16/13

Patricia Cohen, New York Times; Copyright Office Calls for Congress to Reconsider Royalties for Artists: "The last time the United States Copyright Office examined the issue of whether visual artists should receive a share of the profits when their work is resold, in 1992, it concluded that resale royalties — known internationally by the French term droit de suite — were not a good idea. Now, after a recent re-examination of the issue, the Copyright Office has reversed itself. In a report issued Friday, it recommended that painters, illustrators, sculptors, photographers and the like deserve a royalty when their work is resold at a profit."

Argentina Passes Open Access Act For Publicly Funded Research; Intellectual Property Watch, 12/16/13

Maximiliano Marzetti, Intellectual Property Watch; Intellectual Property Watch; Argentina Passes Open Access Act For Publicly Funded Research: "The Congress of Argentina recently passed a landmark law making publicly funded science and technology research publications free and open access. On 13 November, the Argentinian Congress passed a law (No. 26.899, Creating Institutional Open Access Digital Repositories, Owned or Shared) establishing that all institutions belonging to the National Science and Technology System (SNCYT, according to its acronym in Spanish) that receive public funds (partly or entirely) shall create free and open access institutional digital repositories where all the scientific and technological publications (which includes journal articles, technical and scientific papers, theses, etc.) and research data must be available... With the new law Argentina, clearly aligns with those countries advocating the so-called green route (self-archiving) to open access, making publications freely available after the end of an embargo period."

Beatles recordings released 50 years later to protect copyright; CBS News, 12/17/13

CBS News; Beatles recordings released 50 years later to protect copyright: "It’s a public domain thing. In the same way that some of the classical novels - now anyone can publish them for $1.99. The music industry wants to make sure that it doesn't happen with the crown jewels,” he said. “Let’s face it - the Beatles back catalog is as precious as it gets to the music business and to fans.” The point of releasing the previously unreleased Beatles records is not so much to sell more Beatles music, but it’s to keep other people from selling Beatles music and to beat new European copyright laws that say you have to “use it, or lose it.”"

Beatles rarities being released to beat copyright laws; BBC News, 12/13/13

BBC News; Beatles rarities being released to beat copyright laws: "EU law protects recordings for 70 years, but only if they get an official release. Otherwise, the copyright period lasts 50 years. In the case of The Beatles, that means the master tape for their 1963 debut album Please Please Me is protected until 2033, but the unreleased session tapes for that album are not. If the Beatles chose not to release the recordings before the end of the year, it would mean other record labels could theoretically put them out and profit from them. The band's 1962 debut single, Love Me Do, arguably slipped out of copyright last year, before the EU's copyright extension was signed into law. At least one record company issued a "remastered" version of the song, although that has since been deleted. The copyright law in question only covers the recordings - the songs themselves remain the copyright of the composer for 70 years after their death."

Proposed EU Copyright Rules Could Aid Pandora, Spotify, Netflix, Lovefilm, In Fact Every Streaming Firm; Forbes, 12/10/13

Tim Worstall, Forbes; Proposed EU Copyright Rules Could Aid Pandora, Spotify, Netflix, Lovefilm, In Fact Every Streaming Firm: "The European Union is proposing some changes to how copyright works inside the bloc and one of the things they’re discussing could make it much easier for the streaming companies like Netflix NFLX +2.1%, Spotify, Pandora and all the rest. This is just, in this area at least, something under discussion, open for commentary, but it is one of those things that sounds like a good idea. The problem is that the EU market for copyright is extremely fragmented: to put it in US terms it’s almost as if each State offers copyright on things in that State."

One European copyright law-to-rule-them-all? EU launches review; Register, 12/10/13

Out-law.com, Register; One European copyright law-to-rule-them-all? EU launches review: "The European Commission is seeking industry views on whether to completely harmonise copyright laws across the EU. The Commission has launched a consultation in an effort to gather views on how to modernise the existing EU copyright framework (36-page/223KB PDF). Respondents are being asked for views on matters ranging from the accessibility of digital content across the trading bloc, limitations and exceptions to copyright protection and remuneration for rights holders. However, it is also consulting on whether to set copyright rules that apply consistently across the whole of the EU. At the moment there are a number of EU laws governing copyright but which each EU member state have implemented differently. "The idea of establishing a unified EU Copyright Title has been present in the copyright debate for quite some time now, although views as to the merits and the feasibility of such an objective are divided," the Commission said in its consultation paper. "A unified EU Copyright Title would totally harmonise the area of copyright law in the EU and replace national laws. There would then be a single EU title instead of a bundle of national rights.""

In a Scoreboard of Words, a Cultural Guide; New York Times, 12/7/13

Natasha Singer, New York Times; In a Scoreboard of Words, a Cultural Guide: "“We wanted to create a scientific measuring instrument, something like a telescope, but instead of pointing it at a star, you point it at human culture,” Mr. Michel recalls. The pair approached Peter Norvig, the director of research at Google, with a pie-in-the-sky proposal: to mine Google’s library of digital books so they could apply automated quantitative analysis to the typically qualitative study of history. According to the book, Mr. Norvig was intrigued. But he challenged the graduate students by asking how such a system could work without violating copyright. After some thought, Mr. Aiden and Mr. Michel proposed creating a kind of “shadow data set” that would contain frequency statistics on the most common words or phrases in the digitized books — but would not contain the books’ actual texts. The pair developed a prototype interface, called Bookworm, to prove their idea. Soon after, engineers at Google, including Jon Orwant and Will Brockman, built a public, web-based version of the tool."

Largest-Ever Open Access Publishing Initiative To Start At CERN In January; Intellectual Property Watch, 12/5/13

William New, Intellectual Property Watch; Largest-Ever Open Access Publishing Initiative To Start At CERN In January: "The European Organization for Nuclear Research (CERN) announced today that the largest scientific open access initiative ever will begin on 1 January 2014. The initiative, called the Sponsoring Consortium for Open Access Publishing in Particle Physics (SCOAP3), has the support of partners in 24 countries and will make available a vast portion of scientific articles in the field of high-energy physics, open access at no cost for any author. “[E]veryone will be able to read them; authors will retain copyright; and generous licenses will enable wide re-use of this information,” CERN said in a release. “This is the largest scale global Open Access initiative ever built,” it said, involving an international collaboration of over 1,000 libraries, library consortia and research organizations. SCOAP3 enjoys the support of funding agencies and has been established in co-operation with leading publishers, it noted."

IP-Watch Works To Open TPP Text; USTR Misses Response Deadline; Intellectual Property Watch, 12/4/13

William New, Intellectual Property Watch; IP-Watch Works To Open TPP Text; USTR Misses Response Deadline: "Intellectual Property Watch, an independent accredited journalist organisation, has been working with Yale Law School to make more information public about US government involvement in the Trans-Pacific Partnership agreement under negotiation with 11 other countries. The TPP talks begun in 2008 have been conducted under an unprecedented lack of transparency from the standpoint of media and the public, making it difficult to report meaningful stories about the issue, or for the public to provide meaningful input. IP-Watch, www.ip-watch.org, has worked for more than a year with the Yale Law School Media Freedom and Information Access Clinic (MFIA) to pursue a Freedom of Information Act (FOIA) request at the Office of the US Trade Representative (USTR) in order to obtain more information on the TPP. The request includes the US positions in the talks, and the lobbying influences that have shaped those positions. IP-Watch is particularly targeting aspects of the draft treaty related to intellectual property rights, but this is an issue that cuts across many other areas."

Appeals court considers Oracle's Java copyright claims; CNet, 12/4/13

Steven Musil, CNet; Appeals court considers Oracle's Java copyright claims: "A US appeals court on Wednesday considered whether Oracle should be afforded copyright protection over certain portions of the Java programming language in a case that is being closely watched by software developers. The appeal, being heard by the US Court of Appeals for the Federal Circuit in Washington, DC, is the latest chapter in the company's long-running patent and copyright battle over Google's use of Java application programming interfaces (APIs) in Android. Oracle sued Google in 2010, alleging that Google's use of 37 Java APIs in its mobile operating system constituted patent and copyright infringement. Google argued it was free to use them because the Java programming language is free to use and the APIs are required to use the language. Oracle countered that Google knowingly used the APIs without a license from Sun Microsystems, which Oracle purchased in 2010."

EU lawmakers ask for help tackling copyright questions in the cloud era; IDG News Service via PC World, 12/5/13

Jennifer Baker, IDG News Service via PC World; EU lawmakers ask for help tackling copyright questions in the cloud era: "The European Commission on Thursday asked the public for feedback on whether the European Union’s copyright laws are fit for the digital age. The consultation is part of a reform of the E.U.’s copyright rules. The Commission wants to create a level playing field across the E.U. with the possibility of a single license to cover all 28 member states. It is thought this would help companies like Spotify, which offers music streaming."

Hotfile forks over $80 million to settle MPAA copyright suit; CNet, 12/3/13

Dara Kerr, CNet; Hotfile forks over $80 million to settle MPAA copyright suit: "Hotfile agreed on Tuesday to pay $80 million to settle a copyright infringement lawsuit brought by the Motion Picture Association of America. It was also ordered to cease all operations unless it instituted "digital fingerprinting" copyright filtering technology... Not all cyberlockers have been deemed unlawful, however. In fact, the Digital Millennium Copyright Act's safe harbor protects online services as long as they obey some rules."

Does parody trump copyright?; Economist, 12/4/13

Economist; Does parody trump copyright? : "In most countries anyone wanting to use copyrighted material must obtain permission from the copyright holder (unless the holder has already issued a pre-emptive licence, such as one from the Creative Commons organisation). Two exceptions exist in American law. The first is compulsory licensing, which requires any song released to the public in any medium (from wax cylinder to digital download) to be available for any other party to re-record in a substantively similar form. The cover artist pays a fee to the composer for each copy sold or given away. The second exception is fair use, designed to allow parody, commentary and analysis that advance academic, political or social purposes. A four-part test determines whether a derivative work falls under fair-use protection. But the test is ambiguous and relies on litigation, which is costly. Most artists therefore avoid relying on fair-use provisions, and instead seek permission (as "Weird" Al Yankovic does with his parody songs) or avoid using copyrighted material that cannot be licensed... After receiving a complaint from the Beastie Boys' representatives, GoldieBlox filed a lawsuit commonly used in fair-use proceedings asking for a declarative judgment against the Beastie Boys, to affirm the advertisement's status as a parody... After the Beastie Boys published an open letter expressing their dismay at being sued, the toymaker pulled its ad and uploaded a new version with different music. It says it will withdraw its suit once the band agrees not to pursue its copyright-infringement action. Lawyers remain at odds over whether the advertisement represented a parody or simply a rip-off."

Beastie Boys Fight Online Video Parody of ‘Girls’; New York Times, 11/25/13

Dave Itzkoff, New York Times; Beastie Boys Fight Online Video Parody of ‘Girls’ : "GoldieBlox had filed a lawsuit on Thursday that asserted its right to use the music in the video, which has gone viral with more than eight million views. It said in the suit that it “created its parody video specifically to comment on the Beastie Boys song, and to further the company’s goal to break down gender stereotypes.” But the Beastie Boys, in the letter to GoldieBlox, said the video was essentially part of a commercial enterprise and “an advertisement that is designed to sell a product,” for which the band says it does not allow its music to be used."

John Conyers: Music legends deserve R-E-S-P-E-C-T; USA Today, 12/1/13

John Conyers, USA Today; Music legends deserve R-E-S-P-E-C-T: "A quirk of history protects songs recorded before 1972 under state law and songs recorded after Feb. 15, 1972 under federal law. Some digital radio services interpret that disparity to resist paying legacy artists who recorded music before 1972. The inexplicable result is that artists whose recordings were made before 1972 are not compensated by digital radio services while their counterparts whose recordings were made after that time are paid... While state law offers a patchwork quilt of protection, the Library of Congress has recommended revisions that ensure consistency and uniformity by bringing all sound recordings under the federal copyright umbrella. While we would need to work with the Library's experts, users and rights holders to address the complex issues presented by such a transition, it is worth the effort to protect older artists, curtail litigation and eliminate the untenable withholding of royalties."

BBC throws weight behind open data movement; Telegraph, 11/25/13

Sophie Curtis, Telegraph; BBC throws weight behind open data movement: "The BBC has signed Memoranda of Understanding (MoUs) with the Europeana Foundation, the Open Data Institute, the Open Knowledge Foundation and the Mozilla Foundation, supporting free and open internet technologies... The agreements will enable closer collaboration between the BBC and each of the four organisations on a range of mutual interests, including the release of structured open data and the use of open standards in web development, according to the BBC."

Haitian Photographer Wins Major U.S. Copyright Victory; New York Times, 11/23/13

James Estrin, New York Times; Haitian Photographer Wins Major U.S. Copyright Victory: "Photographers have struggled financially over the last decade as millions of images have been taken and published on the Web without proper attribution or compensation. And when photographers try to pursue copyright violators, it is often difficult and expensive. On Friday, the Haitian photographer Daniel Morel won a major copyright victory after a four-year fight over images he had originally sent out via social media. A Manhattan jury found that Agence France-Presse and its American distributor Getty Images willfully infringed upon Mr. Morel’s copyright of eight pictures he took of the 2010 Haiti earthquake and awarded him $1.22 million."

DC wins ‘final’ appeal in long battle over Superman rights; ComicBookResources.com, 11/22/13

Kevin Melrose, ComicBookResources.com; DC wins ‘final’ appeal in long battle over Superman rights: "As Deadline reports, in a 2-1 vote the Ninth Circuit on Thursday tied up the loose ends in what it describes as “the long-running saga regarding the ownership of copyrights in Superman — a story almost as old as the Man of Steel himself,” reaffirming an October 2012 ruling that the Shuster estate is prevented from reclaiming the artist’s stake in the character by a 20-year-old agreement with DC."

Rap Genius Says It Will Seek Licenses for Lyrics; New York Times, 11/14/13

Ben Sisario, New York Times; Rap Genius Says It Will Seek Licenses for Lyrics: "Rap Genius, a website that was accused by music publishers on Monday of reprinting thousands of song lyrics without permission, revealed that it had a major licensing deal all along — and also indicated that the site was likely to pursue more such deals in the future rather than fight with publishers over copyright. The site, which publishes detailed annotations of rap lyrics, was listed as the top offender of what the National Music Publishers’ Association, a trade group, called “blatant illegal behavior” by using lyrics without licenses from music publishers, which control songwriting copyrights. A favorite of fans and journalists alike, Rap Genius was by far the most prominent of the 50 sites identified by the trade group (most of the others had formulaic-sounding names like lyricsmania.com and lyricstranslate.com)."

U.S. copyright industries add $1 trillion to GDP; Los Angeles Times, 11/19/13

Richard Verrier, Los Angeles Times; U.S. copyright industries add $1 trillion to GDP: "The economic contributions of U.S. copyright industries reached new heights last year, for the first time contributing more than $1 trillion to the gross domestic product and accounting for 6.5% of the nation's economy, according to a new report. The study tracks the economic effect and contributions of U.S. industries engaged in the creation and distribution of computer software, video games, books, newspapers, periodicals and journals, as well as motion pictures, music, radio and television programming. Those industries contributed $1.01 trillion in value-added services to the nation's GDP in 2012. That's up from $965 billion in 2011 and $885 billion in 2009, according to research slated to be released Tuesday morning by the International Intellectual Property Alliance, a private coalition representing the Motion Picture Assn. of America, the Recording Industry Assn. of America and other groups... The findings are being released in advance of a congressional subcommittee hearing on copyright issues, one of several to be held on the topic in Washington over the next several months. Maria Pallante, register of copyrights at the U.S. Copyright Office, has signaled her support for updating federal copyright law."

Angered by MOOC Deals, San Jose State Faculty Senate Considers Rebuff; Chronicle of Higher Education, 11/18/13

Steve Kolowich, Chronicle of Higher Education; Angered by MOOC Deals, San Jose State Faculty Senate Considers Rebuff: "Mohammad H. Qayoumi, president of San Jose State University, has spent much of the year turning his campus into a testing ground for new online-teaching tools. But apparently he's also been testing the patience of faculty members, who say the idea of shared governance has been all but forgotten as he has sought technology that might eventually help the university teach more students for less money. Now the faculty is striking back. The Academic Senate is expected to vote on Monday on a proposed policy that would forbid the university to sign contracts with outside technology providers without the approval of tenured and tenure-track faculty members in whatever department would be affected... Mr. Qayoumi has cultivated close relationships with edX and Udacity, two major providers of massive open online courses, or MOOCs, and it's those relationships that have sparked conflicts with the faculty. EdX is a nonprofit undertaking backed by Harvard University and the Massachusetts Institute of Technology, while Udacity is a for-profit enterprise founded by three Stanford University computer scientists. The fieriest clash occurred in late April, when philosophy professors at the university, dismayed by the provost's suggestion that they incorporate material from a famous Harvard professor's edX course into the curriculum, published an open letter in The Chronicle criticizing the notion of "one-size-fits-all vendor-designed" courses."

Article: WIPO Director Gurry In Hot Seat On Eve Of Election Deadline; Intellectual Property Watch, 11/18/13

William New, Intellectual Property Watch; Article: WIPO Director Gurry In Hot Seat On Eve Of Election Deadline: "An article in the local Geneva press today asserts that World Intellectual Property Organization Director General Francis Gurry is in the hot seat over the inability of member states to pass a budget for the UN agency. The article ties the budget delay in part to member states’ concern over Gurry’s signing of a deal to set up an external WIPO office in Moscow following a 2011 meeting with Russian President Vladimir Putin. It also raises serious issues over alleged DNA gathered from the offices of several WIPO employees without their knowledge during the tumultuous transition of Gurry’s WIPO predecessor, who stepped down a year early in 2008. The 18 November article, which appeared in the Tribune de Geneve, is available here (in French)."

Siding With Google, Judge Says Book Search Does Not Infringe Copyright; New York Times, 11/14/13

Claire Cain Miller and Julie Bosman, New York Times; Siding With Google, Judge Says Book Search Does Not Infringe Copyright: "[Judge Denny Chin] cited the benefits for librarians, researchers, students, teachers, scholars, data scientists and underserved populations like disabled people who cannot read print books or those in remote places without libraries. He said it also helped authors and publishers by creating new audiences and sources of income... Paul Aiken, the executive director of the Authors Guild, said in an interview that the result was “obviously disappointing” and that the authors would appeal. “Google created unauthorized digital versions of most of the world’s copyright-protected books — certainly most of the valuable copyright-protected books in the world,” he said.“Google created unauthorized digital versions of most of the world’s copyright-protected books — certainly most of the valuable copyright-protected books in the world,” he said. Google issued a statement that said, “Google Books is in compliance with copyright law and acts like a card catalog for the digital age — giving users the ability to find books to buy or borrow.”... Case law has changed during that time, but so has the attitude toward digital texts, said Jonathan Band, a copyright lawyer for the Library Copyright Alliance, which filed an amicus brief in support of Google. “There’s an understanding that the way this technology works, there’s going to be copying,” he said. “And that there’s a sensibility in the courts that as long as the whole work is not displayed, and as long as the rights-holder isn’t harmed, then this copying that goes on behind the curtain just doesn’t matter.”"

Leaked treaty draft shows US at loggerheads with Pacific states on copyright; PC World, 11/14/13

Peter Sayer IDG News Service via PC World; Leaked treaty draft shows US at loggerheads with Pacific states on copyright: "A secretive international trade treaty up for discussion next week could have far-reaching effects on Internet services, copyright law and civil liberties, a draft of the treaty obtained by Wikileaks suggests. The Trans-Pacific Partnership (TPP) Agreement's 95-page draft chapter on intellectual property highlights disagreements between the negotiating parties, often pitting the U.S. and Australia on the one hand against Brunei, Canada, Chile, Japan, Malaysia, Mexico, New Zealand, Peru, Singapore and Vietnam on the other... The countries are fighting over rules that could extend the duration of copyright, limit exceptions to copyright, raise the level of damages for breaking technical protection measures such as digital rights management, and strengthen patents for drugs, medical procedures and living organisms."

Google prevails over authors in book-scanning U.S. lawsuit; Reuters, 11/14/13

Reuters; Google prevails over authors in book-scanning U.S. lawsuit: "Google Inc on Thursday won dismissal of a lawsuit by authors who accused the Web search and media group of digitally copying millions of books for an online library without permission. U.S. Circuit Judge Denny Chin in Manhattan accepted Google's argument that its scanning of more than 20 million books, and making "snippets" of text available for online searches, constituted "fair use" under U.S. copyright law."

In Music Piracy Battles, Lyrics Demand Respect Too; New York Times, 11/11/13

Ben Sisario, New York Times; In Music Piracy Battles, Lyrics Demand Respect Too: "When the forces of the music industry go after websites for using copyrighted content without permission, that content tends to come in the form of MP3 files or YouTube videos. But the National Music Publishers’ Association, a trade group representing thousands of publishers, noted in an online news conference on Monday that the Internet was also filled with sites that reprint song lyrics without licenses, selling advertising based on the enormous traffic they attract. According to the association, there are five million Google searches each day for lyrics, and more than half of all lyric page views are on unlicensed sites."

MPAA backs anti-piracy curriculum for elementary school students; Los Angeles Times, 11/11/13

Richard Verrier, Los Angeles Times; MPAA backs anti-piracy curriculum for elementary school students: "A draft of the curriculum, first published by Wired magazine, was blasted for presenting what critics said was a one-sided view of intellectual property by omitting the concept of fair use, which allows for the reproduction of copyrighted works without permission in certain cases, such as commentary and parody. "It sends the message that you always have to get permission before you can copy anything and that sharing is always theft and that if you violate copyright law all kinds of bad things will happen to you," said Corynne McSherry, intellectual property director for the Electronic Frontier Foundation. "It's a scare tactic." Fabio Marino, intellectual property rights attorney with the law firm McDermott Will & Emery, added, "The idea of educating the public starting with children about copyrights is a good one, but if you're going to do it, you should do it in an unbiased way.""

Iranian publisher purchases copyright of Persian translation of George R. R. Martin’s works; 11/11/13, Tehran Times

Tehran Times; Iranian publisher purchases copyright of Persian translation of George R. R. Martin’s works: "An Iranian publisher has purchased the Persian translation copyright of all works by American master of modern fantasy George R. R. Martin (1948). Based on a recent agreement, Behnam Publications will have the rights in Iran and all Persian-speaking countries to translate and distribute books by Martin, an author of fantasy, horror, and science fiction prose, the translator of his books in Iran, Milad Fashtami, told the Persian service of ISNA on Sunday. Since Iran has not joined the Universal Copyright Convention yet, this will help respect and observe the rights of the writer, Fashtami said."

Jay Z sued by TufAmerica over alleged copyright infringement; Guardian, 11/8/13

Guardian; Jay Z sued by TufAmerica over alleged copyright infringement: "Jay Z is being sued for allegedly sampling Eddie Bo's 1969 single Hook and Sling – Part 1 without permission. TufAmerica, the label representing Bo, claims that the sample appears in Jay Z's 2009 single Run This Town, which also featured Rihanna and co-producer Kanye West... TufAmerica has a history of suing over copyright infringement, with claims filed against the Beastie Boys, Christina Aguilera and West."

Law graduate film buff fined 10,000 yuan for copyright infringement; South China Morning Post, 11/8/13

Keira Lu Huang, South China Morning Post; Law graduate film buff fined 10,000 yuan for copyright infringement: "A 30-year-old Chinese man received a suspended sentence of three years in jail and fined 10,000 yuan for copyright infringement in Jiangyin, Jiangsu province on Wednesday. According to the Jiangyin People’s Court, Zhang graduated from an elite Chinese University with a degree in international economic law. However, instead of pursuing a legal career, Zhang, an enthusiastic movie fan, devoted himself to translating non-mainstream art films and selling them online. Zhang even learned English, French, Japanese, German, Russian and Korean to help him in his work... In China, awareness of copyright protection has slowly been building over the past 20 years... Zhang works alone and has always been aware that his actions violated the law, but he didn’t treat the copyright regulations seriously."

With Open Platform, Stanford Seeks to Reclaim MOOC Brand; Chronicle of Higher Education, 11/4/13

Steve Kolowich, Chronicle of Higher Education; With Open Platform, Stanford Seeks to Reclaim MOOC Brand: "Now Stanford is looking to reclaim some leadership in the MOOC movement from the private companies down the street. For some of its offerings it has started using Open edX, the open-source platform developed by edX, an East Coast nonprofit provider of MOOCs. And Stanford is marshaling its resources and brainpower to improve its own online infrastructure. In doing so, the university is putting its weight behind an open-source alternative that could help others develop MOOCs independently of proprietary companies. Why? "There are people who are uncomfortable for a range of reasons," says Jane Manning, director of platforms for Stanford Online, the university's new online-learning arm. "They've seen what happened on the research side of the house with the academic publishers, where academic publishers ended up having a lot of pricing power.""

Libraries in the Time of MOOCs; Educause Review, 11/4/13

Curtis Kendrick and Irene Gashurov, Educause Review; Libraries in the Time of MOOCs: "MOOCs give librarians new opportunities to help shape the conversation about changes in higher education and to guide administrators, faculty, and students through these changes. To assume this role, librarians must understand the MOOCs landscape. Numerous stakeholders will have an interest in the massive intellectual property that ultimately resides in libraries' owned and licensed digital repositories. Studying and adopting technologies to manage and monitor MOOC usage of library resources will be essential to controlling access and tightening Internet safeguards."

Thinking Through Fair Use [Interactive Tool]; University of Minnesota - University Libraries

University of Minnesota - University Libraries; Thinking Through Fair Use [Interactive Tool for determining when use of a copyrighted work is fair use]: "Thinking Through Fair Use: Even after you've fully educated yourself about fair use (the information on our site is just a start), it can be difficult to remember all the relevant issues when you're looking at a potential use you'd like to make. We've developed one tool that may assist you in your thought process. The Office for Information Technology Policy of the American Library Association also steps you through the process with a similar interactive tool."

Copyright trolling: Make money by scaring people; District Dispatch, The Official ALA Washington Office Blog, 11/4/13

Carrie Russell, District Dispatch, The Official ALA Washington Office Blog; Copyright trolling: Make money by scaring people: "Actual copyright lawsuits against schools and librarians are rare. There are provisions in the copyright law that safeguard educators and librarians from statutory damages when they believed their use of a protected work was fair. The Eleventh Amendment shields institutions funded by the state from statutory damages. In other words, there is little money that can be awarded to the rights holder even if the case goes their way. Second, don’t fall for these hijinks. Just because a rights holder says you are an infringer does not mean that you are. More importantly, learn about fair use which is the most important thing you should know about copyright. This alone will help you better serve your community as a professional committed to the school’s educational mission and access to information for all."

Disney and Dish Wrangle Not Over Broadcast Fees, but the Future of TV; New York Times, 11/3/13

Brian Stelter, New York Times; Disney and Dish Wrangle Not Over Broadcast Fees, but the Future of TV: "Of course money always matters, but often, as in the Dish-Disney negotiations, which are steadily advancing in private, the bigger sticking points involve digital rights... At the same time, the industrywide plan to let paying subscribers log onto websites and watch television on laptop computers, tablets and phones, sometimes known as “TV Everywhere,” has not made nearly as much progress as its proponents would like. Both sides, the Disneys that produce programming and the Dish Networks that deliver it, say they are working on behalf of subscribers to make live and on-demand television more readily accessible. But conflicts keep cropping up, sometimes leading to programming blackouts. “Consumers are demanding, more and more, that they be enabled to watch whatever they want, wherever they want, whenever they want,” said Michael Willner, chief executive of Penthera Partners, who ran the cable operator Insight Communications until it was sold to Time Warner Cable last year. “The question on the table today is whether consumers are getting those rights with their current cable or satellite subscriptions or will they have to pay for them separately.”"

U.S. Teams Up With Operator of Online Courses to Plan a Global Network; New York Times, 10/31/13

Tamar Lewin, New York Times; U.S. Teams Up With Operator of Online Courses to Plan a Global Network: "Coursera, a California-based venture that has enrolled five million students in its free online courses, announced on Thursday a partnership with the United States government to create “learning hubs” around the world where students can go to get Internet access to free courses supplemented by weekly in-person class discussions with local teachers or facilitators. The learning hubs represent a new stage in the evolution of “massive open online courses,” or MOOCs, and address two issues: the lack of reliable Internet access in some countries, and the growing conviction that students do better if they can discuss course materials, and meet at least occasionally with a teacher or facilitator... Coursera is joining forces with the State Department’s MOOC Camp Initiative, now operating in 40 countries — about half using Coursera courses, and the other half courses from such providers as edX and Open Yale, whose courses are also available free on the Internet."

Tug of War Stretches Architect’s Legacy; New York Times, 11/3/13

Randy Kennedy, New York Times; Tug of War Stretches Architect’s Legacy: "Ms. Magid, who has delved deeply into many of Barragán’s personal papers, letters and books that remain in a smaller archive in Mexico City, has made intellectual property rights a front-and-center subject of her show at Art in General mainly by going to gymnastic lengths to stay just outside the bounds of copyright infringement. Images of Barragán works are not reproduced. Instead she bought several copies of a 2001 Barragán book by Ms. Zanco and hung them on the wall like ready-mades, with frames around images so they resemble photographic prints. Unable to get the Swiss foundation to loan a Butaca chair, one of Barragán rare furniture creations, Ms. Magid photographed a miniature of the chair once produced by Vitra and enlarged it to actual size. Ms. Zanco has warned Ms. Magid in writing to be wary of “copyright implications” in the way she pursues her own Barragán fascinations. But in the interview, Ms. Zanco insisted that she bears no animus toward the artist: “The questions she poses are compelling,” she said. “I love that.” She added that she hoped the two could collaborate in the future."

UK Implements Copyright Term Extension From 50 to 70 Years; Intellectual Property Watch, 11/4/13

Intellectual Property Watch; UK Implements Copyright Term Extension From 50 to 70 Years: "The United Kingdom has announced the implementation of new rules that extend the term of copyright for sound recordings and performers rights in such recordings from 50 to 70 years."

Bill Bryson's copyright stoush with Mike Gerrard has wider implications; Sydney Morning Herald, 10/18/13

Nick Galvin, Sydney Morning Herald; Bill Bryson's copyright stoush with Mike Gerrard has wider implications: "Author Bill Bryson's warm and cuddly image has been somewhat tarnished after his publishers reportedly turned on a journalist for republishing an interview from nearly 20 years ago. British travel writer and guidebook author Mike Gerrard, who interviewed Bryson in 1994, recently decided to republish the interview as an 8000-word, 27-page e-book. According to travel industry blog, World Travel Market, Bryson’s lawyers took exception to Gerrard’s enterprise, claiming it breached the award-winning author's copyright. They demanded the book be removed from the Amazon store, a request Amazon agreed to, much to Gerrard’s annoyance."

In Dispute Over a Song, Marvin Gaye’s Family Files a Countersuit; New York Times, 10/30/13

Ben Sisario, New York Times; In Dispute Over a Song, Marvin Gaye’s Family Files a Countersuit: "According to the suit, which was first reported by The Hollywood Reporter, a musicologist, Judith Finell, studied “Blurred Lines” and “Got to Give It Up” and found “a constellation of at least eight distinctive and important compositional elements” between them... In a statement, Sony/ATV said that another musicologist had determined that “Blurred Lines” did not infringe on “Got to Give It Up,” and also defended its corporate role as a steward for songwriters."

15 years ago, Congress kept Mickey Mouse out of the public domain. Will they do it again?; Washington Post, 10/25/13

Timothy B. Lee, Washington Post; 15 years ago, Congress kept Mickey Mouse out of the public domain. Will they do it again? : "For most of history, a great character or story or song has passed from its original creator into the public domain. Shakespeare and Charles Dickens and Beethoven are long dead, but Macbeth and Oliver Twist and the Fifth Symphony are part of our shared cultural heritage, free to be used or re-invented by anyone on the planet who is so inclined. But 15 years ago this Sunday, President Clinton signed the Sonny Bono Copyright Term Extension Act, which retroactively extended copyright protection. As a result, the great creative output of the 20th century, from Superman to "Gone With the Wind" to Gershwin’s "Rhapsody in Blue," were locked down for an extra 20 years. Without the 1998 Copyright Term Extension Act, the book Gone with the Wind would have fallen into the public domain at the end of 2011, and the film would fall into the public domain at the end of 2014. (MGM) It was a windfall to the families and corporations that owned these lucrative copyrights. But it meant these iconic works would be off-limits to those who wanted to reuse or reinvent them without permission. And hundreds of thousands of lesser-known works aren’t available at all, because there's no cost-effective way to obtain permission to republish them. The copyright extension Clinton signed will expire in five years. Copyright holders like the Disney Corp. and the Gershwin estate have a strong incentive to try to extend copyright extension yet further into the future. But with the emergence of the Internet as a political organizing tool, opponents of copyright extension will be much better prepared. The question for the coming legislative battle on copyright is who will prevail: those who would profit from continuing to lock up the great works of the 20th century, or those who believe Bugs Bunny should be as freely available for reuse as Little Red Riding Hood."

Copyright and Intellectual Property: Change is Coming; Wired.com, 10/29/13

Vitalii Soldatenko, Wired.com; Copyright and Intellectual Property: Change is Coming: "Against the backdrop of the new developments and opportunities in today’s information-centric culture, copyright registration can be an obsolete mean to an ineffective end. In many cases, it’s even a limiting factor for industry development, and oddly enough, infringes on the rights of authors. Our current intellectual property system benefits corporations by complicating the process of protecting the rights of content creators. In an era where opportunities and innovations abound our system is almost a tragic comedy."

FYI: Free Online Webinar Wed. Afternoon Oct. 30th: Copyright & Accessibility for Uploaded, Downloaded, Using Videos- esp. YouTube, October 30, 2013 3:00 PM EDT

FYI: "Free Online Webinar Wed. Afternoon Oct. 30th: Copyright & Accessibility for Uploaded, Downloaded, Using Videos- esp. YouTube, October 30, 2013 3:00 PM EDT Members Exchange: Copyright & Accessibility for Uploaded, Downloaded, Using Videos- esp. YouTube, October 30, 2013 3:00 PM EDT Bookmark and Share Members Exchange: Copyright & Accessibility for Uploaded, Downloaded, Using Videos- esp. YouTube October 30, 2013 3:00-4:00 pm Eastern Time Leaders: Steve Gilbert and others Copyright for uploaded videos: Creative Commons, YouTube Accessibility for Videos: Captions, Tags, Transcription Accessibility: Google/YouTube This session is free to TLT Group Individual Members, to TOL4B registrants and planners. Don't forget to use the email address where you received this message as your username and login password when you come to the session. All of the TLT Group’s online offerings include use of “low threshold” tools, examination of controversial issues, options for participants with a range of experience, and suggestions for assessment as you integrate what you’ve learned into your repertoire. More information and online registration: Members Exchange: Copyright & Accessibility for Uploaded, Downloaded, Using Videos- esp. YouTube, October 30"

Seeking Students’ Short ‘Hamlet’ Videos; New York Times, 10/29/13

New York Times; Seeking Students’ Short ‘Hamlet’ Videos: "“Brevity is the soul of wit,” declares Polonius in William Shakespeare’s “Hamlet.” And perhaps short videos of lines from one of the Bard’s most-loved plays will expose the souls of their performers, too. So The New York Times invites student actors and actresses to submit their performances of lines from “Hamlet” using Instagram. The Times’s critics have been cataloging the recent bounty of professional performances of Shakespeare’s plays. And with several stagings of “Hamlet” opening soon, we’d like to see how high school and college students interpret key lines from the play using the cameras and apps on the smartphones they might be carrying... The deadline to submit a video link is Dec. 1, [sic???] 2103. The best videos will be featured on nytimes.com later in December... By submitting to us, you are promising that the content is original, doesn’t plagiarize from anyone or infringe a copyright or trademark, doesn’t violate anybody’s rights and isn’t libelous or otherwise unlawful or misleading. You are agreeing that we can use your submission in all manner and media of The New York Times and that we shall have the right to authorize third parties to do so. And you agree to the rules of our Member Agreement, found online at our website."

Web inventor's open data organisation announces new global network; Guardian, 10/29/13

Peter Kimpton, Guardian; Web inventor's open data organisation announces new global network: "Just one year after its foundation in London, an organisation created by Sir Tim Berners-Lee and Sir Nigel Shadbolt to stimulate economic, environmental and social innovation through a system of open data sharing and analysis, has announced rapid global expansion of its ambitions. The Open Data Institute has announced the launch of 13 international centres, known as "nodes", each of which will bring together companies, universities, and NGOs that support open data projects and communities. The nodes will be based in the US, Canada, France, Dubai, Italy, Russia, Sweden and Argentina, with two extra US nodes Chicago and North Carolina. Three further UK nodes are to open in Manchester, Leeds and Brighton. The new ODI nodes will variously operate at local and national levels. Each one has agreed to adopt the ODI Charter, which is a open source codification of the ODI itself, and embodies principles of open data business, publishing, communication, and collaboration."

Star Characters, Spun Anew, May Live Well More Than Twice; New York Times, 10/22/13

Sarah Lyall, New York Times; Star Characters, Spun Anew, May Live Well More Than Twice: "Authors’ estates that still hold copyright — in the case of Fleming, this will last until 2034, 70 years after his death — stand to make tidy profits from licensing the rights for sequels, and can also lure new readers to old franchises. “This is bringing a fresh, new interesting life to Bond,” said Corinne Turner, managing director of Ian Fleming Publications. It’s “about the heritage,” she said, not the money... As for Mr. McCall Smith’s plans to rework “Emma,” various commenters groused on the BBC Web site that if there was ever a case to be made for not tampering with perfection, this was it. Mr. McCall Smith, though, said his assignment was simply to use “Emma” as a starting point for his own imagination. Austen has developed into a cottage industry, with reimagined books and movies — “Clueless,” “The Jane Austen Book Club,” “Pride and Prejudice and Zombies” to name a few — appearing all the time. And the publishing world is littered with the entrails of authorized sequels to Margaret Mitchell’s “Gone With the Wind,” including Emma Tennant’s “Tara” (the book fell apart when she fell out with the Mitchell estate) and Alexandra Ripley’s “Scarlett,” a commercial success but a critical disaster."